Long-vacant grain silos in Chicago up for auction, future uncertain

One of Chicago‘s most visible rust-belt remnants is up for sale, just in time for its cameo in the Transformers 4 movie. The derelict Santa Fe grain elevator has been a favorite hangout for squatters, graffiti artists and ruin-porn enthusiasts since 1977, when a fire and explosion ended 70 years of industrial history there.

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Philip Johnson’s Farney House in Sagaponack, New York has been demolished

Architecture, East, Newsletter, Preservation
Wednesday, October 15, 2014
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The Farney House. (© Ezra Stoller/Esto)

The Farney House. (Ezra Stoller/Esto)

The village of Sagaponack, New York has confirmed to AN that Philip Johnson’s Farney House has been demolished. A Robert A.M. Stern–designed home is expected to rise in its place. Johnson completed the home in 1946, just three years before his world-famous Glass House in New Canaan. The now-disappeared Hamptons home is believed to have inspired that later work.

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Rem Koolhaas’ Biennale: Or how the Tempest Swept Venice

Architecture, International, Review
Wednesday, October 15, 2014
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[Editor's Note: The Venice Architecture Biennale is still on through November 23 and it's still proving to be controversial. Professor Peter Lang shares his thoughts on Rem Koolhaas' event here.]

A Tale about the Magician Koolhaas who plays Prospero, lives on an island in the Venetian Laguna, and brings a Tempest to the Venice Biennale.

Miranda:
O wonder!
How many goodly creatures are there here!
How beauteous mankind is! O brave new world,
That has such people in’t.
—William Shakespeare, The Tempest, Act V, Scene I, ll. 203–206[5]
(Aldous Huxley quoted this line from the Tempest for the title of his dystopian novel Brave New World published in 1931)

In choosing to take a different perspective on the 14th edition of the Architecture Biennale in Venice directed by Rem Koolhaas, I decided to skip the standard blow-by-blow critique, and instead confront what I believe is the greatest enigma behind this controversial event. Up till now, the majority of critics taking a look at this year’s exhibition find fault with Koolhaas’ method, not so much with his madness. But the key to the exhibition is not in its studied aloofness, but in its insubordination—Koolhaas is determined to shake up the Biennale institution by any means possible.

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New York New Practices 2014 winner, NAMELESS Architecture, presents its work tomorrow night

Architecture, Awards, East
Wednesday, October 15, 2014
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Examples of NAMELESS Architecture's work. (Courtesy AIA)

Examples of NAMELESS Architecture’s work. (Courtesy AIA)

In 2006, the New York chapter of the AIA created the New Practices competition to showcase emerging architecture and design firms that could very well be the Next Big Thing in New York City. Among this year’s winners are Unchung Na, Sorae Yoo, and Kiseok Oh of NAMELESS Architecture and they’re presenting their winning work, (im)possible architecture, tomorrow night at the Hafele Showroom in Manhattan.

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Archtober Building of the Day #14> Wieden & Kennedy offices by WORKac

Architecture, East, Interiors
Wednesday, October 15, 2014
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(James Fallarino)

(James Fallarino)

Archtober Building of the Day #14
Wieden & Kennedy
150 Varick Street, 6th Floor
WORKac

Sam Dufaux, associate principal of WORKac, led a full boatload of Archtober enthusiasts through the New York offices of renowned Portland, Oregon–based ad agency Wieden + Kennedy.

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Cambridge Architectural’s Steel-Wrapped Embassy

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Cambridge Architectural's wire mesh facade screens the new glass atrium at the South African Embassy in Washington, DC. (Eric Taylor)

Cambridge Architectural’s wire mesh facade screens the new glass atrium at the South African Embassy in Washington, DC. (Eric Taylor)

Metal mesh bridges old and new in Davis Brody Bond renovation.

For their renovation and expansion of the South African Embassy in Washington, DC, Davis Brody Bond faced an unusual aesthetic challenge. Besides updating the two historic buildings housing the embassy’s offices and residence, they were tasked with building a new atrium for public welcoming, public events, and conference rooms—right in between the two older buildings. The architects turned to Cambridge Architectural, a Maryland manufacturer of wire mesh architectural systems. “Davis Brody Bond wanted to have this new building as a very contemporary element between the two limestone buildings,” said Cambridge Architectural’s Ann Smith. A wire mesh facade seemed a perfect solution to the problem of combining old and new, seamlessly bridging the two masonry structures, and providing crucial sun shading for the glass atrium.

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Archtober Building of the Day #13> The Museum at Eldridge Street

Architecture, East
Tuesday, October 14, 2014
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(Benjamin Kracauer)

Archtober Building of the Day #13
The Museum at Eldridge Street
12 Eldridge Street
Archimuse

The Columbus Day holiday and parade did not deter the Archtober faithful from attending a very special family event at the Museum at Eldridge Street. Archtober first visited the 1887 Eldridge Street Synagogue on on October 28, 2012 in the shadow of the looming Superstorm Sandy, to enjoy the fruits of a 20-year restoration project that culminated in the 2010 installation of the Kiki Smith rose window. Now, adding to the manifold riches to be found within is a fully realized Museum at Eldridge Street, the result of a collaboration of curators, historians, architects Archimuse, and graphic designers.

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Archtober Building of the Day #12> The Pavilion at Brookfield Place

Architecture, East
Tuesday, October 14, 2014
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(Julia Cohen)

Archtober Building of the Day #12
The Pavilion at Brookfield Place
100 West Street
Pelli Clarke Pelli Architects

It is impossible not to notice The Pavilion at Brookfield Place from almost any viewpoint near it’s location on 100 West Street. A glass curtain wall seems barely to contain the steel trees that emerge from its floor. While our Archtober tour was conducted under the noonday sun, one can easily imagine the building’s brilliance after nightfall.

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Meet AN’s 2015 Best Of Design Awards Jury

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While architecture and design firms across the country and around the world gear up to register (the deadline is November 3) for The Architect’s Newspaper‘s 2015 Best Of Design Awards, we’d like to take the opportunity to introduce this year’s jury. As with last year, we invited a group of prominent design professionals whose expertise covers the nine categories in which we are giving awards. Collectively, they will lend their broad experience and individual perspectives to what is certain to be the very difficult task of choosing the best of many sterling projects.

Meet the jury after the jump.

On View> Architecture & Design Film Festival lights up New York

Architecture, East, On View
Tuesday, October 14, 2014
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Still from Cathedrals of Culture. (Courtesy ADFF)

Still from Cathedrals of Culture. (Courtesy ADFF)

Architecture & Design Film Festival
Tribeca Cinemas
54 Varick Street, New York
212.941.2001

It’s that time of year again, when the Architecture & Design Film Festival brings a bouquet of moving image portraits about the built environment and the creators behind them to New York. From October 5–19 at Tribeca Cinemas, you can catch the U.S. premiere of the much-anticipated series masterminded by Wim Wenders, Cathedrals of Culture. Made by six directors—Wenders, Robert Redford, Michael Glawogger, Michael Madsen, Margreth Olin and Karim Aïnouz—about six buildings: Berlin Philharmonic, the National Library of Russia, Halden Prison, the Salk Institute, the Oslo Opera House, and the Centre Pompidou, all in 3-D.

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Archtober Building of the Day #11> Queens’ Glen Oaks Branch Library

Architecture, East
Tuesday, October 14, 2014
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(Courtesy AIANY)

Archtober Building of the Day #11
Glen Oaks Branch Library
256-04 Union Turnpike, Queens
Marble Fairbanks

The goal of libraries is to provide communities with access to resources, said Karen Fairbanks, founding partner of Marble Fairbanks. Before Fairbanks and a large team of fellow architects, landscape architects, and engineers designed the new Glen Oaks Branch Library, community members were yearning for a facility that could provide more resources that better serve their needs.

Continue reading after the jump.

Greenbuild 2014 heads to New Orleans on October 22–24

Greenbuild 2010. (Charles & Hudson / Flickr)

Greenbuild 2010. (Charles & Hudson / Flickr)

Greenbuild 2014, the country’s largest conference and expo on sustainable building and design, will be held at the Morial Convention Center in New Orleans. This year’s conference, which runs from October 22–24, is themed “Leadership Jazz” and is expected to draw 23,000 attendees and 600 exhibitors from around the country.

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