Hedge Two-Way Mirror Walkabout
Metropolitan Museum of Art
1000 5th Avenue, New York
Through November 2. 2014
One of the great gifts bestowed on New York in the summer is the Metropolitan Museum of Art’s roof garden. You are thrust into Olmsted’s Central Park from a promontory surrounded by the perimeter skyline on all sides. The trick with the rooftop art commissions is to play with the space, the views, and the interrelationships between the two. The goal is to make the viewer see them differently—you want to feel like the rooftop is your personal terrace in the sky while sharing it with others in a magnificent secret shared space.
Chicago’s top art school announced big changes in its design department this morning.
The School of the Art Institute of Chicago Thursday announced their selection of Jonathan Solomon as the new Director of the Department of Architecture, Interior Architecture, and Designed Objects (AIADO). Solomon, who comes from his position as associate professor and associate dean at the School of Architecture at Syracuse University, assumes the job officially on August 1.
At first glance, the glass-observation boxes that jut out of the Willis Tower’s 103rd floor don’t look all that safe—and that is exactly the point. The SOM-designed attraction, known as the Ledge, opened in 2009 and offers “thrill seekers,” “death defiers,” and “people who can wait in a really long line” the chance to step outside of the iconic skyscraper and look straight down at the streets of Chicago, 1,353-feet below. The floor of the suspended structure is comprised of 1.5-inch laminated glass panels, which can hold 10,000 pounds and withstand four tons of pressure. So, the danger is all imagined, right? Well, it certainly didn’t feel that way for a California family who visited last night.
A group of Cooper Union professors, alumni, and students has filed a lawsuit against the school’s Board of Trustees over its decision last spring to start charging undergraduate tuition at the school. At the time, the board said the cash-strapped institution had no choice but to break their long-held tradition of offering free arts and architecture education. They announced that the change would go into effect this coming fall, and that tuition would be set on a sliding scale.
The Los Angeles Philharmonic has a thing for star architects. As part of a trilogy of Mozart operas directed by Gustavo Dudamel (himself a global celebrity), in 2012 Frank Gehry designed the set for Don Giovanni, in 2013 Jean Nouvel designed one for The Marriage of Figaro, and this month Zaha Hadid Architects has designed the backdrop for Così fan tutee, the trilogy’s finale.
As Brooklyn Bridge Park opens two new piers, a planned green space five miles south continues to sit empty. Work began on Bush Terminals Piers Park in Sunset Park in 2009—just months after Brooklyn Bridge Park got started—but has been behind construction fencing ever since. The park was slated to start opening last fall, but that did not happen. And it’s still not clear when it will.
For the past 15 years, the Divine Lorraine Hotel in Philadelphia has been sitting vacant at the corner of Broad and Fairmount. The 10-story building, which opened in 1894 as luxury apartments, was once a towering symbol of wealth. Today, it is a graffiti-covered shell of its former self—but that could soon change. A local developer is finalizing plans to bring the building back to life. Before that happens, AN was allowed inside—and on top of—the Divine Lorraine to see the space in all its tagged and gutted glory.
The Glasgow School of Art—considered Charles Rennie Mackintosh’s masterwork—has caught fire, and early reports indicate that a large section of the building has been destroyed. Considered a “total work of art,” Mackintosh fused arts and crafts elements with a robust, almost industrial structure, which, in many ways, presaged the development of modernism. Steven Holl Architects recently completed an addition to the building, which AN just reviewed. Holl and design partner Chris McVoy released the following statements.
Eighty-five year old Frank Gehry has been named the laureate of the prestigious Prince of Asturias Award for the Arts for his design for the Guggenheim Bilbao. He beat out thirty-six other candidates to become the sixth architect to win this illustrious honor. Gehry’s titanium design for the Guggenheim opened in 1997 and helped to breath new life into the industrial city. According to the jury, “His buildings are characterized by a virtuoso play of complex shapes, the use of unusual materials, such as titanium, and their technological innovation, which has also had an impact on other arts. An example of this open, playful and organic style of architecture is the Guggenheim Museum in Bilbao, which, in addition to its architectural and aesthetic excellence, has had an enormous economic, social and urban impact on its surroundings as a whole.”