Put It Back: A Call to Rebuild Mackintosh’s Glasgow School of Art

(Ross Cowan / Flickr)

(Ross Cowan / Flickr)

[Editor's Note: Following a devastating fire at the Glasgow School of Art on Friday, May 23, the university has launched a fundraising campaign to assist with restoration and rebuilding efforts. To support the fund, donate online here. Work has been ongoing to assess the damage and salvage what remains. This article originally appeared on Witold Rybczynski's blog, On Culture and Architecture. It appears here with permission of the author. ]

The tragic fire at the Glasgow School of Art, Charles Rennie Mackintosh’s masterpiece, raises anew the question: How to rebuild? In a thoughtful blog, George Cairns of Melbourne’s RMIT, who has studied the building in detail, points out that many undocumented changes were made during the building’s construction, so it will be impossible to recreate what was there. In addition, the inevitable demands of modern fire security will likely alter the original design. Rather than try to rebuild Mackintosh’s design, Cairns argues for “great architects to be invited to design a worthy intervention that will breathe new life into the school.”

Continue reading after the jump.

On View> Palaces for the People: Guastavino and the Art of Structural Tile

08-guastavino-vault-exhibit-nyc-archpaper

Della Robbia Room Bar, Vanderbilt Hotel, 1912

Palaces for the People: Guastavino and the Art of Structural Tile
Museum of the City of New York
1220 5th Avenue, New York
Through September 7th

Coming to New York City from Washington, D.C., this exhibition illuminates the legacy of architect and builder Rafael Guastavino. A Catalan immigrant, Guastavino created the iconic (and aptly named) Guastavino tile. By interlocking terracotta tiles and layers of mortar to build his arches, Guastavino married old-world aesthetics with modern innovation. The resulting intersection of technology and design revolutionized New York City’s landscape, and is used in over 200 historic buildings including Grand Central Terminal, Carnegie Hall, The Bronx Zoo’s Elephant House, and Ellis Island.

View a slideshow of Guastavino vaults after the jump.

Celebrate the 10th Anniversary of OMA’s Seattle Central Library with These 10 Great Photos

Architecture, Pictorial, West
Monday, June 2, 2014
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Seattle Public Library (Jeff Wheeler/Flickr)

Seattle Public Library (Jeff Wheeler/Flickr)

The Seattle Central Library celebrated its 10th anniversary this year on May 23rd with live music, free treats and refreshments, and guest appearances from some of the chief architects and minds behind the construction of the building. Regarded as the prize library of Seattle’s library system, the Seattle Central Library, designed by Rem Koolhaas’ OMA, has also garnered criticism and acclaim for its unique architectural design. To celebrate the decade, AN has compiled a collection of ten great photos that will give the online viewer a virtual tour of Seattle’s unique cathedral of reading.

Ten amazing photos of the library after the jump.

The Menil’s Modulated Light: Museum’s Design Creates a Light Choreography Through Space

Light Modulation starts outside the building (MDI/ Johnston Marklee)

Light Modulation starts outside the building (MDI/ Johnston Marklee)

The architecture of Johnston Marklee’s recently-unveiled Menil Drawing Institute has wowed most observers and critics, including our own. But an equally significant element of the $40 million project is its lighting, a combination of innovation and subtlety, natural and artificial light.

Continue reading after the jump.

MAD Studio Begins Construction of Organically-Curving Chaoyang Park Plaza Towers

Chaoyang Park Plaza. (Courtesy MAD Studio)

Chaoyang Park Plaza. (Courtesy MAD)

Nearly two years after preliminary discussions and planning, the Chinese studio MAD has set their project “Urban Forest” into motion, breaking ground in late April. Led by renowned architect Ma Yansong, MAD architects intends to transform the city of Beijing, China by erecting eco-friendly buildings—called Chaoyang Park Plaza—in the shape of natural landscapes commonly found in Southeast Asia.

More renderings after the jump.

On View> Dan Graham’s Rooftop Pavilion at the Metropolitan Museum Reflects on Public Space

(Courtesy Metropolitan Museum)

(Courtesy Metropolitan Museum)

Hedge Two-Way Mirror Walkabout
Metropolitan Museum of Art
1000 5th Avenue, New York
Through November 2. 2014

One of the great gifts bestowed on New York in the summer is the Metropolitan Museum of Art’s roof garden. You are thrust into Olmsted’s Central Park from a promontory surrounded by the perimeter skyline on all sides. The trick with the rooftop art commissions is to play with the space, the views, and the interrelationships between the two. The goal is to make the viewer see them differently—you want to feel like the rooftop is your personal terrace in the sky while sharing it with others in a magnificent secret shared space.

COntinue reading after the jump.

Chicago’s School of the Art Institute taps Jonathan Solomon as head of architecture

Jonathan D. Solomon. (Courtesy Solomon)

Jonathan D. Solomon. (Courtesy Solomon)

Chicago’s top art school announced big changes in its design department this morning.

The School of the Art Institute of Chicago Thursday announced their selection of Jonathan Solomon as the new Director of the Department of Architecture, Interior Architecture, and Designed Objects (AIADO). Solomon, who comes from his position as associate professor and associate dean at the School of Architecture at Syracuse University, assumes the job officially on August 1.

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Glass Coating Cracks At Willis Tower’s 103rd Floor Observation Deck

The cracked platform. (Alejandro Garibay via NBC 5 Chicago)

The cracked platform. (Alejandro Garibay via NBC 5 Chicago)

At first glance, the glass-observation boxes that jut out of the Willis Tower’s 103rd floor don’t look all that safe—and that is exactly the point. The SOM-designed attraction, known as the Ledge, opened in 2009 and offers “thrill seekers,” “death defiers,” and “people who can wait in  a really long line” the chance to step outside of the iconic skyscraper and look straight down at the streets of Chicago, 1,353-feet below. The floor of the suspended structure is comprised of 1.5-inch laminated glass panels, which can hold 10,000 pounds and withstand four tons of pressure. So, the danger is all imagined, right? Well, it certainly didn’t feel that way for a California family who visited last night.

COntinue reading after the jump.

Lawsuit Filed to Block Cooper Union Tuition

Architecture, Dean's List, East, News
Wednesday, May 28, 2014
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Morphosis' New Academic Building at Cooper Union. (Wikimedia Commons)

Morphosis’ New Academic Building at Cooper Union. (Wikimedia Commons)

A group of Cooper Union professors, alumni, and students has filed a lawsuit against the school’s Board of Trustees over its decision last spring to start charging undergraduate tuition at the school. At the time, the board said the cash-strapped institution had no choice but to break their long-held tradition of offering free arts and architecture education. They announced that the change would go into effect this coming fall, and that tuition would be set on a sliding scale.

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Artist Paul Tuller Gives Starchitects the Royal Treatment with “Architecture As Crown” Series

(Courtesy Paul Tuller)

(Courtesy Paul Tuller)

Brooklyn-based illustrator Paul Tuller was inspired to create a new poster-portrait series, Architecture As Crown, by his architect boyfriend. This series features illustrations of famous architect’s wearing their most famous works on their heads. Beginning as a parody of Andy Warhol‘s God Save the Queen, the project includes such figures as Peter Eisenman wearing House I as a crown. Purchase your own posters here.

View the starchitects in hats after the jump.

Zaha Hadid’s Los Angeles Opera Set Completes Mozart Trilogy

Architecture, Art, On View, West
Wednesday, May 28, 2014
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Hadid's set for Cosi fan tutee. (Mathew Imaging)

Hadid’s set for Cosi fan tutee. (Mathew Imaging)

The Los Angeles Philharmonic has a thing for star architects. As part of a trilogy of Mozart operas directed by Gustavo Dudamel (himself a global celebrity), in 2012  Frank Gehry designed the set for Don Giovanni, in 2013 Jean Nouvel designed one for The Marriage of Figaro, and this month Zaha Hadid Architects has designed the backdrop for Così fan tutee, the trilogy’s finale.

Continue reading after the jump.

Blue Plate Special: Bjarke Ingles Reinterprets Walter Gropius With “Big Cities” Dinnerware

(Courtesy BIG + KILO / Rosenthal)

(Courtesy BIG + KILO / Rosenthal)

In 1969, Walter Gropius designed a collection of china for Rosenthal. Named after his atelier in Cambridge, The Architects Collaborative, TAC’s elegant and curious forms are pristine in white porcelain. Embellishing Gropius’ design would naturally be heresy to some purists. To others, it would reflect his belief in the collaborative process. In their update of the tableware, called TAC Big Cities, architect Bjarke Ingels of BIG and Danish industrial design studio Kilo teamed up to create an urban motif for the collection.

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