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Composite materials are on display in the undergraduate-built FIBERwave PAVILION.
Carbon fiber’s unique properties would seem to make it an ideal building product. Untreated, carbon fiber cloth is flexible and easy to cut. After an epoxy cure, it is as hard as steel. But while the automobile and aerospace industries have made widespread use of the material, it has gone virtually untouched by the architectural profession. Alphonso Peluso and his undergraduate students at the IIT College of Architecture set out to change that with their FIBERwave PAVILION, a parametric, sea life-inspired installation built entirely of carbon fiber. “We want to make the studio an expert resource for people trying to get into carbon fiber in terms of architecture,” said Peluso, whose students designed, funded, and built the pavilion this spring. “There’s a studio in Germany that’s in their second year of working with carbon fiber, but I don’t think anyone in the United States is working with it.” Read More
New details have emerged on New York’s latest, tallest, super-tall skyscraper—the Adrian Smith + Gordon Gill–designed tower rising on, where else, 57th Street. Real estate blog NY YIMBY has uncovered new drawings for 225 West 57th Street, which will rise to a height within one foot of One World Trade Center.
French architecture firm Chartier-Corbasson has hopped on the green-building train with their recently unveiled green skyscraper concept. Renderings of the Organic London Skyscraper show a towering, pyramid-shaped building comprised of panels made from recycled plastic material. But this tower takes a radical twist—it would be built from the trash of its inhabitants and grow over time.
As AN recently reported, AEG’s plans for an expanded Los Angeles Convention Center are looking dim, so LA’s Bureau of Engineering’s is planning a design competition for the facility’s expansion and renovation. The Bureau recently released its Task Order Solicitation (PDF) for the project, shedding more light on what’s to come.
In May, SOM released renderings for Miami Station—a 1,000-foot-long, multimodal transit hub that would anchor the Sunshine State’s impending high-speed commuter rail system known as All Aboard Florida. The firm floated the station 50 feet atop reinforced concrete trusses to allow for restaurants and retail, and an uninterrupted street grid. Now, with the Miami station getting underway, SOM has unveiled plans for the system’s Ft. Lauderdale station, and it appears that a design trend is emerging down in Florida.
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A tight budget and short timeline inspired an innovative concrete and terra cotta facade.
BNIM and Moore Ruble Yudell approached the design of the Henry W. Bloch Executive Hall for Entrepreneurship and Innovation at the University of Missouri-Kansas City with two objectives. The first was to express the creative spirit of the university’s program in entrepreneurship, which at that point lacked dedicated support spaces. The second goal was to tie the contemporary structure to its historic surroundings. Moore Ruble Yudell, who developed many of the project’s interior concepts, tackled the former, creating flexible classroom and laboratory spaces and a multi-story amphitheater that doubles as casual seating and a venue for school-wide gatherings. As for the latter, BNIM designed a multicolored terra cotta envelope that balances singularity with connection. “The idea was to create a building that sat by itself, but somehow bring it into context in terms of materials,” explained BNIM senior project architect Greg Sheldon.
After five years and $10 million, Pittsburgh’s Mellon Square has been returned to its mid-century splendor. Dedicated in 1955, the Square served as a modern, green oasis in a city choked by pollution. But only a few decades after opening, the modern masterpiece had fallen into disrepair, its former glory hidden by cracked pavement, broken fountains, pigeons, and empty planters. As Pittsburgh has transformed itself in recent years, so to has Mellon Square. Now, the reborn space is yet another example of the Steel City’s promising future.
Winners of the 32nd Annual Awards for Excellence in Design were announced last night at the Thomas Leeser–designed BRIC Arts Media House in Brooklyn’s emerging Cultural District. Mayor Bill de Blasio was on hand to honor the winning projects, which were selected by the city’s Design Commission. “While Brooklyn is my home borough, I am proud to be awarding a diverse group of projects representing all five New York City boroughs,” the mayor said in a statement. “This year’s winners exemplify the Design Commission’s mission to enhance every New Yorker’s quality of life through public design, regardless of their size or location of the project.” The 10 winning proposals are all unbuilt, but two special recognition awards were awarded to Tod Williams Billie Tsien’s LeFrak Center in Prospect Park and Louis Kahn’s Four Freedoms Park on Roosevelt Island.
Considering how much trash Baltimore’s solar-powered Trash Interceptor scoops out of the city’s harbor—50,000 pounds a day!—these floating islands made from found plastic waste might just stand a chance. With the support of the Creative Industries Firm NL, WHIM Architecture is developing a prototype of their project, the recycled island, built primarily from recycled plastic waste gathered from the North Pacific gyre and the North Sea.
There is an ongoing architectural quest to find new and innovative sustainable materials. Some products could appear in the next science fiction film, such as the fungus-grown packaging material by Ecovative. Other materials have been with us for a long time, under guise of other uses. Some products—like the lowly shipping container—have served one function for so long they beg to be reinvented.