Even in four-season climates, the allure of outdoor living endures. Meticulously engineered for ease of operation, structural soundness, and weather-tightness, large-scale openings offer a seamless transition between indoors and out. Sliding, telescoping, or rising mechanisms give designers—and their clients—a choice of access that complements their architecture.
This sliding curved window can be double- or triple-glazed. Multiple curves can be combined, or integrated with straight runs.
We like to give Frank Gehry a hard time for his foibles, but he has actually undertaken a lot of pro bono work, including a Make It Right home in New Orleans and the Pasadena Playhouse and Jazz Bakery Theater in Los Angeles. His latest effort is in one of the most troubled neighborhoods in Los Angeles: Watts. Gehry Partners has agreed to design a new campus for the Childrens Institute (CII), a social services non-profit. They’re collaborating with Inglewood firm (fer) Studio, who will be Executive Architect.
The husband-and-wife team behind the London Eye observation wheel plans to one-up themselves with an observation tower in Brighton, UK that’s about 100 feet taller. For the seaside town, David Marks and Julia Barfield of Marks Barfield Architects have created Brighton i360, a 531-foot-tall, futuristic-structure that lifts visitors up high above the English Channel.
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Minimalist catenary canopy lends warmth and lightness to office courtyard.
When Page design principal Larry Speck suggested a catenary sunshade for the courtyard of the new GSA building in Albuquerque, his colleagues set about identifying precedents. “There were some really great devices that we looked at, but a lot were done in the 1960s out of heavy, monumental materials,” said principal Talmadge Smith. “We wondered if there was a way to do it in a lighter, more delicate way that would also introduce some warmth to the space.” The architects elected to build the structure out of western red cedar, which performs particularly well in arid climates. Comprising 4-, 8-, and 12-foot boards suspended on steel cables, the sunshade appears as a wave of blonde wood floating in mid-air, casting slatted shadows on the glass walls of the courtyard.
Art Institute of Chicago
111 South Michigan Avenue, Chicago, Ilinois
Through January 4, 2015
Chicagoisms is an ongoing exhibition at the Art Institute of Chicago that focuses on key historical principles—“Chicagoisms”—that went into creating and shaping the city that we know today. The exhibition was put together by architectural theorist Alexander Eisenschmidt and art historian Jonathan Mekinda working with designer Matt Wizinsky.
All the top names in New York City architecture are vying for a piece of Brooklyn Bridge Park, but whether any of their designs will be realized still remains to be seen. As community groups try to block Mayor de Blasio’s controversial plans to bring affordable housing to Michael Van Valkenburgh‘s celebrated park, the Brooklyn Bridge Park Corporation has unveiled 14 design proposals for two coveted development sites on Pier 6. Those proposals were unveiled just hours before a Brooklyn Bridge Park Corporation meeting that was packed with community members voicing their strong opposition to any new development in the park.
Illinois Attorney General Lisa Madigan announced Tuesday $1.9 million—most of which comes from the state’s portion of a federal settlement with banks over mortgage fraud—will go to rehab historic homes in Chicago’s Pullman neighborhood. Read More
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Glass and corrugated metal envelop a Scottsdale cycling shop.
When debartolo architects principal Jack DeBartolo 3 AIA first visited the site of Bicycle Haüs in Scottsdale, he knew it was exactly what owners Shasta and Kale Keltz were looking for. “In Arizona, with our very intense heat, we love it when we can unite two things: a northern orientation to maximize light without direct sun, and high visibility to the public way,” said DeBartolo. “When a parcel’s oriented like this, with its main side facing north, it allows us to do both things in one. We can build a glass facade for light and to advertise the contents, and it can also be a view building.” DeBartolo’s firm designed a wedge-shaped structure with a broad structural glass facade facing the street. The remainder of the building is clad in weathering steel, a low-maintenance material that taps into the desert aesthetic of decay and renewal. Read More