Eavesdrop> Your Work is Worth the Price of Admission (and so Much More)

Architecture, Art, East, Eavesdroplet
Tuesday, June 10, 2014
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Construction of the new Whitney Museum in February 2014. (Timothy Schenck)

Construction of the new Whitney Museum in February 2014. (Timothy Schenck)

Major museums are really expensive these days, and boy do we like to complain about it (actually we get into most museums for free with a press pass, but we still love to complain about it)! Well gather ‘round dear readers, because we’ve got a bit of nice news for once. The new Renzo Piano–designed Whitney Museum is offering free admission for a year to all the men and women who are building their new Meatpacking location. It’s a nice counter to all the bad news about labor conditions at major cultural and educational institutions in the Middle East (we’re looking at you, NYU).

Washington Monument Re-Opens to the Public: Celebrate With These 22 Beautiful Photos

The Washington Monument stands tall over Washington, D.C. at sunset. (Victoria Pickering / Flickr)

The Washington Monument stands tall over Washington, D.C. at sunset. (Victoria Pickering / Flickr)

After two-and-a-half years of repairs, the Washington Monument is officially back open to the public. The District’s tallest structure had been closed since 2011, when a 5.8 magnitude earthquake sent more than 150 cracks shooting through the 555-feet of marble.

Continue reading after the jump.

Eavesdrop> “Tourism” Now Pronounced “Voyeurism” in London

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Peeping into a neighbor’s room through a glass reflection. (Courtesy Financial Times)

Peeping Toms, bust out the kazoos. Your field day has arrived—and it comes equipped with party favors. The Shard, designed by Italian architect Renzo Piano, is London’s tallest skyscraper and, as of last week, home to a new luxury hotel. The rooms include breathtaking views of the city—and, thanks to a design flaw, unscrupulous views of unsuspecting neighbors.

Glass panels on the Shard’s exterior bestow the building with a crystalline front and its namesake. But at night, the city’s lights turn the glass into mirrors that fully reflect guest bedrooms into each other. Complementary binoculars (“for the view,” ahem) don’t help matters. Nor do puns about the naked eye. Masking a blush? Rest easy—susceptible rooms include shades for extra privacy.

Beach-Topped Barge Proposed For Hudson River

City Beach. (Courtesy

City Beach. (Courtesy workshop/apd)

As New York City’s +Pool—the world’s first floating swimming pool—gets closer to the water, it was high-time for another river-based project to make itself known. The latest comes in the form of City Beach NYC, a beach-topped barge that would float in the Hudson River. The idea for the vessel comes from Blayne Ross, and it was designed and engineered by Matt Berman, and Andrew Kotchen from workshop/apd, and Nathaniel Stanton of Craft Engineering.

Continue reading after the jump.

Absorbing Modernity: Domesticity at the Venice Biennale

(Alan Brake / AN)

Jiminez Lai’s Biennale pavilion installation. (Alan Brake / AN)

At the 2014 Venice Architecture Biennale, Rem Koolhaas set the theme “Absorbing Modernity: 1914-2014″ for the national pavilions, and many countries took it up through the lens of domesticity. The Taiwanese American architect Jimenez Lai examined the spaces and rituals of Taiwanese life with his exhibition Township of Domestic Parts. Lai created “superfurniture,” overscaled, Memphis-inflected installations that interpreted ideas such as museum-like living rooms—part shrine, part show place, reserved only for guests. The result is a fantasy hangout space, which conjures up memories of childhood.

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La Moglie di Lot in Venice Remembers Superstudio’s Radical Ideas

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The Florentine architecture group Superstudio enjoyed the penultimate moment on the world architecture stage at the 1972 MoMA exhibition, The New Domestic Landscape. However, by the end of that decade with worldwide radical politics on the wane and postmodernism on the rise, the Florentines found their radicale arguments and practice marginalized and they began to move away from architecture towards other sorts of design initiatives. But before the group left the international stage, they created one last potent architectural statement: La Moglie di Lot and displayed it at the 1978 Venice Biennale of Art.

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Meet University of Virginia’s New Architecture Dean, Elizabeth Meyer

(Courtesy University of Virginia)

(Courtesy University of Virginia)

Elizabeth K. Meyer has been appointed as the dean for the University of Virginia’s School of Architecture. Her two-year term starts July 15th. Meyer received both her bachelor’s and master’s degree in landscape architecture from UVA before going on to teach at Harvard for four years. In 2012, President Obama selected her to serve on the U.S. Commission of Fine Arts. Meyers was the only landscape architect on the panel of seven.

Of her new position, Meyers said in a statement that she is “optimistic that the next two years will be a period of tremendous innovation as we form new creative habits and collaborative relationships amongst ourselves, and with colleagues across the University and beyond.”

 

 

Nine-Story Woolworth Building Penthouse To Be Listed for $110 Million

The Woolworth Penthouse. (FlICKR / massmatt)

The Woolworth Penthouse. (FlICKR / massmatt)

At this point, the record breaking sales of luxury apartments in Midtown are not really news. As the towers rise higher, so do the prices. This has been the trend for quite some time and it shows no signs of slowing down. With that said, did you hear about the one Downtown? Bloomberg reported that the nine-story penthouse at Cass Gilbert’s Woolworth Building is expected to be listed for $110 million. The top 30 floors of the tower are currently being converted into luxury apartments, but the penthouse is quite literally Woolworth’s crown jewel—and it is priced as such.

Continue reading after the jump.

Van Alen Institute Convenes International Council of Architects in Venice

The Van Alen Council meets in Venice. (Beppe Ferrari)

The Van Alen Council meets in Venice. (Beppe Ferrari)

This week in Venice, the New York–based Van Alen Institute convened a group of leaders at 13 top architecture firms to brainstorm ideas that will guide the non-profit institution with an increased international perspective. The group will meet twice a year “to identify and investigate issues facing cities internationally, and to guide the impact of the Institute’s public programming, research, and design competitions,” according to a press release from Van Alen. The goal is to find topics that the institute can explore more deeply in its ongoing efforts such as Elsewhere: Escape and the Urban Landscape exploring our relationship with urban life.

Continue reading after the jump.

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“Living” skin lands HOK designers first place in Chicago Living Building Challenge competition

Architecture, Awards, Midwest, News
Thursday, June 5, 2014
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HOK's design for an addition to Chicago's Eli Whitney Elementary School employs a "living" bimetallic skin. (Courtesy HOK)

HOK’s design for an addition to Chicago’s Eli Whitney Elementary School employs a “living” bimetallic skin. (Courtesy HOK)

With a “living” skin of bimetallic strips, four HOK architects have won a Chicago Living Building Challenge competition to design an addition for a school on Chicago’s Southwest Side.

The 2014 School Annex Design Competition, organized by the Living Building Challenge Collaborative: Chicago (LBCCC), asked entrants to design a new building for overcrowded Eli Whitney Elementary School while meeting the strict environmental standards of the Living Building Challenge, which include omitting a long list of banned building materials.

COntinue reading after the jump.

Broad Collection Sues Seele over Problematic Los Angeles Museum Facade

Mockup of The Broad's GFRC panels (Matt Construction)

Mockup of The Broad’s GFRC panels. (Courtesy Matt Construction)

In a recent interview, Diller Scofidio + Renfro Senior Associate Kevin Rice told AN that the “veil” at Los Angeles’ Broad Museum—a facade made of hundreds of molded Glass Fiber Reinforced Concrete (GFRC) panels, had been delayed by over a year. “Some of the things took longer to make than they thought, but there aren’t really problems with it,” Rice said.

But now it looks like the issues with the museum’s facade are more severe than initially thought.

Continue reading after the jump.

Renderings Revealed for Kevin Roche and Kohn Pedersen Fox’s 55 Hudson Yards Tower

The metallic and glass facade. (Courtesy Related)

The metallic and glass facade. (Courtesy Related)

As with most new towers these days, the offices and apartments rising at Hudson Yards are unsurprisingly wrapped in glossy, glass skins. That is why revised renderings for the new kid on the block, 55 Hudson Yards, are so notable. The 51-story office tower has plenty of floor-to-ceiling windows, but those windows are framed by a metallic grid that encases the entire building. At certain points that metallic wrap disappears as if space has been carved out of the building’s exterior.

Continue reading after the jump.

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