Forest City has announced that it is moving forward with a plan to build a residential and office complex on four acres around the San Francisco Chronicle building, a 1924 structure located on the corner of 5th and Mission streets in the South of Market (Soma) neighborhood. The developer published the Environmental Impact Report (PDF) for the plan, known as “5M,” last Wednesday and presented it at a public hearing of the city’s Planning Commission this week. The design team for the project includes architect Kohn Pederson Fox, urban designer SiteLab, and historic resources consultant Architectural Resources Group. Read More
As AN recently reported, the Guggenheim Foundation has unveiled more than 1700 proposals for its planned campus in Helsinki. All of these submissions have been kept anonymous and made available to the public through an online gallery which displays two renderings and a brief description for each plan. Given the amount of proposals the Guggenheim received, the gallery can be a little—let’s say—hard on the eyes. If you’re not up for scrolling through all of it, we picked out some interesting renderings that stood out to us. Yes, we undoubtedly missed some good ones in the process—there are 1,700 after all.
The Circus for Construction has taken its gallery-meets-event space on the road this fall, bringing a mix of dialogue and exhibitions on contemporary art and architecture practices, via a custom-built truck, to several east coast cities. After winning a competition by Storefront for Art and Architecture last May, this traveling Circus, conceived by a team dubbed The Spectacle Syndicates, got its wheels thanks to a successful Kickstarter campaign.
Archtober Building of the Day #22
Jacob K. Javits Convention Center
655 West 34th Street
Designed by Pei Cobb in the early 1980s, the Jacob K. Javits Center had fallen into a considerable slump in the years following its debut. Plagued with structural problems, today’s Archtober tour leader and head of the building’s extensive overhaul, Bruce Fowle, began in the center’s Crystal Palace by showing photos of the space before his firm’s massive undertaking. He highlighted two of the worst features of the original structure—the dirty, impossible-to-clean glass and extensive water damage. Almost immediately after opening, large canvas “diapers” were constructed to catch the ever-leaking roof, costing the center nearly one million dollars a year to alleviate the constant influx of water.
Archtober Building of the Day #21
Runner & Stone
285 Third Avenue
Karla Rothstein and her partner Sal Perry are Latent Productions. They, along with Baker Peter Endriss served up a very nice helping of both delicious snacks and spiffy new architecture on yesterday’s Archtober tour. With a full tour of enthusiasts and architects, Karla and Sal described their self-initiated process of design, development, and construction management. They first prototyped, then fabricated the puffy custom concrete blocks that evoke the sacks of flour waiting to become bread that are the design hallmark of the restaurant, Runner & Stone, in Brooklyn.
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Photoengraved concrete connects past and present in Montreal student housing.
Though the site on which KANVA‘s Edison Residence was recently constructed stood vacant for at least 50 years, its emptiness belied a more complicated history. Located on University Street just north of McGill University’s Milton gates, the student apartment building lies within one of Montreal‘s oldest neighborhoods. Photographs dating to the mid-19th century show a stone house on the lot, but by 1960 the building “had disappeared; it was erased,” said founding partner Rami Bebawi. Excavation revealed that the original house had burned to the ground. Prompted by the site’s history, as well as an interest in exploring cutting-edge concrete technology, the architects delivered a unique solution to the challenge of combining old and new: a photoengraved concrete facade featuring stills from Thomas Edison’s 1901 film of Montreal firefighters.
The Everyman Theatre in Liverpool, England—a cultural institution with a democratic spirit and a history of producing thespian talent—has topped the competition including Zaha Hadid and won the much sought-after 2014 Stirling Prize from the Royal Institute of British Architects (RIBA). The new building, designed by Haworth Tompkins, a London-based firm boasting of more than a dozen theater projects, replaces Everyman’s former home in the shell of Hope Hall, a 19th century dissenter’s chapel.
Archtober Building of the Day #20
Donald Judd Home and Studio
101 Spring Street
Architecture Research Office; Walter B. Melvin Architects
The Soho of the 1970s has come and gone, grungy artists’ studios replaced by glitzy storefronts and luxury condos. However, two decades after artist Donald Judd passed away in 1994, his presence still permeates 101 Spring Street. It’s in the nooks he carved out for his children and his books, his kitchenware and furniture, and, most of all, his art.
If you’re not a fan of Auntie Anne’s Pretzels, then LaGuardia Airport really has nothing to offer you. Besides travel-friendly food options like “jalapeño and cheese pretzel dogs” the aging, dirty, sometimes-leaking airport is by all accounts a disaster. Just ask Vice President Joe Biden who once said that if he blindfolded someone and took them to LaGuardia they would think they were in “some third world country.” The Vice President adding, “I’m not joking.”