Google Street View has been snooping way beyond the curb. The see-all service has spread into museums, inside businesses, onto hiking trails, and even leads curated street art tours in cities around the world. Now, the service has expanded into architecture. The newest feature allows curious internet explorers to step inside some of Alvar Aalto’s most celebrated buildings without booking a flight or even looking away from the ever-present glow of their computer screen.
The house that Vans built is 30,000 square feet, cavernous, and deep underneath London. The iconic shoe and clothes retailer recently transformed the Old Vic Tunnels beneath Waterloo Station into “The House of Vans”—a multi-level, subterranean cultural venue complete with galleries, artist studios, a café, two bars, an 85-person music venue, a 160-person cinema, and, of course, a skate park.
Frank Lloyd Wright, who founded the Taliesin Fellowship in 1932, can’t be pleased about the latest news from the school. Architectural Record reported that in 2017 the Taliesin School of Architecture—which currently offers Masters of Architecture degrees at its campuses in Scottsdale, Arizona and Spring Green, Wisconsin—will lose its NAAB accreditation.
With so many starchitect-designed, headline-grabbing skyscrapers rising around the world, it’s easy to overlook the more modest projects in the shadows of those glass towers—the projects designed for those stuck on the other end of the economic spectrum. These homes, schools, community centers, and clinics—often designed by lesser-known architects—may not be as stunning as new high-rises, but they prove that design can do more than improve lives, it can save them too. And that is exactly what the non-profit ARCHIVE (Architecture for Health in Vulnerable Environments) hopes to prove with a new project in Savar, Bangladesh.
The International Union of Architects (UIA) has made a major commitment to do its part in the fight against climate change. At its recent World Congress in Durban, South Africa, the Union—which represents 1.3 million architects from 124 countries—universally pledged to eliminate carbon emissions from the built environment by 2050. The “2050 Imperative” was created by the non-profit Architecture 2030 and approved by the UIA on August 8th.
Thomas Gluck, of GLUCK+, has built himself one heck of a vacation home in upstate New York. The glassy residence, known as the Tower House, is separated into two main volumes: a transparent, three-story vertical column that is defined by a bright, yellow stairwell, and a horizontal living space that cantilevers 30 feet above the ground. The firm described the project as “a stairway to the treetops.”
The Bjarke Ingels Group (BIG) has begun assembling the pieces of its life-size LEGO House in Billund, Denmark. The wunderkind, himself, recently joined the LEGO Group’s brass (er, plastic?) for the ceremonial groundbreaking, which was really more of a brick-laying as six LEGO-shaped foundation stones were unveiled at the site. Imprinted on those stones were the words: “imagination, creativity, fun, learning, caring, and quality.”
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Folded aluminum panels deliver the illusion of movement to passersby.
During their recent expansion, Eskenazi Hospital in Indianapolis approached Urbana Studio with an unusual request. The hospital wanted the Los Angeles-based art and architecture firm to design an interactive facade for a recently completed parking structure. “With Indianapolis’ really extreme weather patterns, we gave a lot of thought to: how can we make something that’s interactive but won’t be broken in a year?” said Urbana principal Rob Ley. “Unfortunately, the history of kinetic facades teaches us that that they can become a maintenance nightmare.” Urbana’s solution was to turn the relationship between movement and the object on its head. Though the aluminum facade, titled May September, is itself static, it appears to morph and change color as the viewer walks or drives by.