Architecture students from the New York Institute of Technology (NYIT) are returning to Nosara, Costa Rica to continue work on a recycling center to help alleviate the region’s overlooked municipal solid waste management problem. Led by architect and professor Tobias Holler of HOLLER architecture, the NYIT team began designing and building the recycling center last summer with the help of a Kickstarter campaign that raised over $20,000 in four weeks. To complete the project, the team has launched another Kickstarter campaign and with just 13 days to go before the campaign ends, $5,130 still needs to be raised.
Thinking about getting a masters degree but haven’t found the right field? California College of the Arts (CCA) in San Francisco just made it easier, announcing three new graduate programs beginning in 2013, bringing the total number of post-professional offerings to eleven. The trio of curricula includes: a Master of Architecture in Urban Design and Landscape (MAUDL), a MFA in Comics, and a MFA in Film.
The two-year MAUDL focuses on the future of urbanism and teaches a range of urban design strategies and data-visualization techniques. The three-year MFA in Comics is headed by Eisner-nominated graphic novelist Matt Silady. And CCA’s MFA in Film specializes in multidisciplinary approaches. Classes begin Fall 2013. Applications for all three programs are being accepted now through January 5, 2013 at www.cca.edu.
The Illinois Institute of Technology named Dutch designer Wiel Arets as the new dean of its architecture school Tuesday. Currently a professor at the Berlin University for the Arts, Arets will replace Donna Robertson.
Arets is an acclaimed architect whose firm, WAA, has studios in Amsterdam, Berlin, Maastricht, and Zürich. His current projects include Amsterdam Central Station’s IJhal, Allianz Headquarters in Zürich, and the A’ House in Tokyo.
Mies van der Rohe chaired IIT’s architecture school for 20 years starting in 1938 and designed its main campus on Chicago’s South Side.
Who builds your architecture? “Not architects,” said Reinhold Martin. “By definition, architects do not build; they make drawings, write contracts, and do all these other things.” At New School’s Vera List Center on May 3, a roundtable facilitated debate and speculation on the rights of the lesser-discussed “workers” that make architecture happen.
For most architecture students, a model malfunction won’t land you in the middle of a river, but one group of Buffalonian risk takers at the University of Buffalo School of Architecture and Planning, under the direction of Associate Professor Jean La Marche were up for the challenge. Students Troy Barnes, Stephen Olson, Scott Selin, and Adrian Solecki designed and installed half of a bridge—made of cardboard—cantilevered over the Buffalo River, and invited people to step out over the water. The frightening experiment worked, challenging conventional notions of material constraints.
In the interest of getting students to build physical things, three years ago, USC introduced Top Fuel, a week-long design-build workshop accompanied by lectures, exhibitions, and panels. This year’s workshop, “Filters Funnels Flows,” wrapped up earlier this week. It focused on pneumatic (aka inflatable) structures, teaching students about the “inseparable relation between form and performance of pneumatic systems.” Indeed, produce the wrong form here (or material, or structure) and the piece doesn’t inflate. Students also explored lighting, temperature, and other environmental issues.
In a city obsessed with spectacle, it seems only fitting that graduate architecture students at UCLA would investigate the subject in one of its most literal forms. The students (including the author of this blog post) have designed objects, known collectively as Space Oddities, or Variations on the Disco Ball, for a 10-week technology and construction seminar led by professor Jasson Payne. The pieces, morphed from their disco ball origins, are now neither spherical nor symmetrical. Hung in a darkened gallery, they cast a dizzying array of reflections, shapes, shadows, and forms across the room.
ONE Lab, New York School for Design + Science is a non-profit research and education collaborative that plans to begin year-round programming when the historic renovation of Building 128 at the Brooklyn Navy Yard is complete in 2014. This innovative, interdisciplinary school currently operates out of the Metropolitan Exchange, a professional cooperative at 33 Flatbush Avenue in Brooklyn, NY. The co-chairs, Maria Aiolova and Mitchell Joachim of urban ecology thinktank Terreform ONE, seek to promote “research and education at the intersection of design and science.”