[Editor's Note: Tracey Zeeck is an Oklahoma native and resident who has been leading the effort to save and preserve John Johansen's classic Mummers Theater in that city. She responds here to a letter to the editor in the Oklahoma Gazette. ]
In 2012, armed with good intentions and a passionate group of friends and family, Farooq Karim of REES Associates and I decided to respond to an RFP and save John Johansen’s Oklahoma City masterpiece, Stage Center (Mummers Theater) from the wrecking ball. We would turn this vestige of 1970s brutalism into a children’s museum and light up downtown with joyful sounds of creative play. We had two months to create the plan, submit the RFP and raise $30,000,000. We didn’t make it.
For eight years, Prada Marfa, a pop-art installation depicting a small luxury retail store, has stood alone in the barren plains of West Texas, 37 miles outside the city of Marfa. But now, the Texas Department of Transportation has declared that the Prada “store” is an illegal roadside advertisement.
The artists of the installation, Michael Elmgreen and Ingar Dragset, designed the installation as “a critique of the luxury goods industry,” claiming there is no commercial relationship between themselves and Prada. According to the Houston Chronicle, the piece was privately funded and therefore can not be defined as advertising. Boyd Elder, a local artist and Prada Marfa site representative told the Chronicle, “It’s not advertisement, it’s not a store, no one is selling anything there. It’s an art installation.”
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A Dallas pavilion’s exposed structure demanded extremely tight tolerances of Irving, Texas–based fabricator, CT&S.
Ten years ago, the Dallas Parks & Recreation Department launched a revitalization project to update 39 decrepit pavilions throughout its park system. One of them—which was to be designed by the New York office of Norwegian architecture firm Snøhetta in partnership with local practice Architexas—sat at the mouth of a meadow lined by old pecan and oak trees on the southern side of College Park. Speaking about the site, Snøhetta director Elaine Molinar said, “You’re aware you’ve left the surrounding neighborhood and entered a more rural setting.” This is the feeling that the team wished to encourage in its design for a new pavilion.
Two Polls Indicate the Disposition of Harris County Voters Regarding $217 Million Astrodome Bond Fund
The Houston Chronicle is reporting that two recent polls have given clues as to how the denizens of Harris County will vote in the matter of approving $217 million in bonds to fund the reuse of the Astrodome. Previously, the Harris County Commissioners Court set the matter of the bond fund to a November 5 referendum. If voters approve the fund, the Harris County Sports and Convention Corporation will be able to proceed with its plans to create a New Dome Experience in time for Superbowl LI in 2017. Harris County property tax will also experience a slight hike to pay for it all. If voters oppose the issue, the Astrodome will in all likelihood meet the wrecking ball. Either way, entrants to AN and YKK AP‘s Reimagine The Astrodome competition will be watching with bated breath.
Artists Dan Havel and Dean Ruck of Havel Ruck Projects have garnered attention for some interesting installation pieces in Houston, blurring the lines between art and architecture. Over the last eight years, the collaboration has constructed temporary artworks using old, wooden homes, bizarre shows of simultaneous deconstruction and reconstruction of architecture.
Inversion from 2005 recreates two wood bungalows, donated to the artists by Art League Houston, into a vortex of white wooden planks. In 2010, the Houston Art Alliance sponsored Havel Ruck Projects’s creation of Fifth Ward Jam. A wooden home doomed for refuse in Houston’s 5th Ward became an imaginative community stage of vertically spewed boards.
On September 9th, New Orleans unveiled an innovative proposal for flood management: the New Orleans Greater Water Plan. Designed by Dutch engineers and led by chief architect and planner David Waggonner of locally-based firm Waggonner & Ball Architects, the plan seeks to mitigate the damages caused during heavy rainfalls. The concept is simple: keeping water in pumps and canals instead of draining and pumping it out. The idea is to retain the water in order to increase the city’s groundwater, thereby slowing down the subsidence of soft land as it dries and shrinks.
[ Editor's Note: The following story, "Il Duomo," first appeared in Texas Architect's May/June 1990 issue. It was written by the late Douglas Pegues Harvey, an architect who graduated from Rice University and worked for Marmon Mok Architecture in San Antonio. It was written on the occasion of the Houston Astrodome's 25th anniversary as a sort of homage as well as a protest for the fact that the building was not chosen for the AIA Twenty-Five Year Award. Eero Saarinen's Gateway Arch was. (Incidentally, another Houston project was chosen for the 2013 25-Year Award.) We are rerunning this story, with permission, because today, September 17, is the registration deadline for Reimagine the Astrodome, AN and YKK AP's Astrodome Reuse Design Ideas Competition. Due to the overwhelming enthusiasm surrounding the competition, we've decided to extend the registration dealing to Monday, September 23. So if you were sleeping, wake up! Sign up today! (Also, if you have the chops to write articles like "Il Duomo" and want to contribute to AN Southwest, please contact Aaron Seward, firstname.lastname@example.org.) ]
It’s not every building that gets to be known as The Eighth Wonder Of The World. Texas’ nominee, the Astrodome, opened 25 years ago as the world’s finest interior landscape. On Apr. 9,1965, a time when the hegemony of television and the standing of the Sunbelt in American life were not yet secure, the Astrodome opening struck a telling blow on their behalf. The occasion was a Houston Astro’s exhibition baseball game against the New York Yankees. With President Lyndon Johnson watching, Mickey Mantle (naturally) hit the first home run, but the Astro’s (necessarily) won.
With less then 8 weeks remaining before Harris County voters cast their ballots to decide the fate of the “Eighth Wonder of the World,” a group of prominent Houstonians has established a political action committee with which they hope to raise public support for the ailing Astrodome. Launched at a press conference on Thursday, The New Dome PAC has begun efforts to raise upwards of $200,000 for a media campaign intended to persuade the public to vote in favor of Proposition 2, the $217 million project that aims to preserve, repurpose, and modernize the historic stadium. While no opposing organization has yet been formed, some worry that many donors may be tapped out at this point in the political season, and polls conducted by local stations KHOU 11 News and KUHF Houston Public Radio show that the public is still split, with younger voters who may have never attended an event at the Astrodome showing less enthusiasm for putting down the cash to save it. Meanwhile, don’t forget that the Architect’s Newspaper and YKK AP are hosting an Astrodome Reuse Design Ideas Competition: Reimagine The Astrodome. The registration deadline is September 17, so sign up today!
Last Saturday, the San Antonio community inaugurated the Lake|Flato Architects–designed Urban Ecology Center (UEC). Sited on the West Side of Phil Hardberger Park, the 18,600-square-foot UEC will be home to the Alamo Area Chapter of the Texas Master Naturalists. This latest showpiece in the city’s park system will serve as a functional ecological system, a meeting space, and an urban ecology learning facility. Parks Project Manager Sandy Jenkins explained that the center was built with the intention of informing future generations about environmental concerns and the preservation of ecological systems. Former mayor Phil Hardberger, who recognized the asset of parks in improving the general urban quality of life, originally prompted the construction of the park in 2010. Covering 311 acres on eiter side of the Wurzbach Parkway, it was built as a means to preserve San Antonio’s environmental treasures and natural heritage.
[ Editor's Note: For those of you who are getting excited about The Architect's Newspaper and YKK AP's Reimagine the Astrodome design ideas competition, you have until September 17 to register. Once you've done that, take the time to read the following article, which appeared in the September/October 2013 issue of Texas Architect. Written by Houston-based architect and writer Ben Koush, it covers the current status of the Dome, what it means to Harris County, and Space City's record of not bothering to preserve its architectural heritage. ]
Ever since the Houston Oilers owner Bud Adams, in a snit after being refused a new stadium, took his football team to Nashville in 1997 and renamed it the Tennessee Titans, the fate of the Astrodome has been up in the air. Matters were made worse when, instead of rehabilitating the Astrodome a new, neo-traditionalist baseball stadium, Minute Maid Park, was built down-town for the Astros in 1999, and then in 2002, a hulking new football stadium, Reliant Center, was built uncomfortably close to its predecessor to house the replacement team, the Houston Texans, and the Houston Rodeo.