After a three-month streak of positive growth, the Architecture Billings Index revealed a small dip in the demand for design services. The ABI score slid down from 54.3 in September to 51.6 in October (any score above 50 indicates an increase). AIA Chief Economist Kermit Baker said that the tumultous political climate—read Government Shutdown—contributed to the drop in activity last month.
The open office trend is rooted in some good ideas: encourage communication by breaking down barriers; give workers more space to breathe without confining cubicles. But a wave of new research is questioning the efficacy of the open strategy.
New Film, Reaching for the Moon, Traces Life of Poet Elizabeth Bishop and Architect Lota de Macedo Soares
The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.*
At this year’s Tribeca Film Festival, Reaching for the Moon by Bruno Barreto, one of the most celebrated filmmakers from Brazil (Dona Flor and Her Two Husbands) was originally titled “The Art of Losing.” That is the refrain of Elizabeth Bishop’s poem, “One Art” which chronicles ever-increasing losses—keys, names and places; then personal mementos; escalating to homes, cities and continents; and finally love. The love and then loss of this film is Bishop’s affair with self-taught architect Lota de Macedo Soares, the woman behind Flamengo Park in Rio de Janeiro.
We hope you’ve stretched your hamstrings—there have been a lot of developments in U.S. bike sharing programs lately, and we’re taking another whirl through them now.
Although not without hang-ups, New York’s Citi Bike has at least not killed anyone yet. People love to joke about clueless tourists riding on the sidewalk, or on heavy-traffic avenues, or “salmoning” the wrong way down one-way streets — that’s true in Chicago as well as New York — but the fact that no bikeshare has so far produced little to no traffic carnage should come as no surprise, writes Charles Komanoff for Streetsblog.
Film festivals are sneak previews of what to look for throughout the year, both on the big screen and through streaming services like Netflix. There are a surprising number of films circulating that are informed by architecture and design, including standouts like Twelve Years and Slave and Spike Jonze’s Her. In Stray Dogs (NYFF), a girl asks her mother why the walls of their apartment are so mottled. Her mother says houses are like people, with wrinkles on their face; their walls are so scarred because during a heavy rain the house cried tears. Not all tales are so sad, but It’s always a wonderful surprise when the physical space plays such a prominent role. Here is a selection you should be sure to catch that were previewed at the recent Toronto and New York Film Festivals (TIFF and NYFF).
At its annual fall meeting (this year in Chicago), the real estate research non-profit Urban Land Institute released its 2014 trends report Thursday. The verdict of the 1,000 professionals surveyed? Next year we will continue “recovering from the recovery,” in the words of one respondent, following the depths of the 2008 recession.
Calling all landscape architects and urban designers. Are you heading to Boston for the 2013 American Society of Landscape Architects Conference? I am. On Saturday, November 16, I’ll be reviewing projects and portfolios during a “Meet the Editors” event, alongside colleagues from a variety of shelter, design, and garden publications. There are still a few open spots, so sign-up or just drop by and introduce yourself. I hope to see you there. Also, check out this year’s ASLA award winners designed by students and professionals. Great work!
In 50 to 75 years, SimCity, the virtual city-building game just about every architect or planner has played around with at some point, imagines an average metropolis taking two routes—a sustainability-based, green utopia or a money-driven, oil-dependent corruption—and gives players the tools to construct these futures.
We just wrapped up the latest installment of our Facades+ conference series. It was our most successful event yet! The response was overwhelmingly positive as hundreds of eager professionals converged on Chicago to discuss the most exciting breakthroughs in facade technologies. With sold-out workshops, standing-room-only panels, and sponsors already signing up for next year, Facades+ PERFORMANCE surpassed our greatest expectations!
“The Facades+ conference hits the sweet spot between design, engineering, the industry, and the academy, so there’s really something for everyone,” said AN executive editor Alan G. Brake. “The Chicago conference, at the beautiful IIT campus ablaze with fall color, was one of the most successful to date. It was two days full of inspiring, behind the scenes stories of how great buildings are made and the important technical knowledge that is advancing the profession.”
SiTE:LAB has revealed the winners of 54Jeff, its open ideas competition pursuing compelling concepts for the future of the former Grand Rapids Public Museum in the hopes of educating the community on the unique potential of site at 54 Jefferson. The competition objective was based on repurposing the building as a public space while considering both the surviving showcases from when the museum relocated and the site’s proximity to the neighboring structure in which the museum holds the bulk of its collection. Entries were judged on innovation, quality and clarity of presentation, and sensitivity to the site and its context.
Self proclaimed “Shipping Container Architects,” Boxman Studios, have teamed up with marketing agency Advantage International and Hyundai to bring modular, prefabricated architecture to pre-game parking lots across the country. Consisting of three shipping container units, the 1500 square foot Hyundai Field House will be traveling to 25 different college campuses to provide a flexible environment for tailgating festivities.
The custom-built containers were crafted from recycled materials and outfitted with bean-bag chairs, barstools, couches, and six HD monitors. The structures’ modular design allow them to be adapted to various campus climates and grounds, from Texas to Ohio, as well as the branding of each team. Each of the three units can function independently, or work come together in a variety of forms to suit their environment.