The legendary architecture critic Ada Louise Huxtable has died at 91. Winner of the first Pulitzer Prize for Criticism, Huxtable served at architecture critic for the New York Times and was also a contributor of numerous editorials about the city’s built environment. She later served as architecture critic for the Wall Street Journal, where she most recently wrote a scathing critique of the proposed renovation of the New York Public Library by Foster + Partners (“You don’t ‘update’ a masterpiece. ‘Modernization’ may be the most dangerously misused word in the English language.”). Known for the crystalline clarity of her arguments and the cutting precision of her words, Huxtable was unmatched in her lifetime as an architecture critic. She made the city and its architects better. Julie V. Iovine has penned a full remembrance that will run in the next print edition of AN.
One of the “Chicago Seven” architects who broke with the city’s modernist aesthetic during the 1970s and 80s, Thomas H. Beeby, will receive the 2013 Richard H. Driehaus Prize. Considered the traditionalist’s Pritzker Prize, the Driehaus comes with a $200,000 purse and denotes a lifetime of contributions to classicism in contemporary built work.
Add another medal to Thom Mayne‘s trophy case. Thursday the American Institute of Architects announced that it was awarding him the 2013 AIA Gold Medal. He’ll pick it up at next year’s AIA convention in Denver, becoming the 69th AIA Gold Medalist. The list of works from his firm Morphosis is way too long to include here, but it includes the diamond Ranch High School in Pomona, California; the California Department of Transportation District 7 Headquarters in Los Angeles; and 41 Cooper Square in New York City.
Meanwhile Tod Williams Billie Tsien Architects have been awarded the AIA Firm Award. The architects, who opened the new Barnes Foundation in Philadelphia this year, have also designed (among other heralded work) the former American Folk Art Museum in New York; the C.V. Starr East Asian Library at the University of California, Berkeley; and the David Rubenstein Atrium at Lincoln Center.
Just in time for the holiday season, and perhaps taking its cue from Christmas palette, the color wizards at Pantone have announced the 2013 color of the year. Drum roll please … Emerald, or color code 17-5641 to be exact. If you’re wondering why emerald, and not say, forest green, here’s what Pantone has to say: “Lively. Radiant. Lush… A color of elegance and beauty that enhances our sense of well-being, balance and harmony.”
“The most abundant hue in nature, the human eye sees more green than any other color in the spectrum,” said Leatrice Eiseman, executive director of the Pantone Color Institute, in a statement. “As it has throughout history, multifaceted Emerald continues to sparkle and fascinate. Symbolically, Emerald brings a sense of clarity, renewal and rejuvenation, which is so important in today’s complex world. This powerful and universally-appealing tone translates easily to both fashion and home interiors.”
Last year’s Tangerine Tango popped up everywhere, so keep your eyes peeled for Emerald.
In a recent issue of The New Yorker, writer Ben McGrath profiles Steve Clarkson, the private football coach to the quarterbacks of tomorrow. The writer interviews several adolescent clients attending Clarkson’s elite practice camp, including 10-year old Miller Moss (also featured on the article’s only photo). During a workout McGrath finds Moss’ father in the stands—California-based architect Eric Owen Moss.
“I would be completely disingenuous if I didn’t say I really enjoy this stuff,” said the elder Moss of the high-stakes training. “I’m embarrassed a little bit. It’s contagious in a way that even parents who should know better don’t always.” The design influence of the architect—once called the “jeweler of junk” by Philip Johnson—may be evident on the field: his son sports silver Nike cleats with the nickname “Miller Time” embroidered in gold.
The Architect’s Newspaper extends our best wishes to all our readers for Thanksgiving. We’d also like to thank our 40,000+ twitter and nearly 30,000 facebook followers for your engagement throughout the year. We enjoy the conversation and hope more of you will join us. Happy Holidays from AN. We’ll be back on Monday.
Noted author and critic Jane Holtz Kay passed away November 5 at the age of 74 from complications of Alzheimer’s disease. Her book Asphalt Nation: How the Automobile Took Over America and How We Can Take It Back propelled her into the national spotlight as she chronicled the affects of cars on the American landscape. Jane Jacobs remarked about the book, “Jane Holtz Kay’s book has given us a profound way of seeing the automobile’s ruinous impact on American life.” She had been working on a sequel to Asphalt Nation, documenting climate change and global warming, called Last Chance Landscape. Holtz Kay was also architecture critic for The Nation and formerly for the Boston Globe. She is survived by her sister, Ellen Goodman, daughters, Julie Kay and Jacqueline Cessou, and four grandchildren. The staff at The Architect’s Newspaper sends our condolences to her family, friends, and colleagues.
AN was back at Greenbuild this year in San Francisco, and we offered readers at the expo a chance to win an iPad Mini and $250 to stock it with the latest tunes, apps, or anything else, really. Over 130 of you participated in the Greenbuild Booth Crawl Contest, and we’re pleased to announce that Joshua Hickman of California was drawn as the lucky winner. Congrats Joshua!