Chicago is known for the combination of its excellent architecture and tough, gritty urban life. Both aspects of the city’s personality met briefly yesterday, when two graffiti crews tagged a long wall of the Renzo Piano-designed Modern Wing at the Art Institute. While we would never endorse vandalism, there is no denying the visual power of the bright colors and riotous script dashed across Piano’s formal surfaces. The Art Institute, however, did not ponder the artistic merit of the tags. Read More
You probably would not expect to find the ubiquitous “@” symbol in the same category as the Olivetti portable typewriter, the Saarinen tulip chair, or the Pininfarina Cisitalia 202 GT car. But on Saturday at the Art Institute of Chicago (AIC), Paola Antonelli, Senior Curator, Department of Architecture and Design at the Museum of Modern Art, New York, persuasively argued for its inclusion in MoMA’s famed design collection alongside the items described above.
Within the very small world of museum architecture and design curators the AIC’s symposium, “Modern Construction: Creating Architecture and Design Collection” assembled a blue-chip group to discuss acquisition methodologies, philosophies, and approaches. Read More
Today the City of Louisville and the New York-based public art organization Creative Time unveiled a long-term plan for funding and developing public art across the city. The Louisville Public Art Master Plan recommends the creation of a Committee on Public Art (COPA) that will oversee the city’s current art collection, manage a granting system for new public art and advise future city leaders on the continued creation and development of new art. Read More
We urbanites have all cursed the slow-moving, camera-toting tourists, snapping photos of the iconic buildings in the cities we hustle through daily. As residents, with the dulling nature of time, our appreciation of these structures is diminished. As tourists, they are like vivid stage-sets captured in our minds, but, like all other memories, they are fleeting. We return home and try to explain them to our friends with words, charades-like gestures, and amateur photographs. Artist Susan Giles explores these ideas in greater detail with her current exhibition, Buildings and Gestures, currently on display at Kavi Gupta Gallery in Chicago through March 13. Read More
Members of Chicago’s community development world gathered Tuesday evening for the 16th annual Chicago Neighborhood Development Awards (CNDA). Established by the Local Initiatives Support Corporation/Chicago, the CNDA recognizes outstanding achievement in neighborhood real estate development and community building. This year, ten honorees were celebrated in a ceremony attended by Mayor Richard M. Daley. The CNDA is the largest awards program of its kind in the country. In addition to the prestige of winning, many of the awards are complemented by a monetary gift. Read the full list and see images of some of the winning projects after the jump. Read More
Last Friday’s ribbon-cutting festivities marking the opening of Columbia College’s 35,500 square foot, $21 million Media Production Center (MPC) in Chicago’s South Loop featured retired anchorman/documentarian/pitchman Bill Kurtis emceeing a ceremony in the building’s large soundstage that included remarks by Mayor Richard Daley and a slew of college officials and donors, all extolling the virtues of the first new building in the school’s 120 years of operation. Columbia claims to have the nation’s largest film and video school, and refers to the MPC as a “state of the art facility designed to foster cross disciplinary collaboration among students in film, television, interactive arts and media and television.” Read More
Winter makes Chicagoans crave a sense of escape. An intriguing new exhibition of Maya Lin’s work at the Arts Club of Chicago provides a timely opportunity to visit, visually at least, some fascinating terrain. With its small and large-scale sculpture and installations, viewers can travel from mountain peaks to the bottom of the sea. Read More
With project’s like the Gary Comer Youth Center, designed by John Ronan Architects, and the SOS Children’s Villages by Studio Gang, Chicago’s South Side has some of the most exciting non-profit institutional architecture in the country. Chicago Magazine takes an in-depth look at one project that has had a decidely bumpier ride, the Ray and Joan Kroc Corps Community Center, once planned for Bronzeville in an Antoine Predock-designed building, now destined for West Pullman in a less ambitious piece of architecture designed by Antunovich Associates (above). The piece lays out in detail how in 2004 the project was scuttled when then Alderman Dorothy Tillman vetoed the project, saying she wanted a shopping center on the site. The project was then relocated to West Pullman, with a slightly less expensive design by Murphy/Jahn. Read More
We have previously reported on Chicago’s burgeoning independent design scene, and now the Windy City is gaining a new venue to see the newest design thinking. The Volume Gallery will serve as a “platform for emerging American designers to engage with an international audience,” according to a statement form the organizers. Their first exhibition on designer Jonathan Nesci, called THE NEW, will be held at the Andrew Rafacz Gallery in the West Loop, and will feature limited editions, including tables, chairs, and pendant lamps. Nesci’s work has been widely published and has been show at Design Miami, ICFF, Design Art London, and the Salone del Mobile in Milan. Read More
Crain’s Chicago Business reports that big-box retailer Target is negotiating with the developers Joseph Freed and Associates for space at the venerable Carson Pirie Scott & Co. building, now named the Sullivan Center. Formerly home of the department store Carson Pirie Scott, the building, designed by Louis Sullivan, has remained largely vacant following a recent substantial rehab effort. The upper floors house the School of the Art Institute Chicago’s departments of architecture, interior architecture, and designed objects and the architectural mega-firm Gensler. The building anchors the slightly more downtrodden southern end of State Street within the Loop. Read More
There’s a new regime in town. AIA Chicago has announced its new board of directors and chapter officers. Walter D. Street III has been named chapter president. He brings a wealth of professional experience and has shown a commitment to expanding diversity and mentorship within the profession. According to a statement from AIA Chicago
Street will lead ongoing efforts for the chapter, which serves more than 3,200 members in Chicagoland. He is currently a senior architect at Johnson & Lee, Ltd. and has been a member of AIA Chicago for many years, previously serving as Treasurer in 2008. Street also regularly participates in the National AIA Grassroots legislative conferences in Washington, D.C., the Illinois Prairie Grassroots conferences in Springfield, and is an active member of the National Organization of Minority Architects (NOMA). Street has also served on the Chicago Architecture Foundation’s committee to develop an architecture curriculum for K-12 students.
Read the full list of directors after the jump. Read More
Konstantin Grcic: Decisive Design currently on view in The Art Institute of Chicago’s new Modern wing marks the first stateside showcase of the Munich-born, London-trained designer. Curated by Zoe Ryan, the exhibition is the fifth installment of the museum’s A+D Series that previously featured Chicago architect Douglas Garofalo and graphic design firm Graphic Thought Facility.
It’s also the first show with a subtitle. Although delightfully alliterative, “Decisive Design” is a misnomer. It sets up Grcic, a craftsman who studied at the Royal College of Art and came of age under the sly wit of designers Jasper Morrison and Ettore Sottsass, as an exacting decider. Sure, the 100 plus objects in the gallery reveal that Grcic is always searching logical production methods and that he takes an honest approach to materials, but the products themselves tell stories richer than pure functionalism. Read More