Bye Bye Blair!.  Blair Kamin. Pulitzer-prize winning Chicago Tribune architecture critic Blair Kamin had better go hat shopping. He’s got another feather for his chapeau! A super prestigious Neiman Fellowship from Harvard! “My aspirations for the fellowship are straightforward: To return to my job refreshed and refocused, so I can provide our readers with the most sophisticated, discerning coverage of architecture—and, in the process, to demonstrate anew why newspapers should cover this inescapable art,” Kamin told Time Out Chicago. Congratulations Blair. Don’t get tempted to stay on the coast. The Midwest needs you!

 

On View> Currents 35: Tara Donovan at the Milwaukee Art Museum

Midwest
Tuesday, June 12, 2012
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Unititled, 2008. (Tara Donovan/Courtesy The Pace Gallery)

Unititled, 2008. (Tara Donovan/Courtesy The Pace Gallery)

Currents 35: Tara Donovan
Milwaukee Art Museum
700 North Art Museum Drive
Milwaukee, WI
Through October 7

The work of Tara Donovan demands close reading. By using strict rule-based systems, Donovan accumulates individual pieces of material into installations that defy easy identification. Milwaukee Art Museum chief curator Brady Roberts explains, “Donovan’s process involves selecting one material and finding one unique solution for its construction, whether it’s folding, gluing, stacking, or pressing.” Taking cues from 1960s conceptual artists like Donald Judd and Sol LeWitt, whose works rely on rule-based processes, Donovan obscures her quotidian materials to compose spectacular objects. The exhibition includes several major works including Haze, a 32-foot wall covered in approximately three million straws, Unititled, 2008 on polyester film (detail, above), and Drawing (Pins), 2011 composed of gatorboard, paint, and nickel-plated steel pins.

On View> Judith Turner: The Flatness of Ambiguity

Midwest
Friday, June 8, 2012
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(Judith Turner)

(Judith Turner)

Judith Turner: The Flatness of Ambiguity
University of Michigan Museum of Art
525 South State Street
Ann Arbor, MI
Opening June 14

Judith Turner’s photographs are the subject of the University of Michigan-Museum of Art’s new exhibition The Flatness of Ambiguity. Turner’s work captures architecture through an intense editing process where architecture is reinterpreted through unusual views. Operating from severe angles, the photographs capture the buildings in black-and-white compositions that play with the ambiguity of light, shadow, and tonality. Cropping them to further pull the buildings from their context, Turner abstracts the built landscape, transposing buildings into often unrecognizable flat artworks. Turner’s highly abstract signature style heightens the aesthetic character of her subject matter and reveals visual relationships that are not apparent when experiencing the building in traditional ways, in person or in photographs. This exhibition consists of approximately forty works, which span Turner’s three-decade-long career.

Filed Under: 

Chicago Architecture Foundation Presents Bus Rapid Transit: Next Stop, Chicago

Midwest
Wednesday, June 6, 2012
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Courtesy Chicago Architecture Foundation

Bus Rapid Transit: Next Stop, Chicago
Chicago Architecture Foundation
224 South Michigan Avenue
Chicago, IL
Through October 2012

While construction is set to begin on the Jeffrey Boulevard Corridor this summer, the plans for the rest of Chicago’s Bus Rapid Transit (BRT) system are far from decided. The Chicago Architecture Foundation hopes to spur public interest and debate with its new exhibition Bus Rapid Transit: Next Stop, Chicago. Bus Rapid Transit emulates the qualities of a rail system while operating on mostly existing infrastructure. The system would bring dedicated bus lanes, traffic signal prioritization, pre-board payment, and arrival information displays to a few select routes connecting to Metra and CTA L stops in addition to other BRT lines.

Continue reading after the jump.

On View> The Graham Foundation presents Zak Kyes Working With…

Midwest
Monday, June 4, 2012
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(Courtesy Graham Foundation)

(Courtesy Graham Foundation)

Zak Kyes Working With…
Graham Foundation
4 West Burton Place
Chicago
Through September 22

The first American solo exhibition of Swiss-American graphic designer Zak Kyes, founder of the design studio Zak Group and art director of London’s Architectural Association, will be on view at the Graham Foundation. Representing a wide array of his work, the show will feature projects arranged and presented not as a chronological body of work, but as collaborations with architects, artists, writers, curators, editors, and graphic designers. These working relationships highlight the impact of graphic design on its related fields, but also show how it is simultaneously shaped by those disciplines. By focusing on the intimate intellectual, formal, and business links of the collaborations, from conceptual to pragmatic, urgent to abiding, and ephemeral to long lasting, the exhibition focuses on the creative potential of collaboration to transform our understanding of graphic design, art, and architecture.

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Chicago Loop Alliance to Coat Sidewalks, Streets, & Buildings with Color

Brought to you with support from:
Fabrikator
The promotional rendering for "Color Jam."

The promotional rendering for "Color Jam."

From May 29th through June 4th, sheets of vinyl will be layered over the intersection of State and Adams streets in Chicago’s Loop in a site specific installation entitled Color Jam. The public installation, commissioned by Chicago Loop Alliance through their Art Loop public art program, is the work of multimedia artist Jessica Stockholder. The exhibit will be an ongoing piece of public art, covering sidewalks, buildings. and the intersection itself with contextually abstract shapes and colors. The work will be on display from its “official” completion on June 5th through September 30th of this year.

Continue reading after the jump.

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Digitizing Saarinen’s Miller House

Midwest, Newsletter
Tuesday, May 22, 2012
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The Miller House (Courtesy of the Indianapolis Museum of Art)

Even if Columbus, Indiana is not on your travel itinerary Eero Saarinen’s Miller House and Garden may come to you via the internet. Last week, the Indianapolis Museum of Art (IMA) announced a $190,000 grant from the National Endowment for Humanities (NEH) to digitize its Miller House and Garden Collection. The house—a celebrated collaboration between architect Saarinen, interior designer Alexander Girard, and landscape architect Dan Kiley—opened for tours last year , and the museum reports more than 6,500 tour tickets were sold. With the increased interest comes a growing number of requests from researchers asking for access to the home’s archives. While in good condition, the museum writes in their NEH proposal that “repeated handling would quickly degrade these important and unique materials.”  Read More

Unveiled> SOM’s Latest Supertall Building in China

(Courtesy SOM)

(Courtesy SOM)

A “supertall” building is one which tops out at over 1,250 feet. Right now, there are 18 completed supertall buildings and 21 under construction. Chicago-based architects Skidmore, Owings, and Merrill (SOM) will break ground on Tuesday on the 1,740-foot-tall CTF Tower in Tianjin, China. It will be the tenth supertall building to begin construction for SOM, the most of any firm in the world. The building is a carefully-crafted design which deliberately merges structural challenges with program and form.

Continue reading after the jump.

On View> The Outdoor Office at the Art Institute of Chicago

Midwest
Monday, May 14, 2012
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The Outdoor Office. (Courtesy AIC)

The Outdoor Office. (Courtesy AIC)

The Outdoor Office
The Art Institute of Chicago
111 South Michigan Avenue
Chicago
Through July 15

Jonathan Olivares takes a human-centered approach to industrial design and research. His 2011 book A Taxonomy of Office Chairs, published by Phaidon, provides an encyclopedic history of the office chair from 1840 to present day; building on this research, Olivares presents the speculative project The Outdoor Office (above). The advent of mobile communication means that work can be done outside of traditional offices and that the utility of outdoor space is no longer limited to recreation and leisure. Olivares examines how productive work environments can be created with new types of outdoor furniture and architecture, with consideration of privacy, shelter, and adaptability. The exhibition showcases the research and results of his findings, with images drawn from television, film, and existing offices, in addition to conceptual projects and models developed for new outdoor work spaces.

Deborah Berke and Students Toast Urban Industry

East, Midwest
Monday, May 7, 2012
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Chester Prescott Distillation Tower by Francesco Galetto.

Chester Prescott Distillation Tower by Francesco Galetto.

With investment in American cities on the rise, mixed-use development is all the buzz, but architect Deborah Berke says we must be careful not to leave industry out of the mix. “We need to sway mixed-use back to the direction of a real mix. We’ve gone to all residential,” she said. Berke and critic Noah Biklen just finished teaching an architectural studio at Yale on boutique urban manufacturing, where students explored bringing a bourbon distillery to downtown Louisville, Kentucky.

View the student proposals after the jump.

MOCA Cleveland and the Big Blue Yonder

Midwest
Monday, May 7, 2012
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The exterior of MOCA Cleveland nears completion. (Courtesy FOA)

The exterior of MOCA Cleveland nears completion. (Courtesy Farshid Moussavi Architecture)

If Foreign Office Architects’ first project, the huge Yokohama International Port Terminal in Japan, was the vast scale of rolling dunes, the Museum of Contemporary Art Cleveland—begun when the firm was still known as FOA and carried to completion by Farshid Moussavi Architecture—is compact as a cube. And size has made all the difference in keeping on track through the economic downturn with the $27.2 million building poised for opening in October.

Continue reading after the jump.

Kansas City Solar Pavilion Opens, Puzzles

Midwest
Monday, April 16, 2012
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(photos: Gunnar Hand)

The Sun Pavilion, winner of the Nelson-Atkins Museum of Art’s design competition in conjunction with their Inventing the Modern World: Decorative Arts at the World Fairs, 1851-1939, is now open. Completed in  81 days, the pavilion is an expression of the innovation that reflects the ideals of World’s Fairs. Read More

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