Canadian/Norwegian architect Jason Mrdeza has won Washington University in Saint Louis’ 2012 Steedman Fellowship in Architecture International Design Competition. Sponsored by the College of Architecture and the Graduate School of Architecture & Urban Design at the Sam Fox School of Design & Visual Arts, the biennial competition is open to young architects from around the world within the first eight yeas of practice. The winner receives a $50,000 prize, one of the largest competition prizes in the U.S., to support study and research abroad. Mrdeza’s winning project, “Mediating Adjacencies: Inspiring Collaboration within Context,” was chosen out of 120 entrees.
A giant Tetris block has landed in Powell Gardens, a large botanical garden an hour drive outside of Kansas City, Missouri. MIRRORRORRIM, designed and built by Kansas City-based firm 360 Architecture, is a modular stacking of bright, lime green, cedar cubes, forming a T-shape on the ground with a vertical tower rising above the crossing point. The wooden structure is layered over on some sides with perforated stainless steel panels.
Currents 35: Tara Donovan
Milwaukee Art Museum
700 North Art Museum Drive
Through October 7
The work of Tara Donovan demands close reading. By using strict rule-based systems, Donovan accumulates individual pieces of material into installations that defy easy identification. Milwaukee Art Museum chief curator Brady Roberts explains, “Donovan’s process involves selecting one material and finding one unique solution for its construction, whether it’s folding, gluing, stacking, or pressing.” Taking cues from 1960s conceptual artists like Donald Judd and Sol LeWitt, whose works rely on rule-based processes, Donovan obscures her quotidian materials to compose spectacular objects. The exhibition includes several major works including Haze, a 32-foot wall covered in approximately three million straws, Unititled, 2008 on polyester film (detail, above), and Drawing (Pins), 2011 composed of gatorboard, paint, and nickel-plated steel pins.
Judith Turner: The Flatness of Ambiguity
University of Michigan Museum of Art
525 South State Street
Ann Arbor, MI
Opening June 14
Judith Turner’s photographs are the subject of the University of Michigan-Museum of Art’s new exhibition The Flatness of Ambiguity. Turner’s work captures architecture through an intense editing process where architecture is reinterpreted through unusual views. Operating from severe angles, the photographs capture the buildings in black-and-white compositions that play with the ambiguity of light, shadow, and tonality. Cropping them to further pull the buildings from their context, Turner abstracts the built landscape, transposing buildings into often unrecognizable flat artworks. Turner’s highly abstract signature style heightens the aesthetic character of her subject matter and reveals visual relationships that are not apparent when experiencing the building in traditional ways, in person or in photographs. This exhibition consists of approximately forty works, which span Turner’s three-decade-long career.
Bus Rapid Transit: Next Stop, Chicago
Chicago Architecture Foundation
224 South Michigan Avenue
Through October 2012
While construction is set to begin on the Jeffrey Boulevard Corridor this summer, the plans for the rest of Chicago’s Bus Rapid Transit (BRT) system are far from decided. The Chicago Architecture Foundation hopes to spur public interest and debate with its new exhibition Bus Rapid Transit: Next Stop, Chicago. Bus Rapid Transit emulates the qualities of a rail system while operating on mostly existing infrastructure. The system would bring dedicated bus lanes, traffic signal prioritization, pre-board payment, and arrival information displays to a few select routes connecting to Metra and CTA L stops in addition to other BRT lines.
Zak Kyes Working With…
4 West Burton Place
Through September 22
The first American solo exhibition of Swiss-American graphic designer Zak Kyes, founder of the design studio Zak Group and art director of London’s Architectural Association, will be on view at the Graham Foundation. Representing a wide array of his work, the show will feature projects arranged and presented not as a chronological body of work, but as collaborations with architects, artists, writers, curators, editors, and graphic designers. These working relationships highlight the impact of graphic design on its related fields, but also show how it is simultaneously shaped by those disciplines. By focusing on the intimate intellectual, formal, and business links of the collaborations, from conceptual to pragmatic, urgent to abiding, and ephemeral to long lasting, the exhibition focuses on the creative potential of collaboration to transform our understanding of graphic design, art, and architecture.
The Outdoor Office
The Art Institute of Chicago
111 South Michigan Avenue
Through July 15
Jonathan Olivares takes a human-centered approach to industrial design and research. His 2011 book A Taxonomy of Office Chairs, published by Phaidon, provides an encyclopedic history of the office chair from 1840 to present day; building on this research, Olivares presents the speculative project The Outdoor Office (above). The advent of mobile communication means that work can be done outside of traditional offices and that the utility of outdoor space is no longer limited to recreation and leisure. Olivares examines how productive work environments can be created with new types of outdoor furniture and architecture, with consideration of privacy, shelter, and adaptability. The exhibition showcases the research and results of his findings, with images drawn from television, film, and existing offices, in addition to conceptual projects and models developed for new outdoor work spaces.