The top brass in the field of design have long supported preserving Chicago’s Old Prentice Women’s Hospital. Now proposals to save the embattled Bertrand Goldberg building may have economics on their side, too, according to a new report commissioned by advocates who hope to convince owner Northwestern University not to demolish the four-pronged curvilinear tower.
Alyson Shotz: The Geometry of Light
Indianapolis Museum of Art
4000 Michigan Rd.
Through January 6, 2013
Following the U.S premiere of her animated Fluid State, which visualizes the creation of matter in a fictional landscape, artist Alyson Shotz has adapted her installation The Geometry of Light for the Indianapolis Museum of Art’s Efroymson Family Entrance Pavilion Series. Shotz—who is recognized for exploring the physical world by engaging with concepts of light, gravity, and space—uses industrial materials such as stainless steel wire, silvered glass beads, and cut Fresnel lens sheets to form a sculpture that considers the duality of light as both particle and wave. During daylight hours, natural light filters through the lens sheets, and the varying angles bring life to the piece as the position of the sun changes throughout the day. By moving through the room, visitors perceive how light and motion shape the experience of space.
Sreshta Rit Premnath: Folding Rulers
Contemporary Art Museum St. Louis
3750 Washington Blvd
Through December 30, 2012
Sreshta Rit Premnath’s exhibit, Folding Rulers, at the Contemporary Art Museum St. Louis questions processes of representation, attempting to identify why certain objects, images, events, and discourses are chosen to represent larger ideas, cultural periods, or histories. Using various mediums, Premnath investigates why and how icons, places, and people— specifically the concept of power—are so symbolic. By analyzing and reducing these symbols and their meanings, his new work offers new readings of people, places, and times.
One of the “Chicago Seven” architects who broke with the city’s modernist aesthetic during the 1970s and 80s, Thomas H. Beeby, will receive the 2013 Richard H. Driehaus Prize. Considered the traditionalist’s Pritzker Prize, the Driehaus comes with a $200,000 purse and denotes a lifetime of contributions to classicism in contemporary built work.
The end of the year is nigh, and the season of awards and lists is at hand. In addition to the AIA Chicago awards to be presented tonight, the Chicago Architecture Foundation this week announced their Patron of the Year Awards.
“Good buildings only happen with good clients,” read a statement presented by Williams + Tsien at the ceremony. Great buildings, however, only happen when clients are “unreasonable” in their commitment to good design, the David & Reva Logan Center for the Arts architects said.
Cities matter. In the Midwest recent headlines have read like an urban planning syllabus: post-industrial rebirth attracts a new generation of urbanites downtown, the roll-out of high-speed rail begins to pick up pace, and while innovative solutions to the region’s well-documented problems abound, a lingering fiscal crisis and unfunded pension liabilities threaten to squash even the most attainable aspirations.
Those topics and more made the agenda at University of Illinois Chicago’s annual Urban Forum held Thursday, whose lineup included the mayors of Columbus and Pittsburgh, as well as U.S. Secretary of Transportation Ray LaHood. “Metropolitan Resilience in a Time of Economic Turmoil” was the topic at hand.
AIA Chicago announced their 2012 awards, to be officially presented tomorrow at the chapter’s annual meeting.
Firm of the year goes to Farr Associates, whose sustainable design credentials include seven LEED Platinum projects, two net-zero-energy buildings and three LEED-Neighborhood Developments. Farr was the first firm in the world to rack up three LEED Platinum projects. The New York Times’ Keith Schneider once called them “The most prominent of the city’s growing cadre of ecologically sensitive architects.” Eco-urbanists are in good company these days, and it seems a timely choice by AIA to highlight a firm so actively involved in the hard work of implementing smart growth and sustainable design.
Midwest train travelers will enjoy a quicker passage, as Amtrak approves a new top speed of 110 mph for a section of its Chicago-St. Louis route. Though trains will only accelerate to the new top speed over a 15-mile segment, officials said another $1.5 billion investment over three years of upgrades will bring the rest of the track up to speed.
The current top speed is 79 mph over most of the route. Instead of 5 and a half hours, future trips could be under 4 hours. Union Pacific Railroad and Amtrak tested a new system of triggers for highway crossing gates earlier this year.
Amtrak’s Midwest presence has seen a significant ridership boost, following trends around the country. Transit in general may be enjoying a small renaissance, with the CTA counting 16 months of rail and bus line increases. Despite setting ridership records, Amtrak is losing money and faces an uncertain future.
A push to consolidate art classrooms and performance venues on the campus of a prominent Rockford, Illinois college seems to have hit the doldrums, as Rock Valley College (RVC) administrators shake up priorities and pull back the budget. The Rockford Register Star reported RVC’s new arts instructional center, which received plans from Booth Hansen and Jeanne Gang, may get the axe.
On the heels of a surprising, if tenuous, victory in court, preservationists gathered Thursday evening at the Chicago Architecture Foundation to celebrate the opening of Reconsidering an Icon: Creative Conversations About Prentice Women’s Hospital, an exhibition that showcases re-use proposals for Bertrand Goldberg’s threatened icon.
Some of the 71 ideas presented addressed Northwestern University’s stipulations for high-density wet-lab research space on the site, while some imagined other uses for the cloverleaf tower and its blocky podium.