After a few administrative hurdles and several packed community meetings that aired downtown residents’ concerns, Chicago’s Wolf Point is poised to turn perhaps the most prominently underdeveloped piece of land in Chicago into a billion-dollar suite of skyscrapers along the Chicago River.
The University of Illinois and the state are pushing a plan to build on Chicago’s growing tech sector, calling for support from major institutions in the area to help support a tech lab in downtown Chicago.
Details are hazy now, but Crain’s is reporting the $100 million-per-year operation would draw support from Northwestern University, the University of Michigan, and other regional engines of high-tech knowledge, as well as the corporate community, for a facility or campus in the heart of the city.
Google and Motorola recently made high-profile decisions to expand operations in Chicago, and the Department of Energy named Argonne National Laboratory its national hub for battery research and technology development.
What this means for the local design community is unclear just yet, but as downtown and West Loop construction picks up it is clear that some developers are banking on growing demand.
Belle Isle is a 985-acre island in the middle of the Detroit River originally designed by Frederick Law Olmsted. While details are still being negotiated, it appears the plan could save the City of Detroit $8 million per year in operating costs. Though Detroit would still own the land, the Michigan Department of Natural Resources would operate the island as a state park, charging motorists an $11 entry fee. Bicyclists and pedestrians would still get free access.
The potential deal comes on the heels of some good news for Motor City urbanists. In addition to filling out the gaps in the city’s riverwalk, Detroit is moving forward with its M-1 Rail plan, as well as an ongoing $300 million renovation of its Cobo convention center.
Peavey Plaza, downtown Minneapolis’ celebrated modernist square completed in 1975, fell into disrepair—two of its three iconic fountains are no longer operational, and its sunken “garden rooms” have helped harbor illegal activity. Landscape architect M. Paul Friedberg’s plaza became the focus of a high-profile preservation battle two years ago, with The Cultural Landscape Foundation (TCLF) leading the charge to rehabilitate Peavey and city officials pushing for demolition.
Now TCLF has announced the plaza has been listed in the National Register of Historic Places. The “park plaza” style Friedberg forged is evident in Peavey’s blend of hard concrete squares and American-style green spaces. It joins 88,000 sites of architectural heritage on the list, only 2,500 of which have significance in landscape architecture.
Preservationists sued the city last year to contest city council’s claim that there were “no reasonable alternatives” to demolition, hoping to win protection under Minnesota’s Environmental Rights Act.
Chicago Magazine’s Elly Fishman has an interesting story on Lands’ End founder Gary Comer’s efforts to save his old neighborhood. Pocket Town, a portion of Greater Grand Crossing on the Far South Side, suffered a 25 percent unemployment rate and longstanding poverty when septuagenarian Gary Comer popped into his alma mater Paul Revere Elementary School. Shortly after he began writing checks to the principal for improvements to the aging red brick building. That philanthropy snowballed into millions of dollars each year for Revere and the neighborhood. In 2010, Gary Comer College Prep moved into a John Ronan-designed school that has garnered praise from the design community.
Google’s grand experiment on the Great Plains, dubbed “Silicon Prairie” by some, is to revitalize Kansas City with superfast internet. That network hookup could make KC a hotspot for new businesses, too, according to some entrepreneurs eyeing the new “fiberhoods” where the infrastructure exists.
Kansas City may not have aspirations to be the next Silicon Valley, but Google’s investment has invigorated the city’s startup culture. On top of efforts to clean up the region’s vacant land and the highly-anticipated return of KC’s streetcar, startups are just one reason that Kansas City will be a city to watch.
Cook County Judge Neil Cohen swatted down Friday a lawsuit preservationists filed to save Prentice Women’s Hospital, but ordered an extension of the threatened Goldberg building’s stay of demolition for another month.
Preservationists sued to overturn a decision by the Chicago Commission on Landmarks that ultimately denied protection for Prentice in November, asserting the commission violated its own rules of conduct by considering economic concerns over architectural merits.
The top brass in the field of design have long supported preserving Chicago’s Old Prentice Women’s Hospital. Now proposals to save the embattled Bertrand Goldberg building may have economics on their side, too, according to a new report commissioned by advocates who hope to convince owner Northwestern University not to demolish the four-pronged curvilinear tower.
Alyson Shotz: The Geometry of Light
Indianapolis Museum of Art
4000 Michigan Rd.
Through January 6, 2013
Following the U.S premiere of her animated Fluid State, which visualizes the creation of matter in a fictional landscape, artist Alyson Shotz has adapted her installation The Geometry of Light for the Indianapolis Museum of Art’s Efroymson Family Entrance Pavilion Series. Shotz—who is recognized for exploring the physical world by engaging with concepts of light, gravity, and space—uses industrial materials such as stainless steel wire, silvered glass beads, and cut Fresnel lens sheets to form a sculpture that considers the duality of light as both particle and wave. During daylight hours, natural light filters through the lens sheets, and the varying angles bring life to the piece as the position of the sun changes throughout the day. By moving through the room, visitors perceive how light and motion shape the experience of space.
Sreshta Rit Premnath: Folding Rulers
Contemporary Art Museum St. Louis
3750 Washington Blvd
Through December 30, 2012
Sreshta Rit Premnath’s exhibit, Folding Rulers, at the Contemporary Art Museum St. Louis questions processes of representation, attempting to identify why certain objects, images, events, and discourses are chosen to represent larger ideas, cultural periods, or histories. Using various mediums, Premnath investigates why and how icons, places, and people— specifically the concept of power—are so symbolic. By analyzing and reducing these symbols and their meanings, his new work offers new readings of people, places, and times.