Q+A> Daniel Libeskind on Cosentino’s Dekton, Architecture, and Music

East, Features, Newsletter, Product
Friday, October 18, 2013
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Left: Daniel Libeskind (Ilan Besor); Right: Off the Wall (courtesy Cosentino)

Left: Daniel Libeskind (Ilan Besor); Right: Off the Wall (courtesy Cosentino)

At Cosentino’s launch of Dekton, AN had an opportunity to sit down with Daniel Libeskind. The world-renowned architect designed an outdoor sculpture, Off the Wall, made from the new material that weathers like stone but has manufactured advantages of specialized color, texture, and form, thanks to Cosentino’s particle sintering technology (PST) that simulates metamorphic rock formation at a highly accelerated rate. It originally debuted this spring at Salone del Mobile in Milan.

AN: You studied music in Israel. Do you find any of your classical music training to inform your design and architecture work?
Daniel Libeskind: Totally. Even though I was a virtuoso performer I continue to use that sense of my relationship to music very deeply in my work. Architecture and music are closely related in many ways. They’re both very precise: In music, even a vibration cannot be off by a single half note. And it’s the same with architecture; the geometry, the spatial character of a building must be accurate.

Continue reading after the jump.

In Chicago, Toyo Ito Reflects On 3.11 Earthquake

Midwest, Newsletter
Wednesday, October 16, 2013
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Home-for-All in Rikuzentakata. (Naoya Hatakeyama / Courtesy Toyo Ito & Associates)

Home-for-All in Rikuzentakata. (Naoya Hatakeyama / Courtesy Toyo Ito & Associates)

Japanese architect and 2013 Pritzker Laureate Toyo Ito visited the Art Institute of Chicago Tuesday, reflecting during two public lectures on how the 2011 earthquake and tsunami that devastated his homeland changed his approach to design.

At 72 years old, the accomplished architect might be expected to rest on his laurels. But Ito said his entire approach began to change during the 1990s. “I used to pursue architecture that is beautiful, aligned with modernism,” he said through an interpreter during a talk with Korean artists Moon Kyungwon and Jeon Joonho; Yusaku Imamura, director of Tokyo Wonder Site; and artist Iñigo Manglano-Ovalle. Instead, he said, he began to ask what elements of a building make it livable.

Continue reading after the jump.

Zaha Hadid Designs a Superyacht

International, Newsletter
Wednesday, October 16, 2013
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(Courtesy Zaha Hadid)

(Courtesy Zaha Hadid)

Taking her sleek, space-age forms to the sea, Zaha Hadid has teamed up with Hamburg, Germany–based master shipbuilders Blohm+Voss to launch a fleet of signature superyachts. Together they have created The Unique Circle Yacht, a family of five distinct 90m yachts based on the design philosophies and sculptural contours of a 420-foot master prototype that was recently displayed in an exhibition of Hadid’s work at the David Gill Gallery in London. The web-like design of the yachts’ distinctively-Zaha upper exoskeleton was supposedly informed by fluid dynamics, underwater ecosystems, and the structural systems of marine organisms, while the hull was the result of intense hydrodynamic research.

Continue reading after the jump.

Jean Nouvel’s National Art Museum of China Design Inspired by Calligraphy

International, Newsletter
Tuesday, October 15, 2013
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Jean Nouvel's Design for new National Art Museum of China. (Courtesy Jean Nouvel)

Jean Nouvel’s Design for new National Art Museum of China. (Courtesy Atelier Jean Nouvel)

Over a star-studded semi-finalist list of Western architects, Pritztker-Prize winning French architect Jean Nouvel has been awarded the commission to design the world’s largest art museum: the new National Art Museum of China in Beijing. The 130,000 square meters NAMOC building is intended to exhibit works by 20th-century and traditional artists from worldwide. The Financial Times reported earlier this year that Jean Nouvel’s design idea as that of a single ink brushstroke, a concept of traditional Chinese art and calligraphy. With sweeping glass and a reflective facade, the museum’s exterior takes obvious inspiration from the art visitors will encounter within its walls.

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On View> An Olfactory Archive: Something Smells at the California College of the Arts

Other
Thursday, October 10, 2013
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An Olfactory Archive: 1100-1969. (Courtesy CCA)

An Olfactory Archive. (Courtesy CCA)

The architecture school at the California College of the Arts in San Francisco was only founded in 1986 and did not have its own campus until 1997. But the school—housed in a light filled old bus shed in the city’s Potrero Hill Design District—is quickly carving out a unique role for itself as a center of architectural creativity and pedagogy. The College, with its dynamic president and acting director of architecture David Gissen, seems to be trying to work forward from its Arts and Crafts traditions (the CCA itself was founded in 1907 in Oakland) but link up with the vibrant and young tech industries and attitude that proliferate in this south of Market area. A sign of this new spirit is a small but fascinating exhibit, An Olfactory Archive: 1738-1969, curated by Gissen and new faculty member Irene Cheng and designed by Brian Price and Matt Hutchinson.

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Zaha Hadid Tapped for Her First Wholly Designed Hotel: ME by Meliá Dubai

International, Newsletter
Wednesday, October 9, 2013
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Courtesy Zaha Hadid Architects

Courtesy Zaha Hadid Architects

In 2007, Zaha Hadid received commission from Omniyat Properties to design the 312-feet-tall Opus Office Building in Dubai. Now, she has been given opportunity to continue this structure’s development beyond solely its architectural exterior. Spain-based Meliá Hotels International announced Hadid as designer for their second hotel in the United Arab Emirates (their first is in Bar Dubai). The internationally renowned architect will be given full creative design of the interior and exterior of the ME by Meliá Dubai Hotel, to be located in her Opus Building. Set to open in 2016, the project will be Hadid’s first hotel designed in entirety. Continue Reading After the Jump

Culture at Risk: World Monuments Fund Watch List Includes Palisades, FLW’s Taliesin

International, Newsletter
Wednesday, October 9, 2013
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According to the List, Frank Lloyd Wright's Taliesin in Spring Green, Wisconsin Is in Danger of Disrepair. (Courtesy Casey Eisenrich / Flickr)

According to the List, Frank Lloyd Wright’s Taliesin in Spring Green, Wisconsin Is in Danger of Disrepair. (Courtesy Casey Eisenrich / Flickr)

The World Monuments Fund has announced its 2014 Watch List for cultural sites at risk by changes in economy, society, and politics within their respective countries and disrepair due to natural forces. For 2014, the Monument Watch List, compiled and released every two years since 1996, has cited 67 heritage risks in 41 countries and territories around the world. These sites range from Frank Lloyd Wright’s 1911-built Taliesin home in Wisconsin, submissive to elements of weathering, to the tree-lined Palisades cliffs in New York and New Jersey, jeopardized by corporate construction plans, to all of the cultural sites of Syria, risked by current war conflict.

View the gallery of highlights after the jump.

Fiber Dome Glows in Response to CO2 Levels in Saginaw, Michigan

Midwest, Newsletter
Tuesday, October 8, 2013
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sol dome in Saginaw, Mich. (loop.ph)

sol dome in Saginaw, Mich. (loop.ph)

A web-like dome in Saginaw, Michigan changes colors to reflect the level of carbon dioxide in the air. Solar-powered LED lights connected to an onsite CO2 monitor illuminate the structure’s fibers in timed patterns to create the appearance of an organic response.

Continue reading after the jump.

Developer Taps Starchitects, Baz Luhrmann For Miami Cultural & Residential District

East, Newsletter
Wednesday, October 2, 2013
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Faena cultural building designed by Rem Koolhaas. (Courtesy OMA)

Faena cultural building designed by Rem Koolhaas. (Courtesy OMA)

A tired strip along Collins Avenue in Miami, once populated by swanky hotels, will soon be returned to its former glory days. The Miami Herald reported that Argentinian developer Alan Faena is moving forward with his grand vision for this ghostly side of town, dubbed the “Faena District Miami Beach,” which will consist of an elaborate mix of residential, hotels, retail, and cultural space.

Continue reading after the jump.

Zaha Hadid Puts her Curvilienear Spin on the Serpentine’s New Sackler Gallery

International, Newsletter
Monday, September 30, 2013
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Serpentine Sackler Gallery (Courtesy of Zaha Hadid Architects)

Serpentine Sackler Gallery (Courtesy of Zaha Hadid Architects)

Architect Zaha Hadid is finally putting her stamp on the city she has called home for over 30 years with one of her signature curvaceous designs. The London-based architect has designed the new Serpentine Sackler Gallery in Kensington Gardens consisting of both a $14.5 million curvilinear extension and the renovation of the The Magazine, a brick building originally built as a Gunpowder Store in the early 19th century.

Continue reading after the jump.

Richard Meier Opens First Phase of New Complex in His Hometown of Newark

East, Newsletter
Friday, September 27, 2013
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Rendering of Teachers Village (Courtesy of Richard Meier & Partners Architects)

Rendering of Teachers Village (Courtesy of Richard Meier & Partners Architects)

Richard Meier has returned to his roots with the opening of his latest project in the heart of downtown Newark, New Jersey.  Government officials gathered Thursday to cut the ribbon on the first phase of a mixed-use development called Teachers Village. The 90,000 square foot structure is now home to two charter schools, with retail planned for the ground floor.

The sprawling development—part of of revitalization program to revive downtown—will consist of retail space, a daycare center, three charter schools, and 200 apartment units for teachers. The Newark-born architect was tapped to design five of the eight buildings in the complex with KSS Architects in charge of the remaining three.

COntinue reading after the jump.

Getting in on the Ground Floor: Collective-LOK Wins Van Alen’s Ground/Work Competition

East, Newsletter
Wednesday, September 25, 2013
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Winning Proposal (Courtesy of Collective-LOK/Van Alen Institute)

Winning Proposal (Courtesy of Collective-LOK/Van Alen Institute)

The Van Alen Institute, a non-profit organization devoted to public realm improvements in New York City, has announced Collective-LOK as the winner of its Ground/Work competition. The winning team—a collaboration between Jon Lott (PARA-Project), William O’Brien Jr. (WOJR), and Michael Kubo (over,under)—was selected from a pool of over 100 applicants, and beat out two other finalists: Of Possible Architectures and EFGH. The competition called on designers to re-imagine the ground floor level to accommodate new offices, bookselling platform, galleries, and event and programming space.

Continue reading after the jump.

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