The socially-reponsible design squad at Artecnica opened their first showroom in Los Angeles last night and designers, architects and artists thronged the simple white storefront in appreciation. Well, and for a glimpse of flower-power designer Tord Boontje during his second-ever visit to LA (even though he’s been working with Artecnica for ages). Gracious hostess Tahmineh Javanbakht greeted guests near the bar, her neck layered with chains, charms, beads and bangles to glamorous effect, while Rose Apodaca presided over a pop-up version of boutique A+R in the back. Read More
The young British designer Max Lamb, the subject of a solo show at Johnson Trading Gallery in Hudson Square that opens today, creates furniture with rugged natural materials—blocks of stone, molten metals, beach sand—and various methods of hand-working. The results reflect a distinctive and surprisingly contemporary sensibility. Read More
We’ve been tracking the AIA Architecture Billings Index ever since it took a dive last spring. But what about the rest of the design industry? Well, the American Society of Landscape Architects released its quarterly survey of member firms, and the numbers are no better than their brick-and-mortar friends.
In fact, the numbers are even worse, with only 16 percent of firms experiencing growth in their billings and 43 percent having stable or rising inquiries. Read More
On September 14, the Farnsworth House was engulfed by the Fox River, sustaining significant damage to its interiors and furnishings. The house, designed by Mies van der Rohe and now a National Trust Historic Site, is reopen for tours through October 29 to benefit the restoration. According to a new blog covering the effort, estimates for repairs are still being tallied.
While restoration work is proceeding, some suggest that the house should be moved to a more secure location.
As the economic crisis continues to reverberate across the globe, everyone is feeling uneasy. Architects are particularly susceptible because the downturn stems from the housing collapse, which has crept into most ever sector of the construction industry.
Few buildings have sparked as much architectural criticism as Two Columbus Circle, the new home of the Museum of Arts and Design (MAD). Brad Cloepfil’s firm Allied Works has designed the new museum, set within the bones of Edward Durrell Stone’s old building. Critical reaction has been split, though the MAD haters seem to outnumber the fans. Read More
Making lists is a time-honored September New York ritual as we all trash the beach reading and play serious catch-up as quickly as possible, reading back-to-back The New York Times’ The New Season feature on September 7 followed by New York magazine’s Fall Preview (Don’t be confused by cover dates, the Times’ Sunday edition came out one day ahead).
And now, to New York architecture critic Justin Davidon’s worthy and lengthy survey of new glass buildings across the city “Glass Stampede” (of which we read every word on a long flight recently), there is Nicolai Ouroussoff’s tossed-off and irresponsible “New York City, Tear Down These Walls”. Maybe the guy should be applying the principles of adaptive reuse to architecture rather than to his journalism.
Following our report on the Porta Nuova project, developed by Hines in Milan, Grimshaw has released new images of their Exhibition Hall, an anchor in the development’s Garibaldi section. The Exhibition Hall features a dramatic metal skin draped over the building’s roof and walls, which peels into ribbon-like forms to reveal the structure within. The building follows the contours of the site, creating an “urban sculpture,” according to a statement by the architects. The piazza-facing entrance is fully glazed, revealing the activity inside and helping to animate the public space. A top floor restaurant will lead to a large roof terrace with commanding views of the Alps. Like all of Porta Nuova, the Exhibition Hall will be built to LEED standards.