Philippe Parreno, Marquee Guggeneim, NY, 2008. Photo: Kristopher McKay/Guggenheim Foundation
Listen up insomniacs and coffee snobs, the Guggenheim is hosting a 24-hour talk, appropriately on the theme of time, as a companion to the exhibition theanyspacewhatever. The event starts at 6:00 pm tonight and runs through 6:00 pm on Wednesday, and includes artists, designers, curators, social scientists, philosophers, and others. Read More
Amid the anxiety, speculation, and real hardship caused by the ongoing economic downturn, the provocative thesis of this Washington Post article stands out, which, if correct, could hold a silver lining for architects. Reporter Elizabeth Razzi interviews housing historian Virginia McAlester about how previous periods of economic declines shaped consumer demand for housing. The answer is simple and somewhat obvious: the demand for small houses rises. Her predictions for this cycle are less so. Read More
First Laurie Olin, now Frank Gehry. That was the news earlier this week when the Wall Street Journal reported that the Santa Monica-based architect had laid off “more than two dozen” staffers involved with Bruce Ratner’s Atlantic Yards project. What followed was a string of cheers predicting the troubled Brooklyn mega-development’s demise. After all, how could it go on without its signature architect?
While considering this question, I kept thinking of a comment made by Kermit Baker yesterday, during an interview about the abysmal November billings index. Given what’s going on elsewhere in the industry, the termination of a handful of architects may not signal the doomsday scenario the project’s critics would like, and instead may be one more credit-related payroll pause like many others around the nation: Read More
A recent New York Times article piqued not only a literary memory of the cult classic Ecotopia, but also a visual memory from an early work by the exemplary West Coast practitioner Craig Hodgetts.
Writing from what used to be called “Berserkley,” California, Scott Timberg begins his article with these observations:
“Sometimes a book, or an idea, can be obscure and widely influential at the same time. That’s the case with Ecotopia, a 1970s cult novel, originally self-published by its author, Ernest Callenbach, that has seeped into the American groundwater without becoming well known. Read More
Contemporary art curator and AN colleague Leanne Mella has organized a potent and compelling exhibition entitled The Prisoner’s Dilemma for the Cisneros Fontanals Art Foundation, known as CIFO, in downtown Miami.
With noble intentions, given the socio-political climate of the recent past, the work in Mella’s exhibition showcases the ways in which artists respond to the exercise of power in contemporary life. The politics of the show are highly nuanced, visually stunning, and often quite poetic. Read More
Designer and AN friend Ken Saylor, of saylor+sirola, reports from Art|Basel|Miami Beach:
For the seventh year in a row, the international art world descended upon Miami Beach to instantly transform the city into a galaxy of cultural production, salesmanship, and hopefully, with this year’s delicate economy, elite consumption. If you add cars, champagne, mojitos, and cigars, provided by the current corporate sponsors, one’s experience of Art|Basel|Miami Beach was a decadently over-the-top trip to the beach.
With 24 auxiliary fairs attaching themselves to the main event, it is impossible to see everything, although everyone runs around the city in frantic abandon—entourages in tow—to openings, parties, parties, and, yes, more parties. Read More
The Venice biennale will just not end! It opened in the warmth of September with mobs of well-known architects in attendance and officially closed on a cold November Sunday with scores of Italian schoolchildren roaming the pavilion grounds. I locked the doors of the U.S. Pavilion, put models and drawings into shipping containers (the show will be reprised at Parsons School of Design in February), and floated our Kartell-donated furniture down the Grand Canal on a barge—just in time for the highest floods in La Serenissima’s post–global warming history. Read More