For her graduation project at Dutch art and design school ArtEZ, Renee Verhoeven explored the relationship between function and materialization with Concealed Layers of Product Life. Anatomy, movement, and utility are translated through fabrication in a collection of gloves that attempt to tackle one of the fundamental projects of Modern design and architecture. As Verhoeven explained in a statement, “It was an idea I nurtured for a long time: making the outer layers of a product expressive for its interior, the way it functions and the scientific knowledge that it materializes.”
For many, work by American artist James Turrell is instantly recognizable. Using light and basic geometric forms as the material of his compositions, Turrell subtly alters space and perception for visitors, creating weight and depth through visual experience that evokes meditation and contemplation.
Turrell’s work is at its height when gazing skyward. Multiple iterations of his Skyspace series have appeared around the world framing a dramatic slice of the heavens in his pristine geometry. The work is, essentially, a skylight: an opening above a room or pavilion for viewing the sky above, but to reduce the work to its function would disregard the transformative power of a simple yet moving experience. In each installation, a confined aperture begins to decontextualize the sky, featuring the color and texture of what is seen as an element of the art.
Filed Under: New Practices New York
Portuguese architect Álvaro Siza Vieira has been awarded the Golden Lion for Lifetime Achievement of the 13th International Architecture Exhibition at the Venice Biennale. The announcement was made today by Biennale board director Paolo Baratta and director David Chipperfield, who noted Siza’s authority on designing with bold forms, shaping light, and creating reflective compositions. “Secured by his isolated location, he exudes worldly wisdom. Experimenting with forms of extreme geometry he manages to produce buildings of great rigor. Developing an architectural language that is uniquely his, he seems to speak to all of us. While his work exudes the security of judgment, it is clearly intensified through cautious reflection. While we are dazzled by the lightness of his buildings, we feel the seriousness of their substance,” Baratta and Chipperfield said in a statement.
There were about as many ideas for development on Chicago’s high-profile real estate at Wolf Point as there are Chicagoans. One you didn’t hear about during Alderman Brendan Reilly’s initial public meeting was The Clean Tower—a supertall that would return filtered wastewater to the Chicago River beneath its slanted profile.
The Clean Tower wasn’t actually on the table for Wolf Point, but it does occupy real estate on the Chicago Architecture Foundation’s model of downtown. That’s because it’s part of Unseen City: Designs for a Future Chicago, an exhibition of imaginative projects from Illinois Institute of Technology’s “Hi-Rise, Lo-Carb” studio.
Architectural League Prize for Young Architects + Designers 2012: No Precedent
Arnold and Sheila Aronson Galleries
Parsons The New School for Design
66 Fifth Avenue
June 21–August 3
2012 marks the 25th anniversary of the Architectural League Prize for Young Designers and Architects. Each year, up and coming talent, defined as less than ten years out of school, is recognized for excellent and inspiring work. This year’s theme was No Precedent, and reflects the committee’s perception of young architects’ careers as “suggestive, speculative, and on the brink,” according to a statement. The exhibition includes Jorge Arvizu, Ignacio del Rio, Emmanuel Ramirez, and Diego Ricalde, MMX Studio, Mexico City; Jimenez Lai, Bureau Spectacular, Chicago; Sean Lally, WEATHERS/Sean Lally (above), Chicago; Seung Teak Lee and Mi Jung Lim, STPMJ, Brooklyn; Michael Szivos, SOFTlab, New York; Koji Tsutsui, Koji Tsutsui & Associates, San Francisco and Tokyo.
On June 13th the Chicago-based Council on Tall Buildings and Urban Habitat (CTBUH) announced their choices for this years best tall buildings in the world. The CTBUH, an international not-for-profit association, picked four regional winners, including the Absolute Towers in Mississuaga, Canada for the Americas; 1 Blight Street, Sydney for Asia and Australia; Palzzo Lombardia, Milan, representing Europe; and Doha Tower, Doha, Qatar for the Middle East and Africa. These four buildings were recognized for making “an extraordinary contribution to the advancement of tall buildings and the urban environment, and for achieving sustainably at the broadest level,” according to a statement from the CTBUH. Additionally, the Al Bahar tower in Abu Dhabi won the first ever Innovation Award for its high-tech computerized sunshade.
Here’s one thing we know: No matter how gigantic convention centers and airports grow, they’re never big enough. Now we’ve heard through the grapevine that San Francisco will be the latest to loosen its belt a couple notches with the help of SOM and Mark Cavagnero Associates. The city is jumping on the expansion bandwagon with the addition of 200,000 to 450,000 square feet to the Moscone Convention Center in the South of Market neighborhood. The original center opened in 1981 and its first expansion, Moscone West, followed in 2003.
This is big: Our sources divulge that UK firm Grimshaw and LA-based Gruen Associates have won the commission to master plan the six million square feet of entitlements at Union Station in Los Angeles. A formal announcement is expected this coming Monday on Metro’s web site (our leak is unconfirmed), with the Metro board approving the firms after that. Grimshaw has made a name for itself designing infrastructure and transit stations around the world, including Lower Manhattan’s upcoming Fulton Street Transit Center and London’s Waterloo Station. Gruen recently completed design on phase one of the Expo Line and has served as executive architect on several recent projects, including the Pacific Design Center. The site around Union Station encompasses about 38 acres and is anticipated to become a transit and commercial hub for the city. It will likely include offices, residences, retail, entertainment, parks and a potential high speed rail station.
SCI-Arc, the Southern California Institute of Architecture, will be extending its reach into the community with the creation of three public venues made possible by a $400,000 grant awarded by ArtPlace. The grant, funded by private foundations and public agencies including the National Endowment for the Arts, seeks to encourage creative and locally focused placemaking; $15.4 million in grant funds is allocated to 47 projects located across the country. SCI-Arc director Eric Owen Moss wrote in a statement, “If architecture, as SCI-Arc has always proclaimed, speaks by building, the ArtPlace contribution affords us two special construction moments to ratify what we preach.”
Occupying a room in the abandoned Federal Screw Works factory in Chelsea, Michigan, General Manifold is an immersive environment that aims to disorient as well as engage. The installation is set in an 80,000 square foot factory, founded in 1913, that once employed 250 people. When it was shuttered in 2005, only 37 remained. Spatial Ops, with students from their Meta Friche seminar at Taubman College of Architecture and Urban Planning at the University of Michigan, engage the factory’s history, showcasing the ruin and rendering its inverse. Their insertion is an attempt to cultivate enthusiasm for the ruin and to gain support for its transformation, the first step in a forthcoming master plan for Chelsea Common. Read More
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Composite materials, a.k.a. “composites,” are the result of the two different materials being combined but remaining physically and chemically distinct. For over 40 years Bill Kreysler, founder of the Napa County-based Kreysler Associates, has been leading developments in molding and application of composites for architectural use. On July 27 Kreysler and his associate Joshua Zabel will lead a special workshop on how composites are used in facades today as part of the AN‘s upcoming conference Collaboration: the Art and Science of Building Facades, taking place July 26-27 in San Francisco.
After getting his start in manufacturing sailboats, Kreysler founded his own firm in 1982 and brought his knowledge of fiber reinforced polymer (FRP) to bear on architectural and industrial products as well as large scale sculpture (his workshop boasts three CNC-milling machines). Currently chair of the committee to write Guide Specifications and Recommended Practice for FRP Architectural Products and a founding member of the newly formed Digital Fabrication Alliance, Kreysler is also co-author of Composites, Surfaces, and Software High Performance Architecture with Greg Lynn.
Through lectures and a rare opportunity for hands-on learning, the upcoming July 27 workshop will provide participants with both the creative and technical knowledge to design and prototype composite based building components. Participants will also be eligible to compete in a limited competition to have a small component fabricated full-scale by Kreysler & Associates to be exhibited at ACADIA 2012, a conference on computer-aided design. To register for the Collaboration conference, click here.