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Parsons The New School of Design has recently completed a new pool pavilion called Splash House for Highbridge Pool and Recreation Center. Led by students in the School of Constructed Environments at Parsons, Splash House was designed and developed pro bono by students in partnership with NYC Parks & Recreation as an addition to the WPA-era Highbridge Pool and Recreation Center.
Fernando Romero, founder of architecture firm FREE, kicked off the morning with a tour of his facade work, from the hexagonal network of mirrored steel tiles enclosing the Museo Soumaya in Mexico City, to IIT’s McCormick Tribune Campus Center just two blocks from the conference hall. Romero worked on the McCormick Center while at OMA, but had never before visited the completed structure. Walking through the building after his talk, delivered on his 41st birthday, the architect said it was a gift to finally visit.
ENfold Pavilion, a new temporary landscape installation designed by Perkins + Will in Boston’s Evans Way Park, utilizes natural reusable materials as its base and steers clear of harmful environmental impacts in both its construction and placement. The installation, which was chosen for Boston Society of Architects Unbuilt Design Award prior to being realized, celebrates the recent designation of Boston’s Fenway as Boston’s first state-wide cultural district
The permeable light catching ribbon is made of garden bed-liner fabric and is held in place by an invisible network of stainless steel cables. Its organic free-flowing form mimes the grace and movement of the expanse of tree branches above and is loosely woven between their trunks. ENfold’s spatial layout delineates a natural framework for park-goers and creates a natural “stage” for musical performances and other art happenings. The 500 foot long semi-translucent fabric loops its way throughout the entire park echoing wind and light along its way. The fabric will be recycled and used for the Boston Parks Department’s 2013 growing season.
Seattle Design Festival block; looking east. (Ariel Rosenstock)
Sure this month is Archtober in New York. But last month non-profit group Design in Public got things rolling when it hosted the second annual Seattle Design Festival. The weekend-long event showcased projects, promoted design, and featured discussions and panels. One notable highlight: a block in the South Lake Union neighborhood was taken over by transformed shipping containers housing various interior designs, a feedback space for comments on an upcoming design plan for Seattle, and a design product pop-up shop.
While the idea of living in a house made of mushrooms might conjure up visions from the Smurfs or one of a handful of whimsical houses across the country, artist/inventor turned mycologistPhil Ross is using mushrooms as the buildings blocks for a new construction material with some distinct advantages.
Ross has dedicated his career to the organism, recently discovering that its root-like network lying just underground is quite similar to concrete when dried, but actually stronger. The dried mycelium can be shaped into a brick, or almost any other form, and is fire, water and even mold resistant.
Museo Soumaya by FREE to be a case study in Revit Parametric Facades workshop.
Alphonso Peluso, Director of Digital Architecture + Fabrication at the Illinois Institute of Technology, is on a mission to max out Revit. His workshop, “Revit Parametric Facade Design,” on October 12 offers participants a hands-on lab for exploring how the program can help produce the most complex building skins. “It’s a unique opportunity to experiment in one session with all the different tools Revit has for creating parametric facades,” said Peluso. The event is part of Collaboration: The Art and Science of Building Facades, the Chicago edition of the Architect’s Newspaper‘s conference taking place October 11 and 12.
Using a series of tutorials Peluso will begin by looking at basic curtain wall creation through deploying system families and also making custom parametric families. Next up: mining the Conceptual Massing interface that yields complex parametric facade forms. Then on to pattern, from basic to advanced and responsive. Finally, Revit’s Adaptive Component families will be explored for the creation of “one off ” building components. “The participant will walk away with the knowledge of which tool is most appropriate for the different types of facades they are designing,” said Peluso.
This weekend’s Open House New York tours and special building openings will end with a special film screening at Tribeca Cinema. The screening will feature a new Checkerboard Foundation Production of Diller, Scofidio + Renfro that highlights the local firm’s two most important projects: The High Line and Lincoln Center.
Checkerboard is well known for their architecture documentaries and this one features DS+R’s recent contributions to New York’s streetscape. The film starts at 7:00 on Sunday and tickets can be purchased in advance.
Paris-based artist Jonas LeClasse’s Imaginary Doors (And the People Who Pass By Them) is as simple as it is beautiful. Amidst the continuous grit and grime of dirty, graffiti-filled urban walls in St. Dennis—a working-class Parisian suburb—LeClasse draws doors using chalk, provoking viewers to slow down and reflect. He then invites viewers to pause for a portrait with the “door.” Perhaps it is a gateway of sorts, a simple delineation of inside and outside, or the fact that the portrait always captures the subject within a double-frame (outside of the the door yet inside of the picture). In any case, LeClasse achieves poetry using subtle architectural gestures.
Rendering of Zaha Hadid’s Pleated Shell Structures installation at SCI-Arc. (Courtesy Zaha Hadid)
Prepare yourselves Angelenos: Zaha is coming to town. Her installation Pleated Shell Structures will be on display at the SCI-Arc gallery beginning October 12. The installation’s details are still limited, but it appears that it will further push Hadid’s and partner Patrik Schumacher’s legendary experimentation with parametric design, giving smooth forms a more tactile, imbedded surface. So if parametric design is 3D, could this be 4D? Which dimension are we in now, anyway?
Goettsch Partners designed the Al Hilal bank flagship office tower for a new business district planned in Abu Dhabi. (Courtesy Goettsch Partners)
Abu Dhabi’s dizzying building boom slowed down somewhat after the 2008 financial collapse dried up the liquidity that inspires big projects. The damage appears not to have been permanent, however, as the UAE capital will forge ahead with a 24-story speculative office tower—part of a new central business district on Al Maryah Island.
Cathedral of Brasilia. (Vicente de Paulo/Courtesy Paddle 8)
Grab your 3D glasses, the artists at Visionaire, an art and fashion publisher, have added dramatic new depth to architectural photography. The work of Brazilian architect Oscar Niemeyer, who brought Modern design to Sao Paolo, Brasilia, and Rio de Janeiro, has now been optimized for viewing through stereoscope lenses. Just as Niemeyer innovated architectural design, making soft, delicate curves out of his concrete buildings, the international team of artists at Visionaire are advancing stereoscopic design and traditional ways of viewing cities, neatly packaging 3D scenes of modern Brazil against Niemeyer’s landscape into lenticular cases featuring the art of Fernando and Humberto Campana and Beatriz Milhazes on its exterior.
A rendering of the stair atrium, shows region where the teaching wing meets the research wing.
Next month Lehman College CUNY will dedicate its $70 million Science Hall designed by Perkins+Will. The new Bronx facility will abut Gillet Hall, one of the campus’ depression-era gothic buildings, while sparring with Raphael Viñoly’s massive metallic wave-like gymnasium called the Apex. “We tried an elegant yet simple form that enhances the sculptural quality of the Viñoly building, so as not to try to compete against it, but to act as a foil,” said Robert Goodwin, design director at Perkins+Will. “And we maintained a strong relationship to Gillet Hall.”