After forty years of existing as a contaminated, abandoned industrial site, the revitalized Bush Terminal Pier Park will finally open this October, just in time for visitors and local residents to enjoy soccer season, watch the leaves change colors, and appreciate the crisp fall weather.
Adrian Smith Landscape Architect’s vision for the redevelopment of the post-industrial shipping, warehousing, and manufacturing site, calls for the complete re-shaping of the land, as well as the modernization of the unused shipping piers located on the waterfront of Sunset Park. At this point in the reconstruction process the basic restructuring of the land, including the defining of new pathways and shorelines, has already been completed so passersby can get a very general understanding of what the future waterfront park will look like.
Andrew Geller‘s infamous Pearlroth House, a uniquely designed beach residence located on Dune Road in Westhampton Beach, New York, is undergoing a significant restoration. The task is being carried out by Richard Reinhardt of Reinhardt/O’Brien Contracting and is being supervised by architect Rick Cook, of Cook + Fox Architects, owners Jonathan Pearlroth and Holly Posner, and Andrew Geller’s grandson, Jake Gorst. The one-of-a-kind house was originally built in 1958 for Arthur Pearlroth, an executive for the New York Port Authority, who once had a reputation for being a “lady’s man,” but Gellar collaborated more closely on its actual design with Pearlroth’s wife, Mitch. The couple commissioned Gellar, who often drafted his designs only after carefully studying the projected site and the family’s living habits, to design a summer house that didn’t resemble their ordinary four-walled New York City apartment. The clever design has come to be referred to colloquially as the “square brassiere.”
Art photographer Bonnie Edelman’s visit to The Philip Johnson Glass House resulted in a new addition to her SCAPES (Land, Sea, Sky) collection, a series of photographs that capture natural settings in blurs of color.
“The first shot I made as soon I got there, when the house and pool came into view, was the SCAPE called “The Glass House”, 2012. The pool shape was so incredibly unique and so incredibly blue, where the trees were this beautiful fresh deep Spring green, which gave the pool a glow of sorts through the contrast,” said the artist in a statement.
Philip Johnson added the 6 foot, 4 inch deep concrete pool to the iconic house in 1955. Influenced by philosophy, specifically by Platonic geometry, the pool’s perfect circular form reflects the geometric style of design that defined most of Johnson’s architectural career. The pool, which sits almost hidden from view in the midst of a vibrant green lawn, is complete with a rectangular platform that lies adjacent to it. While it cannot be seen from most of the property, when viewed from higher ground, the flawless circular shape accompanied by the rectangular ledge makes a bold statement of geometry.
Tired of hearing about building integrated photovoltaics? Well, the next wave of energy-producing architecture may look quite different. Strawscraper, a project currently underway in Stockholm, will see a building coated in a hair-like material that harvests energy from the wind. The process is known as piezoelectricity. Designed by Swedish firm Belatchew Arkitekter, Strawscraper is an addition to Stockholm’s Söder Torn building, which was completed in 1997. Once transformed into the Strawscraper, the building will stand at 40 stories tall and will act as an “urban power plant,” according to the architect’s website.