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(Snowflake photos by Alexey Kljatov / Flickr; Montage by AN)
As architects, we know you’re overworked and probably underpaid, and we’re guessing you haven’t had time to draft your holiday wish list quite yet. But don’t despair. AN has compiled a list of high-design, unique gift ideas for you and your colleagues, friends, and family members with good taste, most of which are also attainable for budget-conscious buyers.
Since 2011, skateboarders from all over Europe have flocked to a large concrete slab in OMA’s Museum Park in the city center of Rotterdam as a local spot for tricks and meetups. Nicknamed “Rem’s Flag,” the spot is painted with a massive 492-foot version of the EU Barcode, a multi-colored barcode design by architect Rem Koolhaas, conceived as an equal display of the flags of the European Union. Various objects have been “barcoded” with the Koolhaas flag. The most recent is a set of 80 limited edition skateboard decks, a collaboration between surf-inspired skateboard brand Dufarge and AMO, an OMA think tank, in honor of the Rem’s Flag skating experience.
Auguste Perret: Eight Masterpieces !/?
Through February 19, 2014
The exhibition, Auguste Perret: Eight Masterpieces !/?, is really about dualities: the subject of the exhibition, the architect Perret (1874-1954), an architectural innovator in reinforced concrete, and the exhibition’s designer Rem Koolhaas/OMA; and the historical perspective of Perret by the “scientific” curator, Joseph Abram, and the forward-looking interpretations by “artistic” curator, Koolhaas. This interplay is symbolized by the exclamation point/question mark at the end of the exhibition title.
OYLER WU COLLABORATIVE TRANSFORMED TWO TAIPEI BUILDINGS INTO A TEMPORARY SALES CENTER FOR THEIR NEW RESIDENTIAL TOWER (OYLER WU COLLABORATIVE)
Dwayne Oyler and Jenny Wu, partners at Los Angeles-based Oyler Wu Collaborative, recently completed an unusual project. The program was seemingly straightforward: create a temporary sales center on the future site of a high-rise residential tower in Taipei, also designed by the firm. The catch? Because they wanted to repurpose two existing structures rather than build the sales center from scratch, the developer restricted Oyler Wu Collaborative’s intervention to the application of seven-inch-thick cladding.
Smoke and Flames pour out of Oscare Niemeyer’s Latin America Memorial in São Paulo, Brazil (joviannysierascky / Instagram)
While Americans trampled over each-other for the latest consumer electronics, flames tore through the late Oscar Neimeyer’s landmark Latin America Memorial complex (1987) in São Paulo, Brazil on Friday. Inaugurated in 1989, the complex was built to promote the social, cultural, political and economic integration of Latin America. Eighty-eight firefighters were reportedly dispatched to contain the blaze that consumed portions of the 909,000 square foot complex for up to five hours.
Do you dream of a world in which your touch-screen could touch back? Where you can shape digital models with your hands, physically reach out to friends hundreds of miles away, and once again tangibly interact with the people and objects around you?
The Tangible Media Group at MIT’s Media Lab has begun to probe this future of 3D interactive interfaces with their latest creation: inFORM. Functioning similarly to the metal pinscreen toy, inFORM combines a state-of-the-art table-mounted “screen” of 900 movable “pixels,” a hacked Microsoft Kinect, projector, and nearby computer to transmit palpable content back-and-forth between the digital and physical realms.
The design is allegedly based upon the Dhow, a type of Arabian fishing boat. (Courtesy Zaha Hadid Architects)
Zaha Hadid Architects has unveiled its design for a 40,000-seat soccer stadium to rise in the Arabian kingdom of Qatar. The project is slated to be complete in time for the 2022 FIFA World Cup, and is only one of several such facilities that the oil-rich nation plans to build—in addition to miles of roads, a seaport, airport, and a rail system—in a $140 billion spending spree to lay down the infrastructure necessary to support the event and the international crowds it attracts.
Hadid’s office has stated that the design of the stadium is derived from the dhow, a type of fishing vessel that is common among the peoples of the Arabian Peninsula. Several commentators have pointed out, however, that the renderings more closely resemble the mounds, folds, and cavities of a certain very private part of the female anatomy.
Located in Clemson, South Carolina, an idyllic college town halfway between Atlanta and Charlotte, and serving as the only School of Architecture in the state, the leadership of the school has historically created a curriculum that balances service to its home state and connections to the wider world. In fact, the “Fluid Campus” has become a hallmark of the institution with almost all of the students, undergraduate and graduate, spending at least one semester at one of three urban satellite campuses: Genoa, Italy; Barcelona, Spain; and Charleston, South Carolina.
“Southern Roots + Global Reach,” a year of events commemorating this spirit, culminated with the Centennial Symposium: “The Architecture of Regionalism in the age of Globalism.” Organized by Director of Graduate Studies, Peter Laurence, with the support of Kate Schwennsen, former AIA president and chair of the School of Architecture, the event sought to deepen our definition of critical regionalism in an era of expanded global diversity.
SOU FUJIMOTO’S OUTLOOK TOWER (COURTESY GA: SOU FUJIMOTO – RECENT PROJECT)
Tokyo-based architect and creator of this year’s Serpentine Pavilion, Sou Fujimoto, has recently unveiled his latest rendering of Outlook Tower and Water Plaza, a proposal that’s part of his master plan development for the coastal resort district of Jeddah, Saudi Arabia. His proposed 473,612-square-foot structure is based on a vernacular type of Islamic architecture and mirrors the shape of Bedouin tents. Seen from afar, their silhouettes are designed to form the shape of a mirage-like gateway linking the mainland to the sea.
Just Two of Us by Katharina Grosse is a sculptural landscape of color in downtown Brooklyn. (Courtesy Public Art Fund / Flickr )
Amidst the trees of MetroTech Commons in downtown Brooklyn, a vibrant architectural terrain has been formed. In an installation piece called Just Two of Us, Berlin-based artist Katharina Grosse has situated eighteen large, multi-colored sculptural forms in the wooded public space. Sponsored by the Public Art Fund, the work creates a surprising show of colors and a form that walks the line between sculpture, architecture, and painting.