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Having worked there on and off for the last 25 years Neil Denari is huge in Japan. His latest achievement in the country was just unveiled yesterday: the complete design for Japan’s first ever low-cost regional airline, called Peach. Read More
Once again, the results of the Urban Land Institute (ULI) /Ernst & Young annual global infrastructure report don’t look good for America. According to the document, “The United States notably continues to lag its global competition—laboring without a national infrastructure plan, lacking political consensus, and contending with severe federal, state, and local budget deﬁcits that limit options.” The end of the federal stimulus package in 2013 makes the picture even bleaker. “The stimulus helped, but it was only a down payment on what’s needed,” said Ernst & Young Global Real Estate Leader Howard Roth at a recent ULI meeting in Phoenix.
Billings (blue) and inquiries (red) for the past 12 months. (The Architect's Newspaper)
In what can only be described as an about face, the Architecture Billings Index (ABI) took a bit of a tumble into negative territory last month. The April ABI fell to 47.6 from 50.6, beating even October’s low of 48.7. At the end of 2010, words like “rebound” were cautiously bandied about, but for the past three months the ABI skated along the edge of positive territory hovering around 50.
Seed Cathedral by Thomas Heatherwick (Photo by Eugene Regis/Flickr)
British architect Thomas Heatherwick was recently featured on a Ted Talk where he presented five projects including his Seed Cathedral from Shanghai’s Expo 2010. The pavilion incorporated thousands of seed-encapsulating plastic rods that transmit light into and out of the building. Taken as a whole, the strands resemble one giant occupiable seed puff. Check out Heatherwick’s talk about the Seed Cathedral and his firm’s design philosophy after the jump.
The stereotypes of New Yorkers are that they’re rude, they only wear black, and they all have therapists. Sanitorium, the first installation of Guggenheim’s new program, stillspotting nyc, explores the smorgasborg of therapies that help the city’s neurotic residents keep their lives together.
Courtesy John H. Gray/flickr and Michele Asselin/Arrive
The current state of rail is nowhere near its heyday in the 20th century, when train travel was luxurious and serviced most parts of the country. But high speed rail is making a comeback, championed by planners, environmentalists, and the Obama administration.
The mode of transport still has to contend with car and air travel (along with a reputation for inconsistency and irrelevance), but it got some help in March, when a commercial featured Mad Men‘s Pete Campbell and Harry Crane building a campaign for high speed rail. And Amtrak still has an surprising roster of famous passengers, which includes Angelina Jolie, Jesse Jackson and John Travolta, according to forums on Flyertalk.com and Trainorders.com. Check out these celebrities who take high speed rail:
Dieter Rams and his 606 Universal Shelving System at the Vitsoe Showroom.
When Dieter Rams enters a new country, he doesn’t like to call himself a designer. Instead, the world famous German industrial designer writes “architect” on his passport entry card. In fact, it was as an architect in the early 1950s that Rams got his start building additions and installations for a little known German manufacturer just starting up, named Braun.
Steven Holl’s new Cité de l’Océan et du Surf in Biarritz, France is at once rugged and ethereal. Designed in collaboration with the Brazilian artist Solange Fabiao, the building includes an accessible concave plaza roof covered in cobblestones, pierced by two milky “glass boulders,” or pavilions housing a restaurant and a “surfer’s kiosk.” The boulders offer views out to the ocean, while the plaza directs the eye to the sky above. The museum “explores both surf and sea and their role upon leisure, science, and ecology,” according to a statement from the firm.
The landscape beyond is scooped out to reflect the building’s concave form and create a new gathering place for the city. The museum opens to the public on June 25.
For a 120-year-old magazine, Architectural Record went impressively new-fangled in announcing its new editor-in-chief, Cathleen McGuigan, with word leaking out on Facebook Monday followed by rounds of Twitter and a formal blog posting at the Arc Rec website this morning.
With our office just two blocks up from Ground Zero, we are feeling the exhilaration and pride right up to our 5th floor windows. And when we saw NBC’s Matt Lauer at the corner Starbucks preparing for a ‘live from’ segment, we didn’t hesitate to buttonhole the guy and give him our latest timely issue—online today!—featuring a complete rundown on the Memorial Museum, along with some first views of the underground construction site that is taking shape as a museum as large as almost any in the city—with the potency of history.
Architect-researcher-conceptual designer-provocateur Francois Roche was recently invited to give a lecture and exhibition at SCI-Arc relating to the work of his firm R&Sie(n). However he canceled both, revealing the reasons in an open letter, after the jump. Much of it is in self-described “Frenchglish,” but you get the idea.
He’s not so happy with what he characterizes as the school’s arrogance, its narrow focus on design, and its “lack of interest for politics and attitude.” Them’s fightin’ words… Meanwhile SCI-Arc spokesperson Georgiana Ceausu tells AN that Roche’s summer exhibit didn’t work out because he wanted to display something he had already shown, which is against school policy.
187 Franklin Street (Courtesy Landmarks Preservation Commission)
A fanciful parametric design for an addition to a single family house in Tribeca made its way before the Landmarks Preservation Commission today and walked away with a stunning unanimous approval. Jeremy Edmiston of SYSTEMarchitects designed the new facade and addition to an existing three-story single-family house at 187 Franklin Street. According to its web site, the firm studies contemporary culture with “a focus on spaces that are multi-layered, overlapping, and intertwining — systems consisting of varying constituencies, economies and environments — systems both concrete and intangible.” From the looks of these boards presented to the panel, this project is right on the mark.