While Tiger Woods and Phil Mickelson were busy fighting for supremacy at Pebble Beach last weekend, another important battle was taking place just down the street (unbeknownst to almost everyone). Richard Neutra’s 4,124 square foot Connell House (1958) in Pebble Beach is being slated for demolition in favor of a 12,000 square foot behemoth mega-mansion. The new home was proposed in December, and still needs several permissions for approval.
Author Barbara Lamprecht, author of Richard Neutra: Complete Works (Taschen), has written a letter to the Monterey County Planning Department urging it to save the “aesthetically compelling, spatially complex house,” with its “careful asymmetric composition of volumes and opposing opaque (stucco) and transparent (glass) planes.” She encourages others to contact the department as well. Think of it as a pro/am for architecture buffs.
Amidst office towers in the heart of Oklahoma City sits an incongruous ensemble of multicolored boxes, tubes, concrete skywalks, and corrugated metal painted in shades of red, blue, orange, and chartreuse green. One cantilevered rectangle precariously perches at the edge of a swooping concrete form whose interior holds a theater in the round, once home to the Mummers Theater troupe. Architect John M. Johansen, of the so-called “Harvard Five,” completed the project for the Mummers in 1970, but the troupe folded just one year later. The building would go through several incarnations as a theater/arts center called Stage Center until a 2010 flood put it out of commission. Vandalism and decay ensued, and now the AIA Central Oklahoma chapter has put out an RFP for the renovation, hoping to spur design-world interest in their Save Stage Center Campaign.
What’s the best place to build a wetland? How about at the site of an old MTA bus lot in South Los Angeles? It took more than $26 million and nearly three years to complete the transformation from parking lot to urban wetland. Open to the public as of February 9, the new South Los Angeles Wetland Park that doesn’t only efficiently process storm water runoff–it also provides crucial community green space. Read More
Viewing Godfrey Reggio’s film Koyaanisqatsi, the first in a trilogy, is a right of passage, especially for architects who hold a profound interest in the relationship between the natural and built world. (If you haven’t seen it yet, stop right here and go see the original first.) Koyaanisqatsi is taken from the Hopi language and, from the film, translates to “the crazy life, life in turmoil, life out of balance, life disintegrating, a state of life that calls for another way of living.” Here, the film has been sped up 1552% by Wyatt Hodgson in honor of the publication of A Short Account of the Destruction of the Indes in 1552. The unforgettable scenes of the beauty and variety of the natural world, destruction of the inner city, the machine-like quality of traffic on Fifth Avenue, the fall of Pruitt-Igoe, and the often-brutal realities of the modern world have been sped up to clock in at around four and a half minutes. Take a look above. [Via Lost at E Minor.]
New York-based HWKN has been selected for this year’s MoMA/PS 1 Young Architects Program. Their proposal, called “Wendy,” uses standard scaffolding to create a visually arresting object that straddles the three outdoor rooms of the PS 1 courtyard. Tensioned fabric coated in smog-eating paint provides shelter and programming areas including a stage, shower, and misters. “Their proposal is quite attractive in a number of ways. It’s very economical in terms of design,” said Pedro Gadanho, the curator of contemporary architecture at MoMA. “One object creates a variety of programmatic and ecological conditions and its scale rivals the height of the PS 1 building.” Read More
Five proposals to rethink the public spaces at Navy Pier have gone on view at the Chicago Architecture Foundation. The finalist teams–AECOM/BIG, Aedas/Davis Brody Bond/Martha Schwartz Partners, James Corner Field Operations, !melk/HOK/UrbanLab, and Xavier Vendrell Studio/Grimshaw Architects–use variety of approaches to revitalize the historic pier, which has long been a favored destination for tourists. Organizers hope revitalizing the pier’s public spaces will make it a world-class destination for residents as well as visitors, much like Millennium Park and the rest of the lakefront. AECOM/BIG’s proposal calls for a series of undulating ramp/bleachers that form a new landscape over much of the pier’s midsection, culminating in a new park at the tip.
Ever since Renzo Piano‘s design for the new Whitney Museum was unveiled back in 2008, we’ve been obsessed with just about anything we could find about the new boat of a museum perched along the High Line on Manhattan’s west side. AN alum Matt Chaban at the Observer spotted this snazzy fly-by video tracing the museum’s progress from its founding in 1931 to its move into its iconic Breuer outpost and finally to its future Meatpacking District home. If you need even more of a Renzo fix, be sure to check out his recently completed addition to the Gardner Museum in Boston and his planned Opera-House-slash-Library in Greece.
Right now California’s doomed redevelopment agencies have one hope, and its name is SB 659, a bill proposed in the California legislature to postpone dissolution of the agencies until April 15. The bill will allow the agencies to “address serious issues resulting from the recent state court’s ruling,” as bill sponsor Sen. Alex Padilla puts it. Those issues range from paying off bond debts to orchestrating layoffs to transferring assets and responsibilities to successor agencies. Without the bill, most say there will be chaos.
Brooklyn’s studio a+i walked away with first place for their design, Infinite Forest, in a competition to envision an AIDS Memorial at Triangle Park in Manhattan’s West Village. The memorial is intended to sit on the site of a small garden and garage directly across the street from the former St. Vincent’s Hospital, considered by many to be ground zero of the AIDS epidemic. The announcement comes just one week after the plans for the former hospital site by Rudin Management were approved by City Planning. For the memorial, three walls would bind the park with mirrors on the interior and slate on the exterior. The mirrors would reflect a grove of white birch trees. Park entrances are at three corners of the triangle. The space between the mirror and slate walls also act as light wells and entrances for a museum intended to go beneath the park. There are no markers with names or dates for the 100,000-plus New Yorkers who died of AIDS; instead, visitors are encouraged to write on the slate walls with chalk, “creating an ever-changing mural which is refreshed with every rain.”
The Infinite Forest design team included Mateo Paiva, Lily Lim, John Thurtle, Insook Kim, and Esteban Erlich, with a rendering by Guillaume Paturel. The competition, which received more than 475 entries, was a collaboration between the Queer History Alliance, Architizer.com, and Architectural Record. View the plan after the jump
We’ve known since early last year that the Solar Decathlon, the biennial event showcasing the best in energy producing, student-designed houses, was no longer welcome on the National Mall in Washington, D.C. due to concerns over wear and tear on the “nation’s front yard.” The 2011 Decathlon, won by the University of Maryland, was pushed to a far corner of the Mall between the Tidal Basin and the Potomac River midway through the design process, causing outcry from student teams who were finalizing their house designs. Officials later announced that future Decathlons might leave D.C. entirely, and today, Department of Energy Secretary Stephen Chu confirmed that it will be moving about as far away from the Mall as possible—to the Orange County Great Park in Irvine, California between Los Angeles and San Diego.
Landscape projects now have the option to shoot for the stars. Sustainable Sites Initiative (SITES) has announced the first three projects to be certified by what is to-date the most comprehensive system for rating the sustainable design, construction, and maintenance of built landscapes. SITES is a collaborative effort by the American Society of Landscape Architects (ASLA), the Lady Bird Johnson Wildflower Center, and the United States Botanic Garden designed to fulfill a critical need for sustainable guidelines in this environmentally sensitive field.
Seven young and creative architecture firms were named as recipients of AIANY’s New Practices New York awards for 2012. Now in its fourth iteration, the biennial award established in 2006 and sponsored by Hansgrohe “honors firms that have utilized unique and innovative strategies, both for the projects they undertake and for the practices they have established.” This year’s New Practices honorees are SLO Architecture, Holler Architecture, Abruzzo Bodziak Architects, Marc Fornes and the Very Many, Formless, The Living, and Christian Wassmann. Winners will be featured in an exhibition opening June 14 at the Center for Architecture, participation in the AIA national convention, and, of course, a free subscription to The Architect’s Newspaper (the competion’s media sponsor).