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Rendering of Moss' Sunset Strip Hotel (courtesy Eric Owen Moss Architects)
While it was approved by the city of West Hollywood back in 2009 (and again in 2010), it looks like Eric Owen Moss’ large hotel on the Sunset Strip might be in trouble. Curbed LA reports that the property containing the 11-story project, which was also to include condos and retail, has been bought by Marriott hotels’ “Edition” brand of luxury hotels, which WeHo Patch has said “doesn’t seem inclined to use the Moss designs.” Our calls to Marriott were not returned.
The Moss scheme was originally proposed by developer Richard Weintraub (with no hotel operator), and Marriott’s involvement became clear when the West Hollywood planning department approved the company’s modifications (slightly increasing size, adding a nightclub) to the project last Thursday. But wait. According to West Hollywood Planning Manager John Keho, Marriott has not yet told the city who the architect of their proposal will be, nor have they given a timeline for when they might submit architectural plans. According to Moss principal Eric McNevin, “Nothing has been confirmed yet. It’s not known yet. What was reported was speculation.” Stay tuned.
Figment NYC is an annual celebration of arts and culture that takes place on Governors Island from June 9-10. Now in its sixth year, Figment provides New Yorkers with an interactive space to participate in the arts, with volunteer artists collaborating on works that transform the environment and the public’s perception. With visual art, music, performance, and installation works, the event will provide the community with a forum for emerging artists to engage with the public.
The Miller House (Courtesy of the Indianapolis Museum of Art)
Even if Columbus, Indiana is not on your travel itinerary Eero Saarinen’s Miller House and Garden may come to you via the internet. Last week, the Indianapolis Museum of Art (IMA) announced a $190,000 grant from the National Endowment for Humanities (NEH) to digitize its Miller House and Garden Collection. The house—a celebrated collaboration between architect Saarinen, interior designer Alexander Girard, and landscape architect Dan Kiley—opened for tours last year , and the museum reports more than 6,500 tour tickets were sold. With the increased interest comes a growing number of requests from researchers asking for access to the home’s archives. While in good condition, the museum writes in their NEH proposal that “repeated handling would quickly degrade these important and unique materials.” Read More
The Parisian gallery Patrick Seguin features 20th century furniture and architecture and is currently showing Jean Prouvé’s 1956 Maison Des Jours Meilleurs from May 25 to September 29. But if you can’t make it to 5 Rue des Taillandiers this summer, you can still watch the live set-up of the house in the gallery at Seguin’s website. Construction takes place from 9:00 a.m. to 8:00 p.m. Paris time.
The Aluminaire House being dissasembled last month. (Courtesy Aluminaire House Foundation)
The Aluminaire House is homeless once again. Built in 1931 for the Allied Arts and Industry and Architectural League Exhibition, the house introduced prefabricated design methods espoused by Le Corbusier to an American audience. Corbu disciple Albert Frey designed the house with A. Lawrence Kocher, onetime editor at Architectural Record. After more than 100,000 visitors passed through, the architect Wallace Harrision snapped it up and placed it on his estate to be used as guest house. The building later was featured in Hitchcock and Johnson’s 1932 MoMA exhibition and in their book The International Style. Eventually, the house came under the care of the New York Institute of Technology and onto their former Islip campus. Last month, the house was dismantled once again and handed over to the newly formed Aluminaire House Foundation, run by architects Frances Campani and Michael Schwarting of Campani and Schwarting Architects.
A “supertall” building is one which tops out at over 1,250 feet. Right now, there are 18 completed supertall buildings and 21 under construction. Chicago-based architects Skidmore, Owings, and Merrill (SOM) will break ground on Tuesday on the 1,740-foot-tall CTF Tower in Tianjin, China. It will be the tenth supertall building to begin construction for SOM, the most of any firm in the world. The building is a carefully-crafted design which deliberately merges structural challenges with program and form.
The SOM spire at left and the Durst/Port replacement at right. (Courtesy SOM/Durst)
The Durst Organization and the Port Authority have decided to abandon designs for what they once assured the public would be the tallest building in the Western Hemisphere, and architect David Childs of SOM is fighting back. By stripping away the sculptural finishes designed by SOM with artist Kenneth Snelson the developers and the Port may no longer qualify for the tallest title bestowed by the Council of Tall Buildings and Urban Habitat, the body that tallies and ranks building heights.
Cornell has made an object-ive choice in Thom Mayne. (Brnandon Thomas / Flickr)
CornellUniversity has named 2005 Pritzker Prize winner Thom Mayne as architect for the first building at its Tech Campus on Roosevelt Island called the Technion-Cornell Innovation Institute. The selection should overshadow some sour grapes that were emanating from Stanford in the past few days regarding their losing bid. Mayne bested an all-star list, including Rem Koolhaas of OMA, Diller, Scofidio + Renfro, Steven Holl, and SOM. The choice of Mayne, whose iconic building 41 Cooper Square still jams traffic at Astor Place, hints that Cornell is looking for a traffic stopper of its own on the East River.
A Citibike demonstration at today's announcement. (Branden Klayko / AN)
Beginning this July, thousands of bright-blue Citibikes will begin swarming the streets of Manhattan and eventually Brooklyn and Long Island City, Queens. Mayor Michael Bloomberg and NYCDOT Commissioner Janette Sadik-Khan made the formal announcement today that Citibank has signed on as the official sponsor for the city’s new bike share system.
John Liu, New York’s City Controller, is set to reject the much hyped “taxi of tomorrow” because it is not 100% handicap accessible. In rejecting the new design Liu claims that it if adopted as the standard taxi for the city it would become “a symbol of exclusion by telling wheelchair users ‘find another ride.’ That’s not what New York City is about.” I guess Liu is not talking about the present taxi standard the ubiquitous Crown Victoria which has become an iconic symbol of the city for the past decade but is barely accessible by the public.
Lulu Chow Wang Campus Center and Davis Garage at Wellesley College. (Timothy Hursley)
And the winners of what wants to be the Academy Awards of design are as follows!
The Cooper-Hewitt’s ’s 2012 National Design Award in Architecture goes to Mack Scogin and Merrill Elam in Atlanta. We love the factory for Herman Miller and the Lulu Chow Wang Campus Center for Wellesley College is very cool, too. The Landscape Design award goes to Boston-based Stoss Landscape Urbanism whose interest in infrastructure at such projects as Erie Street Plaza in Milwaukee—part-civic, part-storm-water drainage—is so on message. Totally groovy LA architect Clive Wilkinson Architects wins for his interiors; his clients—Google, Nokia, 20th Century Fox, Disney—are running the world of infotainment!
Washington Monument grounds. (Courtesy OLIN & Weiss/Manfredi)
Following a design competition that dramatically reimagined the landscape of the National Mall in Washington, D.C., the Trust for the National Mall has announced three winning teams to update various segments of the iconic public space. Union Square, near the foot of the Capitol, will be redesigned by Gustafson Guthrie Nichol and Davis Brody Bond, Constitution Gardens, near the Lincoln Memorial and reflecting pool, will be redone by Rogers Marvel Architects and Peter Walker & Partners, and the grounds surrounding the Washington Monument will be reimagined by OLIN and Weiss/Manfredi.