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MMX Studio's temporary pavilion for the Fashion Night Out exhibition, Mexico City. (Courtesy MMX Studio)
Architectural League Prize for Young Architects + Designers 2012: No Precedent Arnold and Sheila Aronson Galleries
Parsons The New School for Design
66 Fifth Avenue
June 21–August 3
2012 marks the 25th anniversary of the Architectural League Prize for Young Designers and Architects. Each year, up and coming talent, defined as less than ten years out of school, is recognized for excellent and inspiring work. This year’s theme was No Precedent, and reflects the committee’s perception of young architects’ careers as “suggestive, speculative, and on the brink,” according to a statement. The exhibition includes Jorge Arvizu, Ignacio del Rio, Emmanuel Ramirez, and Diego Ricalde, MMX Studio, Mexico City; Jimenez Lai, Bureau Spectacular, Chicago; Sean Lally, WEATHERS/Sean Lally (above), Chicago; Seung Teak Lee and Mi Jung Lim, STPMJ, Brooklyn; Michael Szivos, SOFTlab, New York; Koji Tsutsui, Koji Tsutsui & Associates, San Francisco and Tokyo.
On June 13th the Chicago-based Council on Tall Buildings and Urban Habitat (CTBUH) announced their choices for this years best tall buildings in the world. The CTBUH, an international not-for-profit association, picked four regional winners, including the Absolute Towers in Mississuaga, Canada for the Americas; 1 Blight Street, Sydney for Asia and Australia; Palzzo Lombardia, Milan, representing Europe; and Doha Tower, Doha, Qatar for the Middle East and Africa. These four buildings were recognized for making “an extraordinary contribution to the advancement of tall buildings and the urban environment, and for achieving sustainably at the broadest level,” according to a statement from the CTBUH. Additionally, the Al Bahar tower in Abu Dhabi won the first ever Innovation Award for its high-tech computerized sunshade.
Here’s one thing we know: No matter how gigantic convention centers and airports grow, they’re never big enough. Now we’ve heard through the grapevine that San Francisco will be the latest to loosen its belt a couple notches with the help of SOM and Mark Cavagnero Associates. The city is jumping on the expansion bandwagon with the addition of 200,000 to 450,000 square feet to the Moscone Convention Center in the South of Market neighborhood. The original center opened in 1981 and its first expansion, Moscone West, followed in 2003.
Grimshaw and Gruen's vision plan for Union Station. (Courtesy Grimshaw/Gruen)
This is big: Our sources divulge that UK firm Grimshaw and LA-based Gruen Associates have won the commission to master plan the six million square feet of entitlements at Union Station in Los Angeles. A formal announcement is expected this coming Monday on Metro’s web site (our leak is unconfirmed), with the Metro board approving the firms after that. Grimshaw has made a name for itself designing infrastructure and transit stations around the world, including Lower Manhattan’s upcoming Fulton Street Transit Center and London’s Waterloo Station. Gruen recently completed design on phase one of the Expo Line and has served as executive architect on several recent projects, including the Pacific Design Center. The site around Union Station encompasses about 38 acres and is anticipated to become a transit and commercial hub for the city. It will likely include offices, residences, retail, entertainment, parks and a potential high speed rail station.
SCI-Arc's Los Angeles headquarters. (Courtesy waltarrrrr/Flickr)
SCI-Arc, the Southern California Institute of Architecture, will be extending its reach into the community with the creation of three public venues made possible by a $400,000 grant awarded by ArtPlace. The grant, funded by private foundations and public agencies including the National Endowment for the Arts, seeks to encourage creative and locally focused placemaking; $15.4 million in grant funds is allocated to 47 projects located across the country. SCI-Arc director Eric Owen Moss wrote in a statement, “If architecture, as SCI-Arc has always proclaimed, speaks by building, the ArtPlace contribution affords us two special construction moments to ratify what we preach.”
Occupying a room in the abandoned Federal Screw Works factory in Chelsea, Michigan, General Manifold is an immersive environment that aims to disorient as well as engage. The installation is set in an 80,000 square foot factory, founded in 1913, that once employed 250 people. When it was shuttered in 2005, only 37 remained. Spatial Ops, with students from their Meta Friche seminar at Taubman College of Architecture and Urban Planning at the University of Michigan, engage the factory’s history, showcasing the ruin and rendering its inverse. Their insertion is an attempt to cultivate enthusiasm for the ruin and to gain support for its transformation, the first step in a forthcoming master plan for Chelsea Common. Read More
Bill Kreysler of Kreysler and Associates. (Photo Jorgen Gulliksen)
Composite materials, a.k.a. “composites,” are the result of the two different materials being combined but remaining physically and chemically distinct. For over 40 years Bill Kreysler, founder of the Napa County-based Kreysler Associates, has been leading developments in molding and application of composites for architectural use. On July 27 Kreysler and his associate Joshua Zabel will lead a special workshop on how composites are used in facades today as part of the AN‘s upcoming conference Collaboration: the Art and Science of Building Facades, taking place July 26-27 in San Francisco.
After getting his start in manufacturing sailboats, Kreysler founded his own firm in 1982 and brought his knowledge of fiber reinforced polymer (FRP) to bear on architectural and industrial products as well as large scale sculpture (his workshop boasts three CNC-milling machines). Currently chair of the committee to write Guide Specifications and Recommended Practice for FRP Architectural Products and a founding member of the newly formed Digital Fabrication Alliance, Kreysler is also co-author of Composites, Surfaces, and Software High Performance Architecture with Greg Lynn.
Through lectures and a rare opportunity for hands-on learning, the upcoming July 27 workshop will provide participants with both the creative and technical knowledge to design and prototype composite based building components. Participants will also be eligible to compete in a limited competition to have a small component fabricated full-scale by Kreysler & Associates to be exhibited at ACADIA 2012, a conference on computer-aided design. To register for the Collaboration conference, click here.
Before and after images of Chelsea Market latest expansion proposal. (Courtesy Jamestown)
Last night Community Board 4 voted not to support Jamestown Properties proposal to add 330,000 feet to the Chelsea Market building. The design morphed significantly from the initial multi-volume glass box approach introduced in 2010, to a steel-trussed cantilever form fronting Tenth Avenue shown late last year, to its current terracotta clad contextual approach. Throughout, Studios Architecture principal David Burns has presented plans before a resistant community who cherish the market and are suddenly overrun with High Line tourists. Read More
Mature trees on the DOT strips will be preserved. (Courtesy NYU)
In a 12 to 1 vote this morning, City Planning approved NYU’s Core expansion plans for two superblocks in Greenwich Village designed by Grimshaw with Toshiko Mori and Michael Van Valkenburg. In slow and deliberative pace, City Planning Commissioner Amanda Burden read from a prepared text that included several aesthetic and few programmatic changes to the proposed plan. The new plan will reduced the size of the overall project from 2.47 million square feet to 2.1 million.
Nicola Formichetti, best known as fashion and creative director and collaborator for brands including Mugler, Uniqlo, and Lady Gaga, has teamed up with Gage/Clemenceau for the second in a series of concept stores. The collaboration was brought about by BOFFO Building Fashion 2012, a program that paired fashion designers with architects in a series of pop-up spaces. The first installation, in New York, featured a mirror-paneled ceiling and walls in kaleidoscopic crystalline formations, an ambitious and visually arresting space to showcase Formichetti’s work. The new collaboration in Hong Kong houses a collection of original garments from the personal collection of Lady Gaga as well as Formichetti’s own line and products from his new “Nicopanda” brand.
For those of you that don’t know “Phonehenge,” it was one of California’s classic DIY creations (right up there with the Watts Towers and Salvation Mountain), created by former phone company repairman Kim Fahey out of old telephone poles in the Mojave Desert. Unfortunately the structure, in Acton, CA, was demolished last year because of code violations, and according to the Washington Post a judge recently sentenced Fahey to pay the $83,488 it cost to demolish it.
In an even stranger demand, the court sentenced Fahey to 63 days of community service, five of them in the county morgue. “The judge thought it was an extreme fire danger and I guess she just wanted him to see dead people,” defense attorney Jerry Lennon told the Post. But there’s a silver lining. A group called Save Phonehenge West is raising donations both to pay for Fahey’s legal bills and to rebuild Phonehenge in Kern County, to the north.
From May 29th through June 4th, sheets of vinyl will be layered over the intersection of State and Adams streets in Chicago’s Loop in a site specific installation entitled Color Jam. The public installation, commissioned by Chicago Loop Alliance through their Art Loop public art program, is the work of multimedia artist Jessica Stockholder. The exhibit will be an ongoing piece of public art, covering sidewalks, buildings. and the intersection itself with contextually abstract shapes and colors. The work will be on display from its “official” completion on June 5th through September 30th of this year.