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Rendering of the super-tall Shanghai Tower. (Courtesy Gensler)
PBS’s four-part TV series, Super Skyscrapers, deals with uber-high buildings around the world. It is rare to follow the process of constructing a building, let alone a monster-sized one. Yet here, a special characteristic of each of the four skyscrapers is highlighted within the context of maximum height: One World Trade Center’s safety measures, Leadenhall’s prefabrication, One57’s high luxury, and Shanghai Tower’s vertical city aspirations.
Petcoke stored along the Calumet River on Chicago’s Southeast Side, between 106th and 100th streets. (Josh Mogerman / Flickr)
Piles of dusty, black waste from coal and petroleum processing have been piling up on Chicago’s southeast side, angering residents and prompting Mayor Rahm Emanuel to weigh in on the contentious environmental issue.
Stern’s Panned Proposal for The Museum of the American Revolution. (Rendering NC3D.)
Philadelphia might be the City of Brotherly Love, but it’s not showing any affection for Robert A.M. Stern these days. According to Philly.com, the city’s Art Commission is “deeply dissatisfied” with the architect’s proposal for the new Museum of the American Revolution. The newspaper’s critic, Inga Saffron,reported that “the commission asked the architects to remove a Disneyesque cupola, add eye-level windows on Chestnut Street, and reconsider the building’s composition.” It’s not quite the shot heard around the world, but, “Disneyesque cupola!?” The Philly Art Commission pulls no punches.
The much-maligned building at 290 Mulberry Street—called Mulberry House—is trying to show that its whats on the inside that counts. SHoP Architects have filled their heavily-critiqued rippling brick residential structure with a bright interior awash in wood, black lacquer, and polished white surfaces. The new development is a conclusive step in a project that once appeared destined to fall victim to the recent recession.
Mayor Bill de Blasio delivers his State of the City address. (New York City Mayor’s Office / Rob Bennett)
In his first State of the City address, Mayor Bill de Blasio promised to tackle the “inequality gap that fundamentally threatens [New York City’s] future.” At the LaGuardia Community College in Queens, the new mayor spoke of the “Tale of Two Cities” that has taken root in America’s largest city, and he promised to address it head-on.
Dutch firm MVRDV has won a competition to design a new public/private art depot for the Museum Boijmans van Beuningen in Rotterdam. While the design has been selected, the fate of the project remains in the balance. City council officials have until the end of the year to decide whether or not to go ahead with construction.
Milstein Hall at Cornell University. (Philippe Ruault)
[ Editor's Note: The following is a reader-submitted response to a recent Eavesdrop article, “OMA Gosh, What a Disaster!” It appeared as a letter to the editor in a recent print edition, AN02_02.12.2014. Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email email@example.com. ]
The Architect’s Newspaper’s gossip column recently mentioned Cornell University’s Milstein Hall, quoting an online interview with Cornell Professor Jonathan Ochshorn. The column repeats a few shocking claims regarding our new addition, Milstein Hall.
Three glass residential towers stand along Manhattan’s West Street at dusk. (Dan Nguyen / Flickr)
As glass towers continue to fill-in New York City’s skyline, it’s easy to be jealous of the wealthy elites and their glossy homes in the clouds. While those floor-to-ceiling windows offer some killer views, they may also pose serious health threats to those inside the glass curtains.
One elder statesman of the New York architecture community reports that Diller made a series of phone calls to prominent architects prior to the public release of MoMA’s plans asking for their advice and support. This gray eminence apparently told her the firm should resign from the commission. At which point Ric Scofidio apparently chimed in, saying, succinctly, “Never!”
An editor from another publication reports rumors of dissent within Diller Scofidio + Renfro. Apparently some associates in the firm have asked not to work on the project, fearing a Scarlet Letter on their resumes.