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Brad Pitt’s home-building operation, Make It Right, was initially established in 2007 to rebuild homes in New Orleans’ Lower Ninth Ward after Hurricane Katrina. The non-profit has built dozens of starchitect-designed houses in New Orleans and a subsequent expansion to Kansas City, near where the actor grew up. Now the organization has taken up its latest charitable challenge: the construction of several sustainable housing developments in Fort Peck, Montana for a Native American tribe there.
New space in the museum. (Courtesy Gehry Partners)
When Frank Gehry’s renovation of the Philadelphia Museum of Art is complete, the iconic institution won’t necessarily look like one of his signature works—at least from the outside. The architect isn’t touching the icon’s Beaux-Arts exterior, but is, instead, transforming the museum’s interior to improve circulation and boost gallery space. But even then, Gehry’s work won’t be all that “Gehry.” AN recently toured the museum’s exhibit on Gehry’s masterplan and got a chance to hear from the man himself about the museum renovations.
Decay of the Dome exhibit at the 2010 Venice Biennale. (Lu Wenyu)
Chicago, in a bid to boost its tourism industry and cultural cachet, will host an international design exhibition next year modeled after the Venice Biennale, which every two years draws contributions from architects and artists from around the world. Mayor Rahm Emanuel announced the Chicago Architecture Biennial Tuesday.
Kohn Pedersen Fox (KPF) is racking up an impressive collection of superlatives with a host of new glass towers in New York City. Of course there is Hudson Yards where a glossy KPF-designed building will become the tallest tower at the country’s largest private development site, but that is just the start of it.
UNStudio has completed a sprawling, flower-like campus for the 2014 Horticulture Exhibit in Qingdao, China. The Theme Pavilion consists of four metallic structures that stretch out over 300,000-square-feet and resemble a Chinese rose from above. And at the human scale, the metallic, undulating structures interact with their mountainous surroundings.
The work space. (Pierre Levesque via PSFK and Prodigy Network)
It is only fitting that a crowdfunded hotel slated for New York City has a crowdsourced design as well. For its new, extended-stay hotel at 17 John Street, developer Prodigy Network, along with design blog PSFK, launched the Prodigy Design Lab, which allowed designers from around the world to submit plans for the project’s interior spaces and digital services. After 70 submissions were received and 10,000 votes cast, three winners have been announced.
The Bjarke Ingels Group (BIG) has won a design competition held by Audemars Piguet, a Swiss watchmaker, and are now tasked with creating the Maison des Fondateurs museum in Le Brassus, Switzerland. The 25,800 foot Maison des Fondateurs will be located in the midst of numerous workshops and factories embedded in the history of the Swiss watchmaking company.
Denver’s Union Station, a multi-modal transit hub built by architecture firm Skidmore, Owings & Merrill, opened up last month. The ribbon cutting ceremony severed the notion that transportation hubs are drab, gray places that smell suspiciously of food products and cleaning chemicals. What does the Union Station Bus Concourse do differently? Everything, apparently. Its sweeping design acts as a converging point for local commuters, airport bound travelers, and out-of-city destinations.
A prominent corner in West Hollywood now wears an architectural halo. Tasked with designing a permanent installation for The Dylan, a new apartment building at Santa Monica Boulevard and La Brea Avenue, Ball-Nogues Studio decided to create “something that would serve as a kind of gateway to West Hollywood,” according to Benjamin Ball. “Because we were going to work on this corner, we didn’t have very much real estate. We decided to think about the corner as though it was emanating a kind of supernatural force, something suggestive of some kind of metaphysical presence emanating from this banal corner of the building. Sort of like a glory that surrounds a relic’s figure in religious iconography, without the religious icon.”
Donald Weber is a former architect turned visual media artist. His latest project, War Sand, is a series of microscopic photographs that depict pieces of shrapnel embedded in individual grains of sand along the beaches of Normandy. Each photograph—which takes over eight hours for Weber to produce—is a testimony to one of the most famous days in history, as well as to the relationship between art and science.