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Workers were still putting the finishing touches on the building when it opened to members and the press on Saturday, August 2. (Courtesy AAM/David X Prutting)
On Saturday, August 2, I had the opportunity to attend the ribbon cutting ceremony and member’s opening of the new Aspen Art Museum (AAM), designed by this year’s Pritzker Prize winner, Shigeru Ban. The event took place at the tail end of AAM’s annual ArtCrush festival, which gathers artists, art collectors, curators, gallery owners, celebrities, and philanthropists from around the world to celebrate contemporary art and raise money for the museum through an auction.
Singaporean architect Soo K. Chan of SCDA Architects is the latest to join an internationally renowned group of architects building along New York’s High Line in Chelsea. Chan isn’t settling for just one building, however. Two new buildings are set to rise just blocks from towers by Norman Foster and Zaha Hadid, and feature differing aesthetics that tap into the luxury market that has skyrocketed in the area.
Melissa We Are Flowers (Alan Tansey Photographer / Courtesy SOFTlab)
Forget about the Sharknado, New York–based designers at SOFTlab have created a vortex of flowers that has taken over one Manhattan shoe store, bringing SOFTlab’s signature parametric forms to the modern shoe brand, Melissa. The Soho store already grabbed design headlines when it opened its flagship location decked out in a custom-fabricated Corian interior by architecture firm Eight and Associated Fabrication. This latest design intervention is part of Melissa’s “We Are Flowers” campaign that used organic shapes and colors to inform its shoe line.
Neutra and Alexander’s Business Education Building (Les Katow)
Here at AN we’ve seen our share of Richard Neutra tear downs in recent years. The latest possible victim is Neutra and Robert Alexander’s campus-wide buildings at Orange Coast College in Costa Mesa, which are being threatened by the school’s bond-supported Vision 2020 plan (pdf). If the plan passes the school could tear down the duo’s classrooms, library, business education building, and science wing, as well as extensive landscaping by famed landscape architect Garrett Eckbo, in favor of new buildings, an Urban Street, and a Grand Lawn. The undertaking would be largely funded by 2012’s $698 million Bond Measure R, and total about 250,000 square feet of new construction.
The 14-story Icon at Sunset Boulevard will house office space for creative and entertainment professionals. (Courtesy Gensler)
Hudson Pacific Properties is banking on the continued appeal of Hollywoodoffice space with its Icon at Sunset Bronson Studios, a 14-story tower designed by Gensler. Targeting creative professionals, Icon reconfigured the suburban campus typology for an urban setting. Gensler associate Amy Pokawatana called the development a “vertical campus,” blending “work, relaxation, and recreation.” Part of a $150 million studio expansion, the project takes its cue from a six-story building the developer finished on the Sunset Gower Studios lot in 2008. Read More
In the past week, those two words—”poor door”—have quickly come to signify the vast inequality embedded in New York City’s housing market. At issue is a separate entrance for tenants living in subsidized rental units in a luxury condo building on the Upper West Side known as 40 Riverside. The property, developed by Extell, was financed through the city’s inclusionary housing program, which grants a tax abatement and additional bulk to developers who include a certain portion of “affordable” units in a project.
Engine manufacturer Cummins Corporation announced plans for a new regional headquarters in Indianapolis Monday, but the Columbus, Indiana–based Fortune 500 company won’t look to local design talent to lead the project. Instead, three of the country’s leading names—all based in New York City—will compete for the project.
Lots of birds and lots of kayaks. (Courtesy SCAPE)
In the idealized world of architectural renderings, everything is absolutely perfect. There are no dirty windows, no rust, no clutter, no dead leaves, no mud, no rain. There are crowds, but nothing is crowded. There are cars, but there is no traffic. The scalies dropped into these polished scenes are as happy as can be—why wouldn’t they be? Every day is spent walking hand-in-hand down a boardwalk with a loved-one giggling about a Jeff Koons sculpture over there. Life is good, they think, as fireworks explode behind them. Life is good.
When you spend as much time as we do here at AN sifting through these highly-planned digital worlds, some trends start to appear over and over. Here’s a sample of what we see again and again.