It’s blockbuster good. Silverstein Properties has produced a video of The New World Trade Center that shows where we’ve been and where we’ll be in coming years (provided the markets cooperate). With music swelling, this time machine has production values on par with Inception, and like that thriller it might leave you wondering which dream level we’re on.
This past week in Copenhagen has been filled with a series of design exhibitions, fairs, conferences, and guided tours throughout the Danish capital city as part of Copenhagen Design Week, hosted by the Danish Design Center. Scandinavian architects, interior designers, urban planners, and filmmakers submitted work under the theme of “Think Human” and ranged from urban installations to furniture and industrial design. One exhibition highlight organized by the Center for Information Technology and Architecture is the project, Thicket Installation (above), that examines how technology and architecture impact connections between public and private life. Read More
Far from the expected pablum that these events usually generate, Chris Ward, executive director of the Port Authority, gave a speech opening the New York Building Congress yesterday loaded to bear with fight, a lot of Good Fight, demanding continued federal funding for infrastructure. Along the way, he recalls his own version of the tortured path from Ground Zero grind to the Memorial Moment of meditation to come.
It’s quite a version and well worth a close read as he “recalls” Libeskind’s master plan as “gardens in the sky” and how that was “replaced with another vision, as realities of the site, the market” set in. Then he talks about “Breaking Away from Monumentalism” and “The Assessment” thanks to the Port Authority, which may or may not be the stinking months of pissing match between PA and Silverstein as they wrangled about responsibility for building the first then the other towers.
Sit back—but fasten your seat belt—You’ll be amazed to read what you went through:
Last week at the Phaidon Bookstore in Soho, White Box held a benefit for their new sustainable art garden by organizing a panel discussion called “Sustainable Work Lab: new projects in art, architecture and urban design.” Ali Hossaini moderated the discussion between landscape designer Frances Levine, architect David Turnbull, and urban designer Maria Aiolova.
Hossaini yielded to Turnbull’s freewheeling conversation about Socratic love, i.e. the coupling of poverty and invention. Inspired by his fresh-off-the-plane-from-Kenya presentation, the crowd indulged in the philosophical debate. Turnbull balked at biennials and instead encouraged artists “to make artifacts that are useful and have that magical quality that keep them from being thrown away.” “Sustainability should be the bare minimum,” concurred Aiolova. She should know. Her firm, Terreform1, held a sustainability love fest all summer long, which culminated in winning the Victor J. Papanek Social Design Award on August 17.
It’s official. Norman Foster’s unfinished and beleaguered Harmon Building at Las Vegas’ CityCenter is among the walking dead. Its owner MGM has announced its intention to implode the building, whose construction was plagued by incorrectly-installed rebar. These severe structural flaws led to a decision in 2009 to scrap the top half of the building, and it’s been sitting unoccupied ever since.
But what better way to send off what must be among the biggest buildings never occupied than a collection of the most spectacular implosions Las Vegas can muster? There are fireworks, spotlights, music, and lots of gawking onlookers. This stuff is fun, trust us.
Everyone’s favorite installation architects, Ball-Nogues Studio, are producing one of their most ambitious works to date: The Yucca Crater, a 24-foot-tall installation in the middle of the Mojave Desert near Joshua Tree. The project’s wavy wood shell will contain rock climbing holds on its interior, rising out of eight feet of water (the basin, the firm describes, is a nod to abandoned suburban swimming pools scattered across the Mojave).
The wood will come from the formwork of another Ball-Nogues project, Talus Dome, in Edmonton, Canada. It is being built for High Desert Test Sites (HDTS), an initiative that invites artists to create experimental projects scattered among towns near Joshua Tree National Park like Joshua Tree, Pioneertown, Wonder Valley, Yucca Valley, and 29 Palms.
WORLD TOWERS ABOVE 380 METERS
The Skyscraper Museum
39 Battery Place
Through January 2012
The world’s tallest building, Burj Khalifa is over twice the height of the Empire State Building—a grand total of 2,717 feet. The exhibition SUPERTALL! at the Skyscraper Museum explores the development of such architectural giants, presenting a survey of the world’s 48 tallest buildings completed since 2001 or expected for completion by 2016. The skyscrapers featured are at least 1,250 feet tall, with the majority from China, South Korea, and the Middle East, including Al-Hamara in Kuwait, above left. Organized chronologically as well as by region, the installation highlights the evolution of very tall buildings, opening with a 30-foot timeline of vertical constrution. Architectural models, computer renderings, as well as photographs and film, support a story focused on building technology, contemporary construction, and sustainable approaches. Nodding to the local as well as the global, the exhibition also includes a section on the original World Trade Center towers and the new construction rising on the site. images after the jump
Want to make your own home in 24 hours? Meet WikiHouse, a way to design and assemble a model structure within a single day. Wikihouse is designed to be easy to use with an online design community posting and editing open-source plans with Google Sketchup. Template plans can be downloaded and cut out with a CNC mill and then easily assembled with minimal skill.
The first WikiHouse will be constructed in South Korea at the Gwangju Design Biennale 2011. We are now looking for architects, furniture designers, product designers, craftsmen, and makers from around the world who are interested in contributing to the WikiHouse process. If that’s you then please drop us an line on email@example.com!
Could downloaded design and “fabrication on the fly” be the future of architecture? How will open-source design impact the profession? Share your thoughts in the comments.
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We just came across The Accidental Sea, a fascinating documentary about California’s bewildering Salton Sea, an artificial lake created by flooding the Colorado River southeast of Palm Springs. It quickly turned into a resort and then (after subsequent environmental degradation) into a ghost town. The film by Ransom Riggs explores the history of the site and looks at the eeriness there now, from rusted out cars to abandoned spas and homes. Makes you wonder about the tenuousness of our civilization and makes you want to explore California’s other modern ghost towns like California City, an 80,000 acre development once intended to be the third largest city in the state (it’s population is now just over 8,000 people).
A decade after the 9/11 attacks, the public will soon be able to visit the site, much of which has been fully transformed into the 9/11 Memorial Plaza. While many were dispirited by the years of revisions to and deviations from the Libeskind master plan (which itself had many detractors), AN‘s recent visit to the plaza, crowded with workers laboring toward the anniversary opening, revealed a vast, contemplative space that we predict will function well as both a memorial and a public space. Next week AN will take a look at the design and offer a preview of the what the public can expect from the space, but, first, a look at how the highly engineered plaza works.
Los Angeles is a great city for architecture. Unfortunately, it’s all too easy to breeze past landmarks inside our cars with barely a moment’s notice. A group of young designers and cyclists in LA are looking to slow you down and up your appreciation level by setting up regular free bicycle tours to some of the city’s most iconic architectural sights.
There’s an old expression that perfectly describes the current condition of the Loew’s King movie palace on Flatbush Avenue: “regal rot.” There’s beauty in the decay, yet no one wants to see the the rot take the upper hand. At the moment the dank smell foretells the considerable work that lies ahead for the Houston-based ACE Theatrical Group, the developer selected by NYCEDC and Borough President Marty Markowitz to restore and operate the 1929 building.