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Architects Taalman Koch reimagine LA's Hyperion Sewage Treatment Plant as a recreation area and animal habitat.
Los Angeles is a shifty creature, ever-changing and re-inventing itself. As memories of the perfect weekend (aka Carmageddon) fade into memory, a collaboration of creative professionals is looking to re-focus our collective consciousness on Los Angeles’ past, present, and what it might look like in fifty years. Opening this Thursday at the A+D Museum on Wilshire Boulevard, Rethink/LA’s Perspectives on a Future City captures the voices of local Angelenos—writers, city planners, policymakers, and artists—through sound installations, collages, and videos.
Museum Plaza would have extended Louisville's skyline. (Courtesy REX)
The first line of a press statement sent out by developers of the REX-designed Museum Plaza tower in Louisville, Kentucky put it bluntly: “Museum Plaza will not be built.” The 62-story hyper-rational tower—part kunsthalle museum, part residential and commercial hub, part art school—was hoped to signal the rejuvenation of the city’s urban core, but like so many iconic buildings proposed in the days leading up to the great recession, the vision succumbed to the realities of the financial markets.
Rendering of Woods & Kumpusch's Light Pavilion. (Courtesy MAK)
Light Pavilion by Lebbeus Woods and Christoph A. Kumpusch: Construction Drawings & In-Process Photographs at the Mackey Garage Top MAK Center at the Schindler House
835 North Kings Road
Through August 6
The Light Pavilion by Lebbeus Woods and Christoph A. Kumpusch was created for Steven Holl’s Sliced Porosity Block project now under construction in Chengdu, China, and will be Lebbeus Woods’ first built work of architecture. A physical intervention into Holl’s rectilinear structure, the pavilion consists of a series of columns and stairs that are illuminated from with and change color, and the luminous effect will be amplified by the pavilion’s mirrored interior walls. The MAK exhibition includes construction drawings and process photographs of the installation, as well as conceptual renderings of this project, above, and other work of Woods and Kumpusch.
Petrova Gora, the sculptural memorial to the partisan victims of World War II in Croatia, is being dismantled as we speak.
As reported on the AN Blog last year, the memorial was already abandoned and in disrepair, but new photographs taken on July 24th show that Petrova Gora has largely been stripped of its metallic skin. It is not clear yet who ordered or approved such dismantling of the memorial. Nor is it known to what extent or to what purpose this is being done.
When folks wait in line for the Adler Planetarium’s rehabbed space theater, they won’t be staring at a bland hallway. The new Clark Family Welcome Gallery, designed by Thomas Roszak Architecture, corrals the queue at the theater’s entrance. The goal for its design: “We wanted people to stop thinking about driving and parking, and start thinking about the mysteries of the universe,” says Adler president Paul Knappenberger. Read More
Pruitt-Igoe as planned. (all images courtesy Pruitt-Igoe Now)
Building on the renewed interest in the destruction of the Pruitt-Igoe public housing complex in St. Louis, a new competition looks to engage the history and inspire possible future uses for the 33 acre site. Nearly 40 years after the demolition–which Charles Jencks claimed signaled the death of Modern architecture itself–most of the site remains cleared, filled in with trees and grasses that have sprung up over time. Organized by the newly formed non-profit Pruitt-Igoe Now, the competition brief asks, “Can this site itself be liberated from a turbulent and mythologized past through re-imagination and community engagement?” Read More
As we recently predicted, the California Redevelopment Association and the League of California Cities yesterday filed a lawsuit in the California Supreme Court over the recent passage of bills to eliminate, or at least “ransom” its more than 400 redevelopment agencies. AB 1X 26 eliminates redevelopment agencies while AB 1X 27 allows agencies to exist if they agree to pay their share of $1.7 billion this year and $400 million annually. Read More
The Port Authority's MediaMesh billboard is up and running. (Courtesy GKD-USA)
As AN reported back in early May, the Port Authority Bus Terminal was set to get a Bright Light makeover. Well, the Authority flicked on the switch of its GKD MediaMesh display this month, and as an enticement to advertisers A2a MEDIA, an advertising agency specializing in digital displays, created a promotional video using some of their established clients’ advertising. It’s a snazzy little number that doesn’t necessarily interest us for its ad content, but rather for the intriguing alternating opacity and transparency of the screen. (There are some pretty cool moments in the video below where the giant Xs of the Port Authority facade shows through the lights.) While the advertising applications are obvious, there’s definitely some untapped potential for public art/architecture, as we saw at play in California State University’s Madden Library.
Studio Gang's design for a 30-story tower in Lexington, Kentucky (Courtesy Studio Gang)
Developer Dudley Webb of the Webb Companies didn’t make any friends when his company razed an entire block of Downtown Lexington, Kentucky for a massive mixed-use tower that ended up stalling in the recession. Now, though, after bringing on Chicago-based Studio Gang to help reimagine the project at the behest of Lexington Mayor Jim Gray and dean of the University of Kentucky College of Design Michael Speaks, the community is regaining excitement over new plans to revamp the CentrePointe site.
MOS Architects-designed arts Drive-In in Marfa, Texas. (Courtesy NEA)
Rocco Landesman, chairman of the National Endowment for the Arts (NEA), believes that art can play a major role in improving the economy and our quality of life. A new program of grants called Our Town seeks to spur such economic and civic development by investing more than $6.5 million in 51 projects covering 34 states.
Landesman said the goal is to foster creative placemaking through public space design, cultural planning, festivals, public art, and more. “Creative placemaking is a strategy for making places vibrant,” said Jason Schupbach, the NEA’s Director of Design. “Arts and design are essential parts of the complex work of building a livable, sustainable community.”
Skateboarders, commence drooling. Behold this prototype for the PAS House, a Malibu home in which every surface will be skate-able. The secret? There will be no corners. From the living room to the kitchen to the bedroom the ground becomes the wall and then the ceiling in a continuous surface forming a tube with a 10 foot radius. The furniture is also curved for skating, including some groovy looking tables and beds.
The project, located at the top of Las Flores Canyon in Malibu, will by sometime next year be the home of skateboarder Pierre Andre Senizergues (hence the name PAS), a former world champion skater, and owner of skateboard company Sole Technology. It’s being created by designer Gil Lebon Delapointe and LA architect Francois Perrin, who for the prototype of the living area bent plywood, previously soaked in water, using a traditional skateboard ramp fabrication technique.
Grace Restaurant in Portland, ME, designed by R. Dean Bingham and Tivi Design
Last week the AIA/LA announced its choices for this year’s most notable food-friendly architecture mavericks with its annual Restaurant Design Awards. Designs ranged from an up-cycled (in this case, stripped down and revamped Lina Bo Bardi style) pizza parlor in Culver City to a Guggenheim Museum centerpiece to a repurposed church in Maine.