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Detail rendering of a cast iron facade in reverse.
With unanimous approval from the Landmarks Preservation Commission, Morris Adjmi‘s deceptively subtle take on the classic cast iron building is on its way to becoming reality. What at first glance appears to be a cast iron facade is actually a reverse bas relief cast in glass reinforced concrete—essentially a form in which you could mold a true cast iron facade. “This makes you think of how these buildings were built, from the initial casting to being assembled as components,” said Adjmi. “So this is really taking that and inverting it so it becomes a record of the process.”
The boomerang bridge as seen from above. (Courtesy Enrique Norten/TEN Arquitectos)
If opponents of New York’s bike lanes think bikers get the upper hand, then they’d be stunned to see what TEN Arquitectos has planned for the main drag of Villahermosa, the capital of Tabasco, Mexico. Of course, accommodating bikes is only a small part of what is intended to overhaul the city’s spine including an eye catching pedestrian bridge anchoring the project.
The perforated, metal-clad boomerang of a bridge links two lakeside parks, the Tomas Garrido Park and Lake of Illusions. At street level the illusion takes hold as the bridge morphs into the shape of a giant alligator. A large amphitheater sits at its base with the park serving as backdrop. The project is set for dedication next week.
New Apple HQ (Cupertino City Television Screen Capture)
Behold! The unveiling of Apple’s next product… the iBuilding. Okay, so it’s not a product, but it is their highly-anticipated new campus in Cupertino, California. Steve Jobs, wearing his trademark mock turtleneck and jeans, revealed the plans—with fancy, although somewhat grainy renderings—at yesterday’s Cupertino City Council meeting (watch the video after the jump).
According to several reports, the architect of the new complex, whose land Apple bought from Hewlett Packard, will be Norman Foster, but that hasn’t been formally announced.
A few highlights of the new design: Apple’s new HQ is shaped like a doughnut, a spaceship, or an iPod trackwheel. It’s clad in curved glass with a giant courtyard in the middle. While Apple plans to increase it’s employees from 9,500 to 13,000, it will reduce its surface parking by 90% (from 9,800 to 1,200) and most of the parking will be underground. The vast majority of campus is set aside for landscaping (with an estimated 6,000 trees).
According to Jobs, the building will generate its own clean energy using the grid as backup. Given how the council treated Jobs like a visiting god, it looks like the company should get the project passed. If it moves forward, the new campus is expected to be complete by 2015.
Nicolai Ouroussoff appeared on Charlie Rose (Screen Capture)
According to an in-house memo, New York Times architecture critic Nicolai Ouroussoff is “moving on” at the end of this month.
The sweet but short memo about the critic—who this year submitted his own Pulitzer nomination package—was sent around this morning from culture editor Jonathan Landman. Ouroussoff’s plan, the memo said, is:
to write a book about the architectural and cultural history of the last 100 years, “from Adolf Loos’s Vienna and the utopian social experiments of post-revolutionary Russia to postwar Los Angeles and the closing years of the 20th century,” as Nicolai describes it.
Kids get it. While the adults stand around discussing the merits and aspirations of a large sculpture or installation, kids climb all over it. A few years back, when Richard Serra‘s Intersections II was installed in MoMA’s sculpture garden, toddlers raced between the tilted arcs in a game of hide and seek. More recently, kids playing around Situ Studio‘s reOrder installation have turned the Great Hall of the Brooklyn Museum into Romper Room. Now, with Storm King bringing in Mark di Suvero sculptures and Figment in town to install their annual golf course and sculpture garden, Governors Island is getting its workout.
The Guggenheim teams up with Improv Everywhere in Prospect Park. (Video still)
The Guggenheim has been blurring the boundaries of what makes a traditional museum lately, and among their latest forays into the streets of New York is stillspotting nyc, a series investigating urban life (a previous program, Sanitorium, explored what keeps city dwellers sane as they rush about their hectic lives). Now, The Mute Button, a collaboration between the Guggenheim and Improv Everywhere, continues this trend by staging 23 under-cover actors and two dogs at the entrance to Prospect Park at Grand Army Plaza. The troup is a noisy bunch, until–presto!–the din of the city turns silent. A camera was on hand to catch the reactions of befuddled passers by. (Via Gothamist.)
Last week, Mayor Bloomberg and a cadre of arts enthusiasts from the Public Art Fund gathered at City Hall Park to officially open a retrospective on conceptual artist Sol LeWitt titled Structures, 1965-2006. Comprised primarily of sleek white cubes and forms and one colorful Splotch, the installation of 27 sculptures represents the first outdoor retrospective of LeWitt’s work as well as the largest public art display at City Hall Park, billed by Nicholas Baume, chief curator for the Public Art Fund, as New York’s “museum without walls.”
A shot of Phillis Wheatley from A Plea For Modernism
Filmmaker Evan Mather, one of the country’s few architectural filmmakers, makes a viral appeal for Charles R. Colbert’s Phillis Wheatley Elementary School in New Orleans, which is set for demolition this summer. Appropriately titled A Plea for Modernism, the 12 minute short makes the case that buildings like Phillis Wheatley are disappearing throughout the Crescent City (watch the video after the jump).
The school–owned by the Recovery School District and located in the historic neighborhood of Tremé–is one 30 schools in the city from the postwar Modernist Movement of the 1950s and 60s (only four of those schools still stand). New Orleans is also home to Moisant Airport, the Greater New Orleans Bridge, and other works by the likes of Goldstein, Parham & Labouisse, Modjeski & Masters, and Curtis & Davis.
Philip Johnson’s Glass House in New Canaan, CT clocks in at under 2,000 square feet–tiny compared to the McMansions being built just a stone’s throw away. The transparent house is widely known as one of the earliest and most influential modernist homes in the United States, but its size is also a lesson in sustainable living.
Having worked there on and off for the last 25 years Neil Denari is huge in Japan. His latest achievement in the country was just unveiled yesterday: the complete design for Japan’s first ever low-cost regional airline, called Peach. Read More
Once again, the results of the Urban Land Institute (ULI) /Ernst & Young annual global infrastructure report don’t look good for America. According to the document, “The United States notably continues to lag its global competition—laboring without a national infrastructure plan, lacking political consensus, and contending with severe federal, state, and local budget deﬁcits that limit options.” The end of the federal stimulus package in 2013 makes the picture even bleaker. “The stimulus helped, but it was only a down payment on what’s needed,” said Ernst & Young Global Real Estate Leader Howard Roth at a recent ULI meeting in Phoenix.
Billings (blue) and inquiries (red) for the past 12 months. (The Architect's Newspaper)
In what can only be described as an about face, the Architecture Billings Index (ABI) took a bit of a tumble into negative territory last month. The April ABI fell to 47.6 from 50.6, beating even October’s low of 48.7. At the end of 2010, words like “rebound” were cautiously bandied about, but for the past three months the ABI skated along the edge of positive territory hovering around 50.