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Ennead's new Anderson building would be located just west of its soon-to-be complete Bing Concert Hall. (courtesy Stanford University)
Ennead Architects (formerly Polshek Partership) seems to be taking over Stanford University one building at a time. First they built the Cantor Center for the Visual Arts in 1998. Then they finished the Stanford Law School Academic Building in 2010. They were also commissioned to build the Bing Concert Hall, which will open in 2013. And now they’ve just been chosen to build a $30.5 million, 30,000 square foot building for the Anderson Collection, a renowned compilation of post-World War II American Art. The building will also contain a library, offices, and storage spaces. Designs for the project will be released this Spring, according to Stanford. The Anderson, the Bing, the Cantor, and the new 96,000 square foot Burton and Deedee McMurtry Building, awarded in April to Diller Scofidio+ Renfro and containing undergraduate art and film studios, galleries, and an art and architecture library, will form the center of Stanford’s “arts district.” Read More
Snøhetta's entrance to the Memorial Museum overlooks the North Pool.
Last Friday, AN went to the 9/11 Memorial, without a press pass, an official tour guide, or a hard hat. We went as a neighbor and experienced the place as any other visitor might. First, we attempted to get our ticket online. After checking the availability on Tuesday, we dithered, and by Wednesday online tickets were gone. But at the temporary exhibition space on Liberty Street, and a manager told us that a $20 ticket to the museum would get us into the memorial without reservations.
Imagine snapping away at a favorite building, fountain, or desktop tchotchke, then uploading your photos to that super-computer in the sky we call the cloud, and after a just few short minutes being presented with a detailed three-dimensional digital model. That future, it appears, is finally here. Core 77 tipped us off that a new product by Autodesk called 123D Catch performs that basic photo-to-3D-model conversion, and the best part (if you’re running a PC) is that you can try out the beta version for free. We’re on Macs here at The Architect’s Newspaper HQ so we haven’t had a chance to test drive the software ourselves, but if it’s anything like Autodesk’s slick video demonstration (after the jump), we’ll be sending our photo archive cloud-side soon!
Steven Holl has been awarded the AIA Gold Medal, the institute’s highest honor and among the most significant in the profession. Holl is known for his formally inventive, richly detailed buildings in the US and around the world, including the Linked Hybrid in Beijing, the Vanke Center in Shenzen, the Bloc Building at the Nelson Atkins Museum in Kansas City, MO, and Simmons Hall at MIT among many other notable projects.
Apple staff await customers on the balcony overlooking Grand Central (Stoelker/AN).
This morning Apple held a press preview of their new Grand Central store, which is set to open this Friday. The first impression of this glassless emporium, an anomaly for the company, is the respectful handling of the hallowed space. The store fills the space vacated by Metrazur restaurant, which wrapped around the Lexington Avenue side balcony. Apple’s showroom takes up half of the northern balcony as well. For Mac fans, the cleaned lined furnishings will be familiar, as are the various stations spread throughout the 23,000-square-foot space. The Genius Bar is still there, as are the iPad and iPod stations, laptops, accessories, and a professional yet casual staff of more than 300. Apple, aided by Bohlin Cywinski Jackson, took sight lines into consideration, as the only real hint that the store is there from the concourse are small strips of table lighting, and, of course, the company’s ubiquitous apple which hangs from a grand arch centered on the balcony. It could be argued that logo competes a bit with the world famous clock at the center of the terminal. But otherwise, the interventions appear considerate and reversible.
Earlier this year, over 2,700 people ponied up cash through the online crowd-funding platform Kickstarter to erect a statue of the 1980s icon RoboCop in Detroit, Michigan. Plenty has been said—both good and bad—about this quest to “uphold the awesome,” whether the statue will be a good or bad thing for the city struggling to regain a solid footing. Curbed Detroit recently checked in with Brandon Walley of Detroit Needs RoboCop and learned the statue could be ready to install as early as the summer of 2012. While a site for the statue must still be secured, organizers are currently awaiting the original RoboCop model to be shipped from Hollywood before the statue can be dipped in bronze. Considering that the 1987 American sci-fi action film was literally set in a near-future (you could say present-day) Detroit, and given the themes of resurrection, memories, and conflicted policies with logical fallacies, the statue likely holds more than just a nugget of nostalgia to the supporters.
A view looking east through the Triangle Park plan by M. Paul Friedberg and Partners. (courtesy Westside Healthcare Coalition)
On the eve of World AIDS Day, dozens crammed into the City Planning building in downtown Manhattan where the Rudin Organization presented plans for the former St. Vincent’s Hospital site at a Universal Land Use Review Procedure (ULURP) hearing. The commission is set to vote on the plan on January 24, but over the last few months yet another issue has emerged at the long contested site. Activists from the Queer History Alliance continue to press for an AIDS Memorial to be placed at a proposed park across the street from the former hospital, which was considered ground zero during the height of the AIDS crisis.
BIG's design for the University of Jussieu in Paris. (Courtesy BIG)
In Bjarke Ingels‘ traditional style, what started as a standard box of a building for Paris’ Université Pierre et Marie Curie has been lifted, bent, and deformed to maximize light, sight lines, and air flow for a cramped urban site. Ingels’ firm BIG and Paris-based OFF recently won won a competition to design the new multidisciplinary research center called Paris PARC to reunite the university’s campus with the surrounding city including Jean Nouvel’s adjacent Institut du Monde Arabe and the nearby Notre Dame Cathedral.
Last week, as New York was blindly transfixed on its impending Thanksgiving feast, the Brooklyn Bridge Park (BBP) released renderings of a proposed mixed-use development that has been floated to help fund the waterfront park. Seven proposals stacked, folded, and otherwise covered in plants a program calling for several hundred hotel rooms and residences on two park-side sites on Furman Street. The developer/architect breakdown was full of the regular big names and heavy hitters: Brooklyn’s Two Trees selected WASA/Studio A; Toll Brothers worked with Rogers Marvel; SDS worked with Leeser; Extell went with Beyer Blinder Belle; Dermot with FX Fowle; RAL with CDA; and Starwood teamed with Alloy Development, Bernheimer Architects, and n Architects.
The Angkasa Raya tower proposed for Kuala Lumpur. (Courtesy Buro OS)
Ole Scheeren, a former partner at Rem Koolhaas’ OMA who broke away to start his own firm (Buro OS) in March 2010, has unveiled his latest project in Kuala Lumpur: an 880-foot-tall mixed-use tower called the Angkasa Raya. Adjacent to Cesar Pelli’s Petronas Twin Towers, once the world’s tallest, Scheeren’s new 65-story project progresses a skyscraper typology of stacked volumes made popular at OMA.
Montage based on Stanley Tigerman's "Titanic" with Philip Johnson's AT&T Building and text drawn by Seth Weine/ICAA
Postmodernism, the exuberant, eclectic, and ironic style born out of the death of the modernist dream in the 1960s and 70s, was the subject of the two-day-long “Reconsidering Postmodernism” conference last weekend, presented by the Institute of Classical Architecture & Art, at the CUNY Graduate Center in New York. The two marathon days of lectures, panels, and videos was filled with the original rock stars of the postmodernist world, including architects Robert A. M. Stern and Michael Graves, theorists Charles Jencks and Tom Wolfe, urbanists Andres Duany and Elizabeth Plater-Zyberk, and a small but passionate younger crowd who couldn’t help but revel in the rambunctiousness of their vaunted forebearers.