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Aerial view of Apple's proposed new headquarters in Cupertino, California. (Courtesy Foster + Partners)
Apple’s new campus in Cupertino has left the design community a bit perplexed.
Back in September most of the architectural critics who weighed in on the issue expressed a one-two combination of shock and disappointment. Precisely because of Apple’s design bona fides and Sir Norman Foster’s involvement as the lead architect, they were expecting better. Christopher Hawthorne of the LA Times called it a “retrograde cocoon,” marking it down as a car-centric, “doggedly old-fashioned proposal.”
Multiple factors helped the Cornell/Technion team win what is shaping up to be Mayor Bloomberg’s favorite super-scale legacy project. Stanford, the only real competition, withdrew; a windfall of a $350 million donation blew in; local Cornell alums pulled out the stops with petitions. High on that list is SOM’s preliminary design proposing a net-zero building and a permeable landscape, developed with Field Operations, woven in, over, and into multiple structures lending an interactive and public character to the entire campus.
This wholly sustainable, radically accessible design plan has become a signature of the project as the city ambitiously strives to become an East Coast high tech start-up incubator bar none. And yet it is unclear if SOM will remain on the job.
The acrylic walls of Nouvel's carousel building offer a new view of the Brooklyn Bridge, One World Trade, and Gehry's 8 Spruce. (Stoelker/AN)
Neither blizzards, an earthquake, or Hurricane Irene slowed down work here at 21 Murray Street. Nor did any of these disrupt work down the street at the World Trade Center. The demonstrations at Zuccotti Park did not get in the way, nor the spontaneous turn out following the death of Osama bin Laden. Construction only paused for the tenth anniversary of the 9/11 attacks. Some of the year’s biggest stories sat at our doorstep, and quite often, we only had to go downstairs to capture their images. Here are a few photos of the news and news-makers taken downtown, as well as a few from uptown, across town, and over the river…
Silent Lights proposal (Courtesy Artist Build Collaborative).
The Artists Build Collaborative is attempting to bring light and clarity to an area of Red Hook most notable for its darkness and confusion. The proposal, Silent Lights, is a system of interactive illuminated gates along a pedestrian path along Hamilton Avenue under the Brooklyn Queens Expressway. With a high concentration of both human and motor traffic in the area, the installation will respond to the surrounding vehicular cacophony by translating sound pollution into light, allowing the auditory experiencee to be both seen and heard.
St. Louis will soon build a "lid" over I-70 to better connect the Arch with downtown.
The grounds surrounding the St. Louis Arch have long been cut off from downtown and the surrounding neighborhoods. One of the chief goals of the City+River+Arch competition was to improve connectivity. St. Louis recently received $20 million in federal TIGER III grants to build a lid over 1-70, one of the most important pieces of the Michael Van Valkenburgh-led redesign of the Arch grounds. The overall cost of the redesign is estimated at $578 million, so the grant is just a fraction of the overall funding needed. Still, it’s an important, early sign that this ambitious project is moving ahead.
SOM's plan for Cornell's tech campus on Roosevelt Island.
With his hand essentially forced by a hasty withdraw of Stanford on Friday, and the hugely enticing carrot of a $350 million gift from Duty-Free billionaire and Cornell alum Charles Feeney, Mayor Bloomberg announced on Monday that the Cornell team will be building the NYC Tech Campus on Roosevelt Island. The terms “game changer” and “transformative” were bandied about with regularity throughout the mayor’s midday press conference, which was streamed live on the net to the delight of Cornell’s partnering campus, Technion—Israel Institute of Technology. The Israeli students’ digitally lapsed cheering added a techy touch.
Ennead's new Anderson building would be located just west of its soon-to-be complete Bing Concert Hall. (courtesy Stanford University)
Ennead Architects (formerly Polshek Partership) seems to be taking over Stanford University one building at a time. First they built the Cantor Center for the Visual Arts in 1998. Then they finished the Stanford Law School Academic Building in 2010. They were also commissioned to build the Bing Concert Hall, which will open in 2013. And now they’ve just been chosen to build a $30.5 million, 30,000 square foot building for the Anderson Collection, a renowned compilation of post-World War II American Art. The building will also contain a library, offices, and storage spaces. Designs for the project will be released this Spring, according to Stanford. The Anderson, the Bing, the Cantor, and the new 96,000 square foot Burton and Deedee McMurtry Building, awarded in April to Diller Scofidio+ Renfro and containing undergraduate art and film studios, galleries, and an art and architecture library, will form the center of Stanford’s “arts district.” Read More
Snøhetta's entrance to the Memorial Museum overlooks the North Pool.
Last Friday, AN went to the 9/11 Memorial, without a press pass, an official tour guide, or a hard hat. We went as a neighbor and experienced the place as any other visitor might. First, we attempted to get our ticket online. After checking the availability on Tuesday, we dithered, and by Wednesday online tickets were gone. But at the temporary exhibition space on Liberty Street, and a manager told us that a $20 ticket to the museum would get us into the memorial without reservations.
Imagine snapping away at a favorite building, fountain, or desktop tchotchke, then uploading your photos to that super-computer in the sky we call the cloud, and after a just few short minutes being presented with a detailed three-dimensional digital model. That future, it appears, is finally here. Core 77 tipped us off that a new product by Autodesk called 123D Catch performs that basic photo-to-3D-model conversion, and the best part (if you’re running a PC) is that you can try out the beta version for free. We’re on Macs here at The Architect’s Newspaper HQ so we haven’t had a chance to test drive the software ourselves, but if it’s anything like Autodesk’s slick video demonstration (after the jump), we’ll be sending our photo archive cloud-side soon!
Steven Holl has been awarded the AIA Gold Medal, the institute’s highest honor and among the most significant in the profession. Holl is known for his formally inventive, richly detailed buildings in the US and around the world, including the Linked Hybrid in Beijing, the Vanke Center in Shenzen, the Bloc Building at the Nelson Atkins Museum in Kansas City, MO, and Simmons Hall at MIT among many other notable projects.
Apple staff await customers on the balcony overlooking Grand Central (Stoelker/AN).
This morning Apple held a press preview of their new Grand Central store, which is set to open this Friday. The first impression of this glassless emporium, an anomaly for the company, is the respectful handling of the hallowed space. The store fills the space vacated by Metrazur restaurant, which wrapped around the Lexington Avenue side balcony. Apple’s showroom takes up half of the northern balcony as well. For Mac fans, the cleaned lined furnishings will be familiar, as are the various stations spread throughout the 23,000-square-foot space. The Genius Bar is still there, as are the iPad and iPod stations, laptops, accessories, and a professional yet casual staff of more than 300. Apple, aided by Bohlin Cywinski Jackson, took sight lines into consideration, as the only real hint that the store is there from the concourse are small strips of table lighting, and, of course, the company’s ubiquitous apple which hangs from a grand arch centered on the balcony. It could be argued that logo competes a bit with the world famous clock at the center of the terminal. But otherwise, the interventions appear considerate and reversible.
Earlier this year, over 2,700 people ponied up cash through the online crowd-funding platform Kickstarter to erect a statue of the 1980s icon RoboCop in Detroit, Michigan. Plenty has been said—both good and bad—about this quest to “uphold the awesome,” whether the statue will be a good or bad thing for the city struggling to regain a solid footing. Curbed Detroit recently checked in with Brandon Walley of Detroit Needs RoboCop and learned the statue could be ready to install as early as the summer of 2012. While a site for the statue must still be secured, organizers are currently awaiting the original RoboCop model to be shipped from Hollywood before the statue can be dipped in bronze. Considering that the 1987 American sci-fi action film was literally set in a near-future (you could say present-day) Detroit, and given the themes of resurrection, memories, and conflicted policies with logical fallacies, the statue likely holds more than just a nugget of nostalgia to the supporters.