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Tuesday morning, New York’s top power brokers gathered in a muddy lot on Manhattan’s west side to mark the official groundbreaking of the 26-acre Hudson Yards mega-development. The dramatic addition to the New York skyline will comprise a completely new neighborhood of glass skyscrapers at the northern terminus of the High Line. The South Tower, the first structure to be built and the future headquarters of fashion-label Coach, will rise on the site’s southeast corner at 30th Street and 10th Avenue, where Related CEO Stephen Ross, Mayor Michael Bloomberg, and others celebrated the first turning of dirt as a large caisson machine bored into the ground.
Today the United States Artists (USA), a national grant-making and advocacy organization, named fifty artists to receive the USA Fellowships, which includes six in design and architecture whose accomplishments, in everything from landscape architecture to digital technology, have distinguished them in their field. These fellows—hailing from New York, Los Angeles, and Arkansas—will receive unrestricted grants of $50,000 each. Among the winners are two architecture firms, a landscape architect, and an academic.
Until Hurricane Sandy. The New York Times reports that the statue itself suffered no major damage during the storm (despite any fake Twitter photos you may have seen), but the grounds surrounding the “Mother of Exiles” suffered quite a bit of damage. Among the problems is damage to the large dock where ferries would unload visitors. Additionally, the promenade surrounding the island lost more than half of its brick pavers during the storm. There’s also some worry that the new mechanicals just installed might have suffered damage when the statue’s basement flooded. No timeline has been given as to when the monument will reopen.
Matter’s “Peace & Quiet” installation in Times Square. (Ka-Man Tse / Courtesy Times Square Alliance)
Opening today for Veterans Day, a new pavilion designed by Brooklyn-based Matter Architecture Practice aims to bring a little Peace and Quiet to the hectic liveliness of Times Square. The new temporary pavilion, built yesterday and set to remain standing through November 16 is described as a “dialogue station” by its architects. “It is a tranquil place to meet, share stories, leave a note, shake hands, or meet a veteran in person,” Matter continues on its website. Times Square “seemed the ideal circumstance (or mad challenge) to initiate and inform a poignant exchange of ideas, to will intimacy in an instance of its opposite.”
When it comes to waterfront development in New York City, there’s always a battle to be waged, and this time, it is over 22 acres near Newtown Creek in north Greenpoint, Brooklyn where developers, Park Tower Group, plan to break ground in the summer of 2013 to build Greenpoint Landing. Curbed reported on Election Day last week that someone circulated a flyer protesting the development’s ten 30-to-40-story luxury residential towers to be designed by Handel Architects. This protester’s main gripe is the scale and density of the project, which the flyers state is much larger than “most of the buildings average 5 stories” and doesn’t allow for much “green space.” But the plans for Greenpoint Landing are well on its way, and could include a pedestrian bridge by Santiago Calatrava.
Inside the Henry F. Ortlieb Company Bottling House.
KieranTimberlake has been looking to buy a building for over a decade now, and after a long search, the Philadelphia firm is putting down roots in the Northern Liberties neighborhood with the recent purchase of the 1948 Henry F. Ortlieb Company Bottling House. The firm’s substantial growth first prompted the partners, James Timberlake and Stephen Kieran, to search for a new home, and this two-story, 63,000 sq foot building located on the Ortlieb campus will provide more than enough space to accommodate the firm’s 90 plus employees.
Frank Gehry’s Air and Space Gallery. (Guggenheim Museum Publications)
AN found out today that Frank Gehry’s Aerospace Hall at the California Science Center (now known as the Air and Space Gallery) in Los Angeles has now been listed on the California Register by the California Office of Historic Preservation. As we’ve reported, the museum’s fate has been in doubt as the Science Center makes plans for a new building to house the Space Shuttle Endeavor, and refuses to comment on what it plans to do with Gehry’s building, which was shuttered last year.
The listing doesn’t guarantee the building’s protection, but it could slow down any threats. It may trigger an environmental review if another building were to replace it. At the very least, the museum would need to review the impact of a demolition or major change. The angular, metal-clad building, built in 1984, was Gehry’s first major public building.
Frank Gehry’s design for the Eisenhower Memorial. (Courtesy NCDC)
How many Americans know that the Eisenhower Memorial will be the largest presidential memorial in Washington, D.C.? Or that it will be using untested, experimental elements for the first time? Or that it will cost nearly as much to build as the neighboring memorials to Washington, Lincoln, and Jefferson combined? These basic facts are still not widely known because the current design has emerged from a planning process that limited rather than encouraged public participation. It has also led directly to a controversy that has stalled the project in regulatory and political limbo and left its supporters and critics without common ground. We need public input to find the consensus that this and every memorial needs.
Before Ikea introduced cheaply made Swedish-designed furnishings to dorm rooms across the globe, there was Swedish architect and designer Greta Magnusson Grossman, an often overlooked founding figure of Swedish modernism. For the first retrospective of her work, the Pasadena Museum of California Art presents Greta Magnusson Grossman: A Car and Some Shorts, which showcases designs that chronicle Grossman’s remarkable career. Her work fuses Scandinavian minimalism with California modernism, as illustrated by her well-known and widely replicated Grasshopper and Cobra lamp designs.
As the northeast is slowly getting back on its feet, non-profit Architecture for Humanity is already commencing its plans for rebuilding and recovery. While it’s still early, the organization, which is partnering with AIA chapters in the hardest hit regions, is starting first with impact assessment. Generally working in hard hit areas around the world, this is the first time their New York chapter has had to respond locally, pointed out Jennifer Dunn, New York Chapter Leader. AFH is not only looking to re-build, but to re-build better. “We don’t just want to help build back the coastline but create more resilient communities that can withstand future disasters,” said co-founder Cameron Sinclair in a statement.
Architecture for Humanity is looking for support in the form of donations or volunteers. Donations can be made online here, while volunteers should email email@example.com. Flood repair strategies are posted here. Further updates will appear on the Architecture for Humanity website as soon as they are available.
The Red Square, The Black Square – Superkilen, Copenhagen. (Torbin Eskerod, Courtesy Superfex)
An inventive new park in Copenhagen’s Norrebro district, “Superkilen,” designed by Bjarke Ingels Group (BIG), Superflex, and Topotek 1 serves as a sort of cultural collage of artifacts sourced from 60+ nationalities. Superkilen slices its way through the center of the city, soaking up and flaunting its inhabitants’ diverse cultural backgrounds along the way. The kilometer-long wedge of urban space, completed this summer, is divided according to use into three distinct color-coded zones and sports bike paths linking directly to Copenhagen’s cycling highways.