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The 1957 SOM icon seems to have acquired a consortium of ice hunks, courtesy Frank Gehry. Ostensibly a formal counterpoint to the elegant energy of Richard Lippold’s Radiant I, the original lobby art, Gehry’s glass agglomeration (fabricated by the John Lewis Glass Studio of Oakland, California) frames Radiant I and responds to its angularity with carved blobs. It’s admittedly atypical in the setting of the modernist masterpiece, but doesn’t overpower the space or the original artwork.
Nearly 42,000 architects, interior designers, facilities planners, furniture dealers, and distributors converged on NeoCon, the A&D industry’s largest exhibition of office, residential, health care, hospitality, institutional, and government design products. Held from June 10–12, the show included education components and keynote presentations from Bjarke Ingels, founder of BIG; Michael Vanderbyl, principal of Vanderbyl Design; Holly Hunt, president & CEO of Holly Hunt; and Lauren Rottet, interior architect and founder of Rottet Studio. AN was present to cover a handful of educational seminars and sessions (see our live tweets from Ingels’s presentation on our Twitter feed), and we scoured the showrooms in search of 2013’s new product trends. Following are a few we saw at the show.
Rendering of Snohetta’s SFMOMA expansion currently under construction (left) and Jennifer Dunlop Fletcher (right).
Jennifer Dunlop Fletcher was recently named the head of the department of architecture and design at the San Francisco Museum of Modern Art (SFMOMA), filling a position vacated by Henry Urbach more than two years ago. Fletcher just completed a assessment of the museum’s architecture and design collection, and, most recently, she co-curated the exhibition Lebbeus Woods, Architect. She sat down with AN editors Nicole Anderson and Alan G. Brake to discuss her plans for the department.
The Architect’s Newspaper: What direction do you plan to take the architecture and design department?
Jennifer Dunlop Fletcher: The collection just turned 25 and so I think it was important that my colleague Joseph Becker and I, along with Henry Urbach, really undertook a collection analysis and are trying to draw on the identity and strengths of the collection: the experimental and conceptual architecture, the iconic chairs that capture every 20th century design movement, and then the Bay Area collection.
Team Six’s Proposal for Empire Stores coffee warehouses (Courtesy of Brooklyn Bridge Park)
Proposals galore! Brooklyn Bridge Park (BBP) is moving full speed ahead with its plans to develop parcels of its 1.3-mile waterfront expanse. In September, the Park released a Request for Proposals seeking a developer to restore and makeover the crumbling Empire Stores warehouses into a lively mixed-use development consisting of office, commercial, and retail space, while also preserving the integrity of the massive historic structure.
New York’s inaugural design week, held from May 10 through 21, was a comprehensive, two-week celebration of all things design across Manhattan island, as well as parts of Brooklyn. Showcasing the latest from industry stalwarts to emerging and independent designers—local, domestic, and international—AN culled its top picks of New York Design Week products from the ICFF show floor, Wanted Design exhibitions, showroom launches, and all events in between.
The Low Collection 13&9 Design
The multidisciplinary Austrian design studio debuted at Wanted Design with a collection of furniture, wearable fashion and accessories, a cinematic video, and a music album. With the Low Collection (pictured above), Corian is formed into several seating styles that combine with storage vessels, all at ground level. Suitable for outdoors, furniture heights can be modified to generate a unique landscape.
Michael Graves (left) and the toaster he designed for J.C. Penney (right).
At J.C. Penney’s recent rebranding launch party, AN spoke with architect and product designer Michael Graves about his new collection for the company and some career highlights. He even offers advice for aspiring architects and designers and talks about some current design work.
How did designing a collection for JCPenney come about?
I’ve known some of the people at Penney’s since my Target days, so when this opportunity came around we were looking for a way to slow down our commitment to Target at that time. When Penney’s offered what they did to us, we grabbed it in a second. It was such a good deal in terms of having a shop within a store.
For me, that’s the game changer. If we were close friends and you told me you had to do some shopping for a relative or something like that, I’d tell you to go to our shop in Penney’s. It’s all there and that’s what excites me.
Silkworms gather atop the pavilion (Steven Keating/Courtesy Mediated Matter)
A new pavilion created by the Mediated Matter research group at MIT’s Media Lab explores the intersection between material technology, computation, and biological and digital fabrication on an architectural scale. Inspired by the silkworm’s ability to create a 3D cocoon out of a single, 1 km thread, a team of researchers led by architect Neri Oxman created a fibrous, CNC-fabricated scaffold made from 26 polygonal panels and laid out in silk thread. They then let loose 6,500 silkworms onto the frame to fill in the gaps and reinforce the structure.
Whoever said that one needs to leave the city to experience nature hasn’t seen French architect Stephane Malka’s striking facade proposal for the Parisian restaurant EP7, an unusual site that is sure to stand out in the urban setting of the city. Amidst a city of man-made concrete and glass structures could rise a building essentially comprised of an organically growing “forest.
Keynote Speaker, Ken Yeang’s vision for a green skyscraper.
Whatever your plans may be for this summer, be sure to check out this year’s second facades+ PERFORMANCE conference, symposium, and workshops in San Francisco on July 11th-12th, hosted by The Architect’s Newspaper in collaboration with Enclos. Registration is now open!
Facades+ is an ongoing series of conferences that has traveled to cities across the nation, including New York, Chicago, and San Francisco. Each year the event focuses on a new theme, this year we have selected Performance.
First phase rendering of Fenway Center in Boston. (Courtesy Meredith Management Corporation)
It was several years in the making, but plans for the massive $500 million Fenway Center project in Boston are finally coming to fruition. According to the Boston Globe the development would bring housing, office space, retail, parking, and a new commuter rail station to the neighborhood. Massachusetts Governor Deval Patrick’s administration sketched out a preliminary 99-year lease with John Rosenthal, President of Meredith Management Corp., which enables the developer to move forward with his plans for a sprawling 4.5-acre complex near the ballpark. Once the state board green lights the project, Rosenthal could break ground by the end of this year.