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Museo Soumaya by FREE to be a case study in Revit Parametric Facades workshop.
Alphonso Peluso, Director of Digital Architecture + Fabrication at the Illinois Institute of Technology, is on a mission to max out Revit. His workshop, “Revit Parametric Facade Design,” on October 12 offers participants a hands-on lab for exploring how the program can help produce the most complex building skins. “It’s a unique opportunity to experiment in one session with all the different tools Revit has for creating parametric facades,” said Peluso. The event is part of Collaboration: The Art and Science of Building Facades, the Chicago edition of the Architect’s Newspaper‘s conference taking place October 11 and 12.
Using a series of tutorials Peluso will begin by looking at basic curtain wall creation through deploying system families and also making custom parametric families. Next up: mining the Conceptual Massing interface that yields complex parametric facade forms. Then on to pattern, from basic to advanced and responsive. Finally, Revit’s Adaptive Component families will be explored for the creation of ”one off ” building components. “The participant will walk away with the knowledge of which tool is most appropriate for the different types of facades they are designing,” said Peluso.
This weekend’s Open House New York tours and special building openings will end with a special film screening at Tribeca Cinema. The screening will feature a new Checkerboard Foundation Production of Diller, Scofidio + Renfro that highlights the local firm’s two most important projects: The High Line and Lincoln Center.
Checkerboard is well known for their architecture documentaries and this one features DS+R’s recent contributions to New York’s streetscape. The film starts at 7:00 on Sunday and tickets can be purchased in advance.
Paris-based artist Jonas LeClasse’s Imaginary Doors (And the People Who Pass By Them) is as simple as it is beautiful. Amidst the continuous grit and grime of dirty, graffiti-filled urban walls in St. Dennis—a working-class Parisian suburb—LeClasse draws doors using chalk, provoking viewers to slow down and reflect. He then invites viewers to pause for a portrait with the “door.” Perhaps it is a gateway of sorts, a simple delineation of inside and outside, or the fact that the portrait always captures the subject within a double-frame (outside of the the door yet inside of the picture). In any case, LeClasse achieves poetry using subtle architectural gestures.
Rendering of Zaha Hadid’s Pleated Shell Structures installation at SCI-Arc. (Courtesy Zaha Hadid)
Prepare yourselves Angelenos: Zaha is coming to town. Her installation Pleated Shell Structures will be on display at the SCI-Arc gallery beginning October 12. The installation’s details are still limited, but it appears that it will further push Hadid’s and partner Patrik Schumacher’s legendary experimentation with parametric design, giving smooth forms a more tactile, imbedded surface. So if parametric design is 3D, could this be 4D? Which dimension are we in now, anyway?
Goettsch Partners designed the Al Hilal bank flagship office tower for a new business district planned in Abu Dhabi. (Courtesy Goettsch Partners)
Abu Dhabi’s dizzying building boom slowed down somewhat after the 2008 financial collapse dried up the liquidity that inspires big projects. The damage appears not to have been permanent, however, as the UAE capital will forge ahead with a 24-story speculative office tower—part of a new central business district on Al Maryah Island.
Cathedral of Brasilia. (Vicente de Paulo/Courtesy Paddle 8)
Grab your 3D glasses, the artists at Visionaire, an art and fashion publisher, have added dramatic new depth to architectural photography. The work of Brazilian architect Oscar Niemeyer, who brought Modern design to Sao Paolo, Brasilia, and Rio de Janeiro, has now been optimized for viewing through stereoscope lenses. Just as Niemeyer innovated architectural design, making soft, delicate curves out of his concrete buildings, the international team of artists at Visionaire are advancing stereoscopic design and traditional ways of viewing cities, neatly packaging 3D scenes of modern Brazil against Niemeyer’s landscape into lenticular cases featuring the art of Fernando and Humberto Campana and Beatriz Milhazes on its exterior.
A rendering of the stair atrium, shows region where the teaching wing meets the research wing.
Next month Lehman College CUNY will dedicate its $70 million Science Hall designed by Perkins+Will. The new Bronx facility will abut Gillet Hall, one of the campus’ depression-era gothic buildings, while sparring with Raphael Viñoly’s massive metallic wave-like gymnasium called the Apex. “We tried an elegant yet simple form that enhances the sculptural quality of the Viñoly building, so as not to try to compete against it, but to act as a foil,” said Robert Goodwin, design director at Perkins+Will. “And we maintained a strong relationship to Gillet Hall.”
Imagine taking the fundamental unit of digital imaging—the pixel—and making it a dynamic part of physical reality. This is precisely what Seoul-based media arts group Jonpasang accomplished at the 2012 Hyundai Motor Group Exhibition. Comprised of what at first appear to be three blank white walls, Jonpasang’s Hyper-Matrix installation quickly comes to life as thousands of individual cubic units forming a field of pixels begin to move, pulsate, and form dynamic images across the room.
(Courtesy Guggenheim / Frank Lloyd Wright Foundation)
A Long-Awaited Tribute: Frank Lloyd Wright’s Usonian House and Pavilion Guggenheim Museum
1071 Fifth Avenue
Through February 13, 2013
In the years just before Frank Lloyd Wright’s Guggenheim Museum forever altered the face Fifth Avenue, the directors of the museum went on a charm offensive. In 1953, they presented the exhibition Sixty Years of Living Architecture: The Work of Frank Lloyd Wright. The show introduced Wright’s Usonian House to New Yorkers by building the Prairie-style home on the construction site of where the architect’s tour de force museum would soon rise. Now through February 13 the museum presents a scaled-down version of the exhibition, which originally included the Usonian and a dramatic Wright-designed pavilion holding models, drawings, and watercolors by the master. This exhibition, A Long-Awaited Tribute: Frank Lloyd Wright’s Usonian House and Pavilion, celebrates the two structures that won over a somewhat skeptical New York audience to the work of America’s modern master.
Big-time sports architect Dan Meis, who has designed, among other projects, LA’s Staples Center and Seattle’s Safeco Field, is on the move yet again. In the span of just a few years he has shuffled from his own practice to Aedas, then back to his own firm to Populous, to his own firm again, and now he is joining Australian firm Woods Bagot Sport to become its global director. Exciting opportunties? Commitment issues? “I’m not crazy about having been with a couple of different firms in a short time period,” admitted Meis. But he sees it differently: “For me it feels like I’ve been in the same practice all along. It just feels like I’ve been associated with a lot of firms.”
Though the ten-year-old design firm Roman and Williams has worked on high profile projects for NYC’s Ace Hotel and the Breslin restaurant, The Standard Hotel and its “iconic” Boom Boom Room, the new food hall for Facebook’s campus, celebrity homes for Ben Stiller and Gwyneth Paltrow as well as their own two homes/design laboratories, founders Robin Standefer and Stephen Alesch have never launched a product line of their own. For their very first collection they collaborated with Waterworks on R.W. Atlas, a series of industrial yet elegant bathroom fixtures inspired by traditional American craftsmanship.
A marble slab tops the Metal Two Leg Single Washstand (below), an Unlacquered Brass stunner that speaks to the collection’s overall masculine/feminine power play. “R.W. Atlas is part of our ongoing interest in embracing the idea of American utility, but imbuing that with a sense of glamour and sophistication,” explains Standefer, principal of Roman and Williams. Like the rest of the collection, its primary components are made from brass and are available in a variety of finishes, including Burnished Nickel and Carbon. Read More