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Last month AN compiled a list of the most high profile projects taking place in Miami, and on a recent trip to the Magic City, we had the opportunity to visit two of these sites: the shuttered Marine Stadium and Herzog and de Meuron’s new building for the Perez Art Museum Miami (PAMM).
While new developments flood Miami, preservationists are fighting to save and revive the abandoned Marine Stadium on Virginia Key by Cuban-born architect Hilario Candela. In 2009, the graffiti-covered venue that once held powerboat racing events and large-scale concerts, was placed on the National Trust for Historic Preservation’s list of “11 Most Endangered Historic Places.”
Ladies and gentlemen, we finally have a blood feud in Los Angeles. It seems that Los Angeles Times architecture critic Christopher Hawthorne doesn’t care for Thom Mayne’s work. At all. Reviewing his new Perot Museum in Dallas, he called the building, “One of the pricey, preening old breed.” Adding, “it is a thoroughly cynical piece of work, a building that uses a frenzy of architectural forms to endorse the idea that architecture, in the end, is mere decoration.”
Hawthorne has used this vitriol on other Mayne buildings, like the Caltrans building and the Cahill Center at Caltech, which, he said, employs a “skin-and-stair strategy that allows the client to make the rest of the building—every interior office or gallery—conventional at best and banal at worst.”
Mayne, not surprisingly, doesn’t appear happy. In a recent public tour of his new offices in Culver City, led by our friend and design journalist Alissa Walker, Mayne said he would not be allowing a local architecture critic to write about his new building for his firm’s offices—he was asking a science writer to do the story instead. “All local writers are horrible,” he said. “There are no good writers in Los Angeles.” We beg to differ!
But the two may not be mutually exclusive. JDL’s plan calls for development along the west side of Clarendon Avenue, while Cuneo is on the east. Baum’s plan awaits the approval of an architectural engineer who could vet the building’s structural integrity and help solidify plans for redevelopment.
BILLINGS (BLUE) AND INQUIRIES (RED) FOR THE PAST 12 MONTHS. (THE ARCHITECT’S NEWSPAPER)
The Architecture Billings Index has reported a slight fluctuation in design activity over the past few months, recording a score of 51.9 for March, a 3 point decrease from February’s mark of 54.9. Any score above 50 indicates positive growth. All four regions were in positive territory with the Northeast leading at 54.6, the Midwest at 53.9, the South not far behind at 53.6, and the West finishing with a 51.9.
As Spring approaches, perhaps in the spirit of rejuvenation, the New York City Council has unanimously approved plans to revitalize Manhattan’s Pier 57, the historic pier located at 15th Street and the Hudson River. In 2009 architecture firm Young Woo & Associates set in motion a plan to transform the Pier into a multi-use cultural, retail, and restaurant hub, and, with the City Council’s approval in hand, the developers can finally begin the long-awaited redevelopment of the pier.
Pier 57 was built in 1952 by Emil Praeger. At the time of construction the engineer received great acclaim for his pioneering design—the Pier floats on three buoyant hollow concrete boxes that were flooded down the river. The new plan to restore the historic landmark conserves the original framing while renovating the 375,000 square feet of interior and rooftop space.
Federal Center South, Building 1202. (Benjamin Benschneider / Courtesy AIA)
Quite appropriate for Earth Day today, the American Institute of Architects and its Committee on the Environment (COTE) have selected the ten most outstanding examples of sustainable architecture and green design solutions. The projects, which protect and enhance the environment through sustainable design practices and reduced energy consumption, will be honored at the AIA 2013 National Convention and Design Exposition in Denver. Now in its 17th year, the COTE Top Ten Green Projects program is celebrated as the best program in recognizing sustainable design. The program acknowledges projects that succeed in this environmental endeavor via an integrated approach to architecture, natural systems, and technology and ones that benefit their communities by reducing environmental impact.
A new development in St. Louis has proposed using shipping containers to create a mixed-use building. The project, known as The Grove, is located at 4312 Manchester Avenue. It features a three-story structure of stacked steel boxes with retail on the first level and offices and residential above. The development, which already garnered the support of the Forest Park Southeast Development Committee, is set on the site of a former four-family brick home and is presently awaiting approval from the 17th Ward Alderman.
An upcoming exhibition at the Raimund Abraham-designed Austrian Cultural Forum in Midtown Manhattan, entitled The Vienna Model: Housing for the 21st Century City, presents 37 reasons why we should look towards the Austrian capital when it comes to public housing. Curated by AN’s William Menking and head of the Department of Housing Research for the City of Vienna, Wolfgang Förster, The Vienna Model will exhibit a collection of case studies of Viennese public housing spanning the past 95 years and representing the work of dozens of architects, from contemporary innovations to classics by Josef Hoffman, Adolf Loos, Richard Neutra, and Margarete Schütte Lihotzky.
With 60 percent of Viennese living in municipal housing, and the city continually topping the ranks of the world’s most livable (check here, here, and here), there is obviously something to learn from Vienna’s example. The show opens April 16th and will run until September 2, before heading off to Los Angeles, San Francisco, Washington D.C., and finally back to the Imperial City.
Shimoda Design’s rendering of Alameda Square (Shimoda Design Group)
Last week, AN reported on the development of Alameda Square in Los Angeles, the 1.5-million-square-foot mixed use project being designed at the old American Apparel factory site on the southwest edge of LA’s Arts District. Movement on projects like this beg the question: Just how hot is LA’s Arts District? AN‘s West Coast Editor Sam Lubell sat down for a short chat with James Sattler, a Vice President of Acquisitions at JP Morgan Asset Management, to find out.
Arcosanti, left, and Paolo Soleri, right. (Doctress Neutopia / Flickr; Courtesy Cosanti Foundation)
The visionary architect and artist Paolo Soleri has died. He was best known as the mastermind behind Arcosanti, the ongoing experimental community outside of Phoenix, Arizona. Arcosanti, which has been under construction for more than 40 years, embodies Soleri’s idea of an architecture merged with the environment. More than 7,000 architecture students have worked on Arcosanti, and more than 50,000 people visit the site every year.
Though Soleri has been viewed as an almost mystical outlier in architecture, many of the design principles of Arcosanti mirror contemporary thinking in architecture and planning, including walkability, high density, diversity of uses, urban agriculture, and use of embodied energy. In addition to Arcosanti, Soleri designed buildings in Italy, New Mexico, and several sites across Arizona. According to the Cosanti Foundation, Soleri will be buried at Arcosanti following a private service. A public service will be held later this year.
DVD Dead Drop installation at the Museum of the Moving Image. (Courtesy Aram Bartholl)
A new permanent work by Berlin-based artist Aram Bartholl at the Thomas Leeser-designed Museum of The Moving Image in Queens, New York bridges the gap between digital and physical space, challenging the intangibility of today’s world of cloud computing and instant downloads by adding a sense of materiality to data-transfer. Engaging a medium that is quickly becoming as outdated as the Laser Disc, DVD Dead Drop, a slot-loading DVD burner embedded in the exterior wall of the museum is ready to burn you a hand-picked digital art exhibition, media collection, or another piece computerized content curated by Bartholl. Just insert a blank DVD-R, and let the art begin.