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From floor to ceiling, and all planes in between, these interior surfacing solutions are durable and work across a variety of applications.
I Frammenti Brix
This micro mosaic of 2,304, 5-millimeter-square ceramic blocks on a 12- by 12-inch sheet of fine mesh provides a full range of flexibility, perfect for finishing curved or irregular walls. Available in both glossy and matte treatments, I Frammenti comes in mixed colors of sand, gray, and black; blue, white, and azure; white, gray, and black; white, sand, and black; and blue, gray, and azure.
The illustrious 19th century Qing dynasty politician, Zhang Zhidong, is primarily remembered for modernizing the Chinese army and for establishing the steel industry in Wuhan. It seems appropriate then that the new Shang Shidong Industrial Museum, designed by Daniel Libeskind, should be built in the city of Wuhan. Even more fitting is that the museum, which will celebrate the city’s iron and steel culture, will be built on the manufacturing site of the Hanyang-made rifle and will preserve the famous Hanyang ironworks and Hanyang arsenal.
When confronted with the option to ride the elevator or muster up enough energy to walk up multiple flights of steps to a destination, most of us opt for the elevator. But according to the Bloomberg Administration, we might choose differently when surrounded by a built environment that encourages physical activity. In response to our country’s mounting obesity crisis, Mayor Bloomberg has recently changed design standards, launching a new series of pro-health and anti-obesity initiatives that promote physical activity in buildings and public spaces.
Ronan and Erwan Bouroullec‘s “Quiet Motion,” Salone del Mobile, Milan, April 2013. (Courtesy Bouroullec)
At Salone del Mobile in April, French designers Ronan and Erwan Bouroullec demonstrated what it’s like to take a spin in a BMWi. Quiet Motion, the Bouroullec brothers’ interactive interpretation of the sustainable electric car brand, was an installation open for visitors to climb onto revolving platforms to relax as the world leisurely passed around them.
Robotic Assisted Sheet Metal Fabrication, Finalist. (Courtesy Tex-Fab)
Tex-Fab has concluded the initial stage of its international competition called SKIN. The two-stage competition invited architects, designers, and researchers to rethink the traditional building envelope by exploring the performative qualities of a facade. Participants selected any context, real or virtual, at any scale and on any building type. Phase one jurors narrowed down 68 entries from across the world to four finalists and four honorable mentions.
Inverting Neutra Neutra VDL House
2700 Silverlake Boulevard
Through September 7
Artist Bryony Roberts’ new project Inverting Neutra is the latest installation inside the landmark Neutra VDL house in Silver Lake. Roberts explores the landmark house’s many voids, filling them in with rows of blue cords hanging from aluminum frames; appearing to be a single system. And if you look carefully, the composition makes the house appear to respond to external conditions. The cords’ color gradients respond specifically to light conditions; and they also move in response to wind conditions, especially those on the roof. We recommend going on a windy day.
The more we are accustomed to seeing something the less likely we are to appreciate its beauty. But not Karlis Rekevics, an emerging New York-based artist who creates complex white plaster sculptures that engage with the built environment and capture an often-overlooked urban landscape.
Rekevics was selected as this year’s winner of the annual Clare Weiss Emerging Artist Award. Clare Weiss, the former Public Art Curator for Parks, curated over 100 outdoor public art installations throughout the city. After her death in 2010 the Clare Weiss Emerging Artist Award was established to honor her memory. The $10,000 award is granted annually to one emerging artist who practices in a neighborhood typically underserved by public art.
The Venice Biennale may be the most visible and glamorous architecture exhibition in the world, but it is not the only one on the design calendar. In fact, these exhibitions have been proliferating around the globe in the past ten years and several have not made it past their inaugural year. One of the best of the newer architecture exhibits is the Lisbon Triennale, which is about to host its third exhibition opening September 12, 2013.
If you drop by the Cleveland Public Library to get lost in a book, you may find reprieve from modern life outside the library’s walls, thanks to a giant reading nest custom designed by New York artist Mark Reigelman and LAND Studio. The installation is the fourth in a series, called “See Also,” which brings public art to the library’s Eastman Reading Garden. It will be in place through October 18. Read More
Ken Yeang is an architect and was an early theorist of green architecture. In England, where he was educated at the AA (completing a diploma under Peter Cook) and Cambridge where he earned a PhD in ecological planning and design, Yeang is celebrated as a founder of the sustainable architecture movement. In 1995 he published his major theoretical work Designing with Nature that evolved out his Cambridge thesis and it is one of the first texts on ecological architecture. At the The Architect’s Newspaper’s Facades+PERFORMANCE conference on July 11, Yeang will lecture in the US for the first time at the University of California San Francisco in Mission Bay. Yeang recently answered a series of questions posed by Mic Patterson of Enclos who will introduce him in San Francisco. Here is part one of the interview, the second half will appear tomorrow on the AN Blog.
Mic Patterson Your early theoretical work, and ultimately your built work, anticipated the sustainable development that is finally beginning to emerge at a broader scale: climatic design, green walls and vertical gardens, sky courts, biomimicry, solar geometry as a form generator. Why has the adoption of these concepts by the building community been so slow? How do you see these themes developing into the future?
Ken Yeang. I am not sure why our concepts and ideas on green design have been slow to gain traction by the building industry and by our community of professionals. It may be because public adoption of new ideas first require champions by important figures like politicians and leaders in the profession and industry.
Rendering and model of Cellular Complexity. (Courtesy Julia Koerner, Marie Boltenstern, and Kais Al-Rawi)
AIA Los Angeles has announced that UCLA SUPRASTUDIO lecturer Julia Koerner’s proposal Cellular Complexity is the winning entry for the 11th annual 2×8 Student Exhibition, a scholarship organization that has showcased projects of over 150 students from more than 15 architecture and design schools in California. This year’s winning scheme, in collaboration with Paris-based architect Marie Boltenstern and architect Kais Al-Rawi, presents a parametric pavilion of twisting planes that transitions in porosity from one end to the other. According to the AIA|LA, the jury appreciated the design concept’s creativity and edginess. The installation and exhibition of student work is expected to be complete by February 2014.
Construction of the Sky Reflector-Net at the Fulton Center. (Patrick Cashin / Courtesy MTA)
Next year, when construction wraps up at the Fulton Center in Lower Manhattan, commuters will be gazing up, rather than around, at the station’s new artistic centerpiece—a curved, 79-foot-high reflective aluminum diamond web encased in a stainless-steel tracery. The showstopper will send ambient daylight into the mezzanines, passageways, and possibly even the platforms to help passengers orient themselves in the transportation hub.
At $2.1 million, Sky Reflector-Net, an artist/architect/engineer collaboration between James Carpenter Design Associates (JCDA), Grimshaw Architects, and Arup, is an integrated work created for the Metropolitan Transportation Authority (MTA) Arts for Transit and Urban Design and Metropolitan Transportation Authority Capital Construction (MTACC). It is the largest such work that the MTA has ever commissioned. Sky Reflector-Net seamlessly incorporates both functional and aesthetic goals. The piece was recently installed within the transit center building designed by Grimshaw Architects and Arup.