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The firm has gained recognition for developing futuristic forms through new technologies and prototyping, and for “Framed: Interfaces, Narratives, and the Convergence of Architectural and Internet Technologies” The Living’s David Benjamin, who also directs the Living Architecture Lab at Columbia’s GSAPP, will sit down with Jonathan Lee, a designer at Google UXI, that company’s design think tank. Following what promises to be a lively presentation and conversation, a reception will celebrate the conclusion of the New Practices series.
The January 24 event, which is co-hosted by The Architect’s Newspaper, will be held at Axor’s NYC showroom. Free of charge with AIA CES credits provided. RSVP here.
The Menil Collection in Houston, Texas, has been honored with the 2013 AIA Twenty-Five Year Award. Renzo Piano designed the museum to house Dominique de Menil’s impressive collection of primitive African art and modern surrealist art in the heart of a residential neighborhood. The design respected Ms. de Menil’s wish to make the museum appear “large from the inside and small from the outside” and to ensure the works could be viewed under natural lighting.
Perkins+Will is designing one cool corporate headquarters for bike components manufacturer, SRAM, in Chicago’s Fulton Market District. Located inside the 1K Fulton development by the Sterling Bay Companies, an adaptive reuse of a ten-story cold storage warehouse, two floors of offices will include bleacher seating for group meetings, a product development shop, and even an interior cycling test track. But before construction could begin, there was one small problem most architects rarely encounter: the construction site needed to be defrosted after essentially serving as a building-size refrigerator since 1923.
Rendering of Heartwalk in Times Square. (Courtesy Situ Studio)
The fifth annual Times Square Valentine Heart Design has been awarded to Situ Studio. The Brooklyn-based architecture firm presented a design that features “boardwalk boards salvaged during Sandy’s aftermath—from Long Beach, New York; Sea Girt, New Jersey; and Atlantic City, New Jersey. ”
The project titled Heartwalk is described “as two ribbons of wooden planks that fluidly lift from the ground to form a heart shaped enclosure in the middle of Duffy Square.” The competition was cosponsored by Times Square Arts, the public art program of the Times Square Alliance, collaborated with Design Trust for Public Space. The installation opens on Tuesday, February 12, and remain on view until March 8, 2013.
New courtyard at Samsung’s new San Jose Campus. (Courtesy NBBJ)
As Apple and Facebook have proven, corporate complexes are all the rage these days in Silicon Valley. Samsung (Apple’s phone nemesis) is the latest tech titan to add to the roster of architectural Bay Area campuses, rivaling Apple’s planned circular headquarters and Facebook’s Gehry-designed West Campus. The company plans to build a 1.1 million square foot sales and R&D headquarters on its current North San Jose site. Designed NBBJ, it will include a 10-story tower, an amenity pavilion, and a parking garage.
The Villard Houses on Madison Avenue were one of Lenore Norman’s first projects at the Landmarks Preservation Commission. (Andrea Puggioni/Flickr)
Lenore Norman, a pioneer of historic preservation, died at 83 years old in her home on the Upper West Side on December 21st. She spent over 4 decades working tirelessly to preserve some of New York’s most iconic buildings and historic districts. Ms. Norman first stepped into her role as the executive director of the Landmarks Preservation Commission in the mid-1970s—a time when the idea of landmark preservation was fairly new and unpopular among some New Yorkers.
“The whole idea of preservation was not something that people really understood, and of course, all of the larger institutions and buildings, for the most part, fought it,” said Ms. Norman in an interview for The New York Preservation Archive Project.
The team is now promoting the park armed with a new economic impact summary, claiming that it will add value to the adjacent Seward Park Urban Renewal Area (SPURA). Specifically, Ramsey and Barasch argue that building the park would boost SPURA land values by $10 to $20 million and generate up to $10 million in taxes over the next 30 years. The Lowline also revealed its estimated budget, clocking in somewhere between $44 and $72 million to be paid for by a combination of fundraising, donations, and tax credits. If all goes according to plan, the Lowline could be financially self-sufficient, with a $2 to $4 million operating budget paid for by special events and commercial space. Uncertainty still looms over project, however, as the MTA hasn’t agreed that the space will be allowed to be converted into a park.
Aerial view of Main Street’s Creative Corridor. (Courtesy Marlon Blackwell Architect & Steve Luoni)
Marlon Blackwell, architect and professor at the Fay Jones School of Architecture, and Steve Luoni, architect and director of the University of Arkansas Community Design Center, have unveiled a masterplan for converting Little Rock’s Main Street into a cultural center. The plan titled, The Creative Corridor: A Main Street Revitalization will include a pedestrian promenade, outdoor furniture, LED lighting installations, rain gardens, affordable living-units for artists and a renovation of downtown buildings for mixed-use. Luoni notes that execution is expected to occur in phases.
BIG’s proposed observation tower in Phoenix. (Courtesy BIG)
Phoenix-based developer Novawest wanted a new signature project for the city’s downtown, an observation tower from which to admire the far-off mountain ranges and dramatic Southwestern sunsets, so Bjarke Ingels proposed to scoop out the spiraled negative-space of New York’s Guggenheim Museum rotunda and plant it 420 feet above downtown Phoenix. Ingels’ “Pin,” a 70,000 square foot observation tower is elegant in its simple form, a ball on a stick, indeed evoking some far away Gulliver on a real-life version of Google maps finding his way to the Sun Belt. In another light, Phoenicians could ostensibly see a larger-than-life Chupa Chup or an upended mascara brush, but that’s the beauty of pure form, right?
Rendering of Foster + Partners’ proposed renovation of the New York Public Library. (Courtesy Foster+Partners / dbox)
New Yorkers, not to mention architecture critics, have been waiting with bated breath to see the plans for the controversial $300 million overhaul of the New York Public Library’s historic flagship branch on Fifth Avenue. And today, the designs by Foster + Partners, were finally unveiled. The renovation of the Beaux Arts-style library, completed in 1911 by Carrère and Hastings, will remove seven floors of stacks under the grand Rose Main Reading Room to make way for a 300-person workspace with an expansive atrium, balconies, floor-to-ceiling windows, bookshelves, and new areas devoted to classrooms and computer labs. As of now, interior finishes will include a combination of bronze, wood, and stone.
BILLINGS (BLUE) AND INQUIRIES (RED) FOR THE PAST 12 MONTHS. (THE ARCHITECT’S NEWSPAPER)
A fourth straight month of increased billings by AIA members signals the architectural economy may finally have turned the corner. The Architectural Billings Index (ABI) ticked up to 53.2 from last month’s 52.8 (any score above 50 indicates an increase in demand for design services). Project inquiries also rose slightly to 59.6 from 59.4. “These are the strongest business conditions we have seen since the end of 2007 before the construction market collapse,” said AIA chief economist, Kermit Baker.