Five noted teams have been shortlisted from a pool of 18 to renovate and expand the Kimball Art Center (KAC) in Park City, Utah. The firms include BIG/Bjarke Ingels Group; Brooks + Scarpa Architects; Sparano + Mooney Architecture; Will Bruder + Parnets; and Todd Williams Billie Tsien Architects. The center offers exhibitions as well as art classes, workshops, and other educational programs. Plans call for renovating the interior of the existing KAC and constructing a new modern building next door. Each of the proposals will be displayed using augmented reality, photography, and video during the Sundance Film Festival from January 19 through the 29 and a jury will select a winner in February once the public has had a chance to weigh in on their favorites. Construction could begin as soon as mid-2013 with the new wing opening in 2015.
The Architecture Billings Index is up, hitting 52.0 in November, the first positive ground since touching 51 in August (anything over 50 indicates an increase in billings). The roller-coaster volatility of the past few months—we held our breath and skipped reporting September’s down and October’s up—suggests cautious optimism that the index which tracks the approximate nine-month lag time between architecture billings and construction spending is finally in a solid swing upwards.
The small world of classicist architecture in America–where many former Postmodernists found refuge after the dial of taste turned away from jokey historical references and pasted-on pediments–is working overtime to rehabilitate the 70s and 80s stylistic counter reformation. First was the recent conference, “Reconsidering Postmodernism,” organized by the Institute of Classical Architecture & Art, which brought out many of the movement’s old stars for presentations, chats, and a lot of hand wringing. Today, the Chicago-based Richard H. Driehaus Foundation announced that Michael Graves was this year’s winner of the $200,000 Driehaus Prize.
Design Miami, the high-design fair that runs with the giant, Art Basel Miami Beach, exhibited two objets d’architecture over the Miami Art Week, and named an architect, David Adjaye, as its 2011 Designer of the Year. Both objets were sculptural pavilions: one is an installation by Adjaye, commissioned for the fair, and the other a restored modernist icon with a utopian agenda. Continue reading after the jump.
MoMA/P.S. 1 has announced the finalists of the 2012 Young Architects Program. The winning team, which will be announced in February, will have the chance to makeover the museum’s courtyard into a space for the annual Warm Up summer concerts and dance parties. The program has served as a launching pad for younger firms and as a testing ground for new formal and programmatic strategies. This year’s entry by Interboro Partners, called Holding Pattern, stressed community engagement, as all the elements of the installation were repurposed by neighboring non-profits. The 2002 finalists are: AEDS Ammar Eloueini Digit-all Studio, Ammar Eloueini, principal, of Paris and New Orleans, LA; Hollwich Kushner, Matthias Hollwich and Marc Kushner, principals, of New York; I|K Studio, Mariana Ibañez and Simon Kim, principals, of Cambridge, MA; UrbanLab, Martin Felsen and Sarah Dunn, principals, of Chicago; and Cameron Wu of Cambridge, MA.
Earlier this week, we checked in with the student winners of the American Society of Landscape Architects (ASLA) 2011 awards and found reason to be hopeful about the future of landscape architecture. But what legacy will those students be inheriting? The ASLA has recently doled out 37 awards to professional firms from across the globe, honoring their innovation, design, and sustainability. The submissions (most of which have been built) range from the systematic redesign of streetscapes and historical residential gardens to large scale estuarine master plans.
A Call to Action for the Rights of Neighborhoods
This new social contract is based off of the historical model of the Second Bill of Rights that was delivered by Franklin D. Roosevelt on January 11, 1944.
It is our duty now to begin to lay the plans and determine the strategy for rethinking the American Dream. We cannot be content, no matter how high that general standard of living may be, if some fraction of our people—whether it be one-third or one-fifth or one-tenth—is ill-fed, ill-clothed, ill-housed, and insecure. Communities in need are not free communities. People who are hungry and out of a job are the stuff of which dictatorships are made.
As we all know, Jane Jacobs was a visionary urban activist and author, whose 1961 publication of The Death and Life of Great American Cities had a tremendous impact on how we think about cities and urban planning today. She challenged prevailing assumptions in urban planning at a time when slum-clearing was the norm and emphasized the intricacies and sensitivities of an urban fabric. In 2007, the year after Jacobs died, the Rockefeller Foundation launched the Jane Jacobs Medal, an annual award given to those who stand by Jacobs’ principles and whose “creative uses of the urban environment” renders New York City “more diverse, dynamic and equitable.”
On October 1st, the U.S. Department of Energy unveiled the winner of the 2011 Solar Decathlon at West Potomac Park in Washington D.C., bringing together innovative solar-powered prototype residences designed and built by international student teams from universities and colleges. This year’s champion, the University of Maryland’s WaterShed house, excelled in a variety of then ten metrics used to judge the houses including affordability, energy balance, hot water, and engineering.