On February 17, Kevin Patrick McClellan and Brad Bell will lead RHINO Design, a workshop focused on the digital design program Rhino, as part of DAY 2 of the upcoming COLLABORATION conference on fabrication and facades in NYC.
Kevin Patrick McClellan is a designer, artist, and founder of Architecturebureau, a design research office exploring complex systems and their material effects on form. After receiving his Masters in Architecture and Urbanism in the DRL from the Architectural Association School of Architecture with a Project Distinction in 2005, he subsequently worked in New York for Kevin Kennon and in London with Zaha Hadid Architects. There he led the development of two highly publicized temporary installations, one for the Serpentine Gallery titled Lilas and the second for Swarovski Crystal Palace exhibited in the 2008 Milan Furniture Fair. He teaches design studio at the University of Texas at San Antonio. Kevin is a founder and co-director of TEX-FAB *Digital Fabrication Alliance, a regional platform for the dissemination of issues related to computational fabrication.
Brad Bell is an Assistant Professor at the University of Texas Arlington where he researches and teaches on the integration of digital fabrication technologies into the architectural design process. He has lectured, taught, and written on the uses of such technologies for the past 10 years and has been an invited critic at schools of architecture throughout the United States. Brad is a founder and co-director of TEX-FAB *Digital Fabrication Alliance, a regional platform for the dissemination of issues related to computational fabrication. And as principal of brad bell studio, he has completed projects in Colorado, Texas, Louisiana, and Oklahoma. His practice focuses on adapting contextual and regional construction methodologies with new digital fabrication techniques.
TEX-FAB co-founders Brad and Kevin will present the day-long workshop, Rhino Design, and will cover user interface navigation and provide a broad understanding of the different tool sets and workflow options within the software. Step-by-step design problems will address both Solids Modeling, NURBS Modeling and documentation methods. Advanced techniques for complex geometries and the use of the paneling tools plug-in will be covered in the afternoon session.
Michael Maltzan Architecture has won the competition to redesign St. Petersburg, Florida’s iconic pier. In a group of ambitious proposals from the likes of West 8 and BIG (Bjarke Ingels Group), Maltzan’s scheme was perhaps the most so, with a group of interconnected bridges and pathways arranged along a figure-8 plan leading to a large shell-structure at its end. Called “The Lens,” the gigantic project will frame the city through its structure and create a connection between downtown St. Petersburg and its waterfront. It will include a new tidal reef, a civic green, raised walking paths, an amphitheater, a water park and other leisure activities. More on this breaking story to come shortly.
Update: The giveaway contest has ended and we’re pleased to congratulate AN reader and commenter Lori for winning the poster!
At the end of last year, a video of the rapper Ice Cube waxing poetic about the Eames (“They was doing mash-ups before mash-ups even existed.”) made the internet rounds, warming the hearts of nerdy architects and designers everywhere. The homage was part of the high-octane promotion of Pacific Standard Time (PST), a series of exhibits and events in L.A. celebrating that city’s art and design from the years between 1945 and 1980. Promo materials also included a limited run series of posters featuring Ice Cube and other celebs.
Well, AN readers, your response to our previous blog posts on Mr. Cube was so enthusiastic that our friends from the PST team sent us the above hand-numbered poster (36 inches by 24 inches) to give to you! It’s in the office right now waiting to be shipped.
For a chance to win it, simply leave a comment below with a note about why you’re crazy about the Eames. We’ll randomly select a name from the commentors on Monday at noon (PST, natch) and contact the lucky winner via email.
Pacific Standard Time runs through April. Visit the PST site to see their line-up of programming, including the Performance and Public Art Festival January 19-29.
Five noted teams have been shortlisted from a pool of 18 to renovate and expand the Kimball Art Center (KAC) in Park City, Utah. The firms include BIG/Bjarke Ingels Group; Brooks + Scarpa Architects; Sparano + Mooney Architecture; Will Bruder + Parnets; and Todd Williams Billie Tsien Architects. The center offers exhibitions as well as art classes, workshops, and other educational programs. Plans call for renovating the interior of the existing KAC and constructing a new modern building next door. Each of the proposals will be displayed using augmented reality, photography, and video during the Sundance Film Festival from January 19 through the 29 and a jury will select a winner in February once the public has had a chance to weigh in on their favorites. Construction could begin as soon as mid-2013 with the new wing opening in 2015.
The Architecture Billings Index is up, hitting 52.0 in November, the first positive ground since touching 51 in August (anything over 50 indicates an increase in billings). The roller-coaster volatility of the past few months—we held our breath and skipped reporting September’s down and October’s up—suggests cautious optimism that the index which tracks the approximate nine-month lag time between architecture billings and construction spending is finally in a solid swing upwards.
The small world of classicist architecture in America–where many former Postmodernists found refuge after the dial of taste turned away from jokey historical references and pasted-on pediments–is working overtime to rehabilitate the 70s and 80s stylistic counter reformation. First was the recent conference, “Reconsidering Postmodernism,” organized by the Institute of Classical Architecture & Art, which brought out many of the movement’s old stars for presentations, chats, and a lot of hand wringing. Today, the Chicago-based Richard H. Driehaus Foundation announced that Michael Graves was this year’s winner of the $200,000 Driehaus Prize.
Design Miami, the high-design fair that runs with the giant, Art Basel Miami Beach, exhibited two objets d’architecture over the Miami Art Week, and named an architect, David Adjaye, as its 2011 Designer of the Year. Both objets were sculptural pavilions: one is an installation by Adjaye, commissioned for the fair, and the other a restored modernist icon with a utopian agenda. Continue reading after the jump.
MoMA/P.S. 1 has announced the finalists of the 2012 Young Architects Program. The winning team, which will be announced in February, will have the chance to makeover the museum’s courtyard into a space for the annual Warm Up summer concerts and dance parties. The program has served as a launching pad for younger firms and as a testing ground for new formal and programmatic strategies. This year’s entry by Interboro Partners, called Holding Pattern, stressed community engagement, as all the elements of the installation were repurposed by neighboring non-profits. The 2002 finalists are: AEDS Ammar Eloueini Digit-all Studio, Ammar Eloueini, principal, of Paris and New Orleans, LA; Hollwich Kushner, Matthias Hollwich and Marc Kushner, principals, of New York; I|K Studio, Mariana Ibañez and Simon Kim, principals, of Cambridge, MA; UrbanLab, Martin Felsen and Sarah Dunn, principals, of Chicago; and Cameron Wu of Cambridge, MA.