What’s sure to become the ultimate tailgating accessory for Minneapolis Vikings football fans this year has hit the market at the Minnesota State Fair. Thanks to Duluth Pack, makers of bags and tents, the collapsed roof of the Minneapolis Metrodome has been reborn as a duffel and shell bag, appropriately part of the “Domer” collection. The stadium’s white fabric dome collapsed in 2010 under the weight of Minneapolis’ plentiful snow, the fourth time such an event has occurred.
On View> “Mixtec Stonecutting Artistry: 16th Century Ribbed Vaults in Mixteca, Mexico” Opens August 24
Mixtec Stonecutting Artistry: 16th Century Ribbed Vaults in Mixteca, Mexico
HGA Gallery Rapson Hall, Goldstein Museum of Design, University of Minnesota
89 Church Street SE, Minneapolis, MN
August 24, 2013 to October 13, 2013
Sixteenth century Mexico was home to buildings of extraordinary construction quality erected for the thousands of people converting to Christianity. Indigenous craftsmen utilized the most sophisticated technology and their profound understanding of locally accessible materials in an intricate system of symbiosis to collaborate with Spanish architects who were experienced with the architecture of the ribbed vault. Employing Mixtecan masonry techniques and European geometry, they collaborated to construct three churches in the Mixteca region of southern Mexico with sophisticated geometrical vaults unique to 16th century America. Through digitally scanning San Pablo Teposcolula, Santa Domingo Yanhuitlán, and San Juan Bautista Coixtlahuaca, researcher and guest curator Benjamin Ibarra-Sevilla, Assistant Professor of Architecture at the University of Minnesota’s College of Design, was able to produce scale replicas of each gothic dome.
Mixtec Stonecutting Artistry: 16th Century Ribbed Vaults in Mixteca, Mexico, on view from August 24 to October 13, 2013, reveals the complex digital scanning, documentation, and three-dimensional modeling that facilitated the research and replication of the rib vaults in the late 20th century.
AN is running full steam ahead to bring its Facades+PERFORMANCE conference series back to Chicago on October 24th and 25th. In an effort to offer the most stimulating presentations at the conference, the symposium afternoon keynote has been confirmed as Gerardo Salinas of Rojkind Arquitectos, a Mexico City-based firm.
From the abandoned foundations of the ill-fated Chicago Spire to the ghosts of would-be Tribune Towers galore, Chicago’s unbuilt legacy could rival the iconic skyline it actually achieved. An exhibition on display downtown, dubbed City Works: Provocations for Chicago’s Urban Future, confronts the city with its alternative skyline in the form of a panoramic wall design and a “Phantom Chicago” iPhone app. The overall effect evokes “a dream but also a nightmare,” in the words of curator Alexander Eisenschmidt. Read More
The Metropolitan Planning Council in Chicago announced the winners of its “Active Union Station” competition, which is meant to enliven the railroad hub’s underused public spaces. Although it’s the nation’s third busiest train station and gets more daily traffic than Midway Airport, Chicago’s Union Station remains basically a waypoint on a longer trip.
AN‘s popular Facades+PERFORMANCE conference series is quickly becoming the most important event focused on the fast-paced changes taking place in facade technology. The two day conference and workshops, which has also taken place in San Francisco and New York City, is returning to Chicago on October 24th and 25th and will take place at Mies van der Rohe’s IIT campus with a cocktail reception to follow at Rem Koolhaas’ McCormick Tribune Campus Center.
The October 24th symposium will feature German architect Stefan Behnisch who has designed scores of major buildings in Europe and the United States and is known for this elegant, precise, and creative facades. His recently completed Law School for the University of Baltimore,for example, has a sophisticated glass and aluminum curtain wall with an extra layer of glass to reduce noise and horizontal sun shading. He will discuss this and many of his other projects at Facdes+PERFORMANCE in Chicago this October.
Chicago’s Loyola University has wasted no time, it seems, in taking advantage of low interest loans in the wake of the 2008 financial crisis. The school has spent more than $500 million on building projects since 2008, reported Crain’s Chicago Business.
At No. 106 in U.S. News and World Report’s 2013 ranking of national universities, Loyola could stand to improve its public profile. Though it gained 13 places since last year’s ranking, the school lags nearby Northwestern (12th) and the University of Chicago (4th) considerably.
The expansion includes new buildings at both the medical campus in suburban Maywood, IL. (here’s AN’s coverage of a sleek new home for the university’s nursing school) and in Chicago’s Rogers Park, where a $58.8 million Institute of Environmental Sustainability opens this month. Read the full Crain’s report here.
Unfortunately for the Detroit Institute of Art, red ink may yet claim its city-owned collection. This week the museum confirmed Christie’s Appraisals had been hired to appraise a portion of the cultural institution’s holdings. But an appraisal is not a sale.
The economic hangover of suburban sprawl is well-documented in many U.S. metropolitan areas. But the cultural identity of inner-ring suburbs may too be shifting, as towns like those in Minneapolis’ suburbs attempt to restore a sense of community. The Star-Tribune reports on two such towns, north suburban Columbia Heights and Brooklyn Park, that are taking a new approach to neighborhood building — call it reaching across the white-picket fence.
Columbia Heights is launching a neighborhood association pilot project meant to connect longtime residents with newcomers, who live increasingly in townhouses recently built on former industrial sites in the city.
Y’all remember poor old Art Chicago? Remember when we captured, in this very column, the life mimics performance art of young show-goers eating leftover pizza from the garbage? This city has struggled for years to create a world-class contemporary art show, but hopefully our highfalutin luck is about to change with the second annual Expo Chicago, opening on September 19. A few weeks ago, Bottega Veneta with the fancy PR-folks of Skoog Productions, threw a party for the host committee of Gallery Weekend (GW), which runs concurrently with Expo. Eaves isn’t exactly sure what GW is, but that’s probably because our annual art budget is only in the three figures. I think it’s for trying to convince out of town rich folks that we’re the Miami of the Midwest.
Lake Shore Drive could look a lot different if a local design alliance gets its way.
The “Our Lakefront” plan, commissioned by 15 different organizations including the Active Transportation Alliance, the Alliance for the Great Lakes, the Center for Neighborhood Technology, and the Chicago Architecture Foundation, would reduce the speed limit on the north branch of Lake Shore Drive from 40 to 35 miles per hour; carve out lanes for bicycles and either bus rapid transit or rail; and replace parking spaces with greenery.
The winners of AIA Chicago’s Small Project Awards are on display through August 22 at 23 E. Madison St. “Not everyone needs a skyscraper,” reads the awards program’s tagline. The third annual Small Firm/Small Project Awards recognize quality in small Chicago architectural firms (nine or fewer licensed architects and interns) and small local projects. Projects were honored in four categories: Additions/Remodeling, Kitchens, New Construction, and Small Objects.