On View> Sarah Morris: Points on a Line
Sarah Morris: Points on a Line
The Wexner Center
1871 North High Street
Columbus, OH
Through April 15
Points On A Line, a 2010 film by artist Sarah Morris, takes two iconic buildings as its central characters, Mies van der Rohe’s Farnsworth House in Illinois and Philip Johnson’s Glass House in Connecticut (above). Commissioned by the National Trust for Historic Preservation, which owns both properties, the film is a meditation on the relationship between the buildings—Johnson, an acolyte of Mies and inspired by Farnsworth drawings, happened to complete his New Canaan house first—and the structures as they exist today. But it is the relationship of the architects themselves that becomes Morris’ narrative thread, serving as a springboard to explore their other architectural overlap: Johnson’s glamorized corporate interiors for the Four Seasons, the power-broker restaurant in the base of the Mies-designed Seagram building in Manhattan. Points on A Line underscores how our perception of a space is affected not just by its design but also its mythology.
Big changes are coming to Chicago’s streets, as AN has reported. One of the most visible, the city’s planned bike-sharing system, just took a major step forward with the selection of a vendor, Portland, Oregon-based Alta Bicycle Share and Public Bike System. The vendor will supply 3000 bikes and 300 solar powered charging stations this summer, according to the Chicago Tribune. The number will be upped to 5000 bikes and 500 stations by 2014. The Alta/Public partnership operates bike-sharing systems in London, Melbourne, Boston, Minneapolis, Toronto, Washington, D.C. and Montreal among other cities.
Today, Mayor Emanuel announced an additional $9 million in pledges for the Bloomingdale Trail, completing funding for the first phase of the elevated rails to trails project, according to the Sun-Times. The funds include a $5 million gift from Excelon, $1 million each from Boeing and CNA, and a $2 million commitment from the city, which, combined with $37 million in federal funds, will cover the $46 million cost of the first phase. The city and park advocates hope to raise an additional $36 million to complete the project, mostly through private, corporate, and foundation sources.
New York does a David Double-Take
In the hustle and bustle of city life, sometimes it’s hard to find the time to visit a museum. Luckily for time-strapped New Yorkers, a massive copy of Michelangelo’s David was trucked around Manhattan on Tuesday, stopping off at the Storefront for Art and Architecture for a manifesto series called “Double” exploring the implications of creating copies, fakes, and replicas before heading to its new home at the 21c Museum Hotel in Louisville, Kentucky. This David, by conceptual artist Serkan Ozkaya is a copy of a copy of the original Florentine model, reimagined twice as tall and painted gold, making it the perfect centerpiece for the evening.
Vikings Commit to Minneapolis…If They Get A New Stadium
It’s a story that’s been told in city after city. If you build it, they won’t leave. Professional sports teams hold cities hostage, playing on the loyalty of fans to get expensive, taxpayer-funded facilities, while displaying little civic loyalty of their own. Anyway! In Minneapolis, the Vikings have said they won’t decamp for Los Angeles if the city and state agree to help build a new $975 million stadium on the site of the Metrodome, according to the Star-Tribune.
In news that will surprise no one, Studio Gang is getting the star treatment by the Art Institute with a monographic show planned for fall 2013. Eavesdrop is certainly not immune to Jeanne Gang’s charms, nor do we dispute her talent, but her work is exhaustively covered in these pages and every other design publication as well as prestige glossies like The New Yorker. Last year, Studio Gang released a monograph of their work, as well as a book-length design proposal for the Chicago River. The firm’s contribution to MoMA’s Foreclosed exhibition just opened. Zoe Ryan and her team at the AIC, then, have given themselves a difficult task: how to show or say something new about the MacArthur-anointed genius architect. And next time, AIC, shine the spotlight on someone a bit less exposed!
AN has covered the Chicago Housing Authority’s “Plan for Transformation” from a variety of angles, including, most recently, one of the few public housing developments that is likely to be spared. Over at Places, MIT urban planner and historian Lawrence Vale takes a long look at the now demolished Cabrini-Green and the ongoing impact of the Plan, including how it has faired in the current real estate crisis. “Looking across a century of the housing that occupied this same benighted acreage, we can see striking parallels between Cabrini-Green’s slum-clearance origins in the 1930s and ’40s and the more recent fate of this site under the Chicago Housing Authority’s ongoing Plan for Transformation,” he writes.
On View> Stanley Tigerman: Ceci n’est pas une rêverie, in Chicago
Stanley Tigerman: Ceci n’est pas une rêverie
Madlener House, Graham Foundation
4 West Burton Place
Chicago
Through May 19
Curated by Yale School of Architecture Professor Emmanuel Petit, Ceci n’est pas une rêverie (“This is not a dream”), is a retrospective that examines the architectural and conceptual work of Stanley Tigerman (top, 1966). Occupying three floors of the Graham Foundation’s Madlener House, the exhibition is arranged in relation to nine dominant themes recurring throughout Tigerman’s 50 career: Utopia, Allegory, Humor, Death, Division, (Dis)Order, Identity, Yaleiana, and Draft.
A variety of media, including models, photographs, and archival documents, offer a sampling of the architect’s output, and the exhibition includes one of Tigerman’s best-known pieces, The Titanic, 1978 (above), a collage that explicitly critiques the state of architecture in the late 1970s with S. R. Crown Hall sinking into Lake Michigan.
After much wrangling between supporters and opponents, and numerous financial fits and starts, work on the Cincinnati Streetcar is breaking ground today, with a special appearance by federal Transportation Secretary Ray LaHood, according to Urban City. The 18-stop line will stretch from the river front through downtown and past Findley Market in the Over-the-Rhine neighborhood. Supporters believe the line will add a crucial piece to the ongoing redevelopment of Cincinnati’s core, which has included new stadiums, cultural facilities, and mixed-use developments. Major redevelopment is also taking place in Over-the-Rhine. Lookout Columbus, things are looking a lot more urbane in the Queen City.
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