Letter to the Editor> Sitting on the Dock

East, Letter to the Editor
Tuesday, September 2, 2014
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seaport-01

(Courtesy SHoP)

[ Editor's Note: The following letter was left in the comments section of archpaper.com in response to Alan G. Brake’s editorial “The Seaport Adrift” (AN 09_07.23.2014), which argued for more programming at Manhattan’s South Street Seaport, such as housing. Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

How would adding housing help connect the building to its surroundings? The seaport is inherently a destination for most of the people who use it. The pop-up food market was perhaps the best-suited program for the site.

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Letter to the Editor> Allure of the Glass Ceiling

02-alessandra-hotel-houston-archpaper

(COURTESY GENSLER)

[ Editor's Note: The following comment was left on archpaper.com in response to our Unveiled on the Gensler-designed Alessandra Hotel in Houston (AN 03_04.30.2014_SW). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

“Glass ceilings permit guests in the lobby to see through to the top floor restaurant.” That lobby will become the biggest gentlemen’s club in Houston.

Bill Wood
Rangeview High School

Letter to the Editor> Motor City Mouthful

Detroit's Michigan Central Station. (Juan N Only / Flickr)

Detroit’s Michigan Central Station. (Juan N Only / Flickr)

[Editor's Note: The following comment was left on archpaper.com in response to the editorial “Motoring Toward Destruction?” (AN 08_06.05.2014), which parsed the wisdom of Detroit’s blight removal program.Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com. ]

I’m failing to find a thesis in here, other than wholesale demolition = bad, which is something we’re well aware of. Other considerations that weren’t even mentioned in this are aspects of public safety (arson and the use of dilapidated structures in which to commit crimes, peddle drugs, etc.) and the question of revenue (clearing blighted structures for redevelopment). The article even mentions that of the 80,000 blighted structures, we’re attempting to save more than half.

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Letter to the Editor> Murmurs for Mummers

okc_mummers_theater_01

John Johansen’s Mummer’s Theater. (Courtesy Elliott+Associates Architects)

[Editor's Note: The following are reader-submitted responses to the editorial “Acceptable if not Noble” (AN 03_04.30.2014_SW), which considered the imminent demolition of John Johansen’s Mummer’s Theater in Oklahoma City and the renovation of Ulrich Franzen’s Alley Theatre in Houston. Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com. ]

There were local groups working hard to preserve and repurpose the Mummers Theater and conceptual plans put forth that incorporated the existing theater into a larger cultural and commercial mixed-use complex. My father supported and encouraged these efforts as an important and necessary evolution of this building, and architecture in general, to reinvent itself by adapting and embracing new ideas and technology.

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Letter to the Editor> Frothing Over Roth

East, Letter to the Editor
Monday, June 23, 2014
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(Roman Kruglov / Flickr)

(Roman Kruglov / Flickr)

[Editor's Note: The following are reader-submitted response to a back-page comment written by Pamela Jerome (“The Mid-Century Modernist Single-Glazed Curtain Wall Is an Endangered SpeciesAN 05_04.09.2014). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

I applaud Pamela Jerome’s comment piece, “The Midcentury Modernist Single-Glazed Curtain Wall is an Endangered Species.” As for Emery Roth’s output of iconic single glazed curtain wall buildings, they brightened the cityscape, especially on Park Avenue. Their output reflects a design that designates a specific period in our Architectural History, no different from the Palladian Buildings that are adjacent to the Brenta Canal.

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Letter to the Editor> Improvising Modernism

300, 320, and 350 Park Avenue. (Courtesy WASA / STUDIO A)

300, 320, and 350 Park Avenue. (Courtesy WASA / STUDIO A)

[Editor's Note: The following are reader-submitted response to a back-page comment written by Pamela Jerome (“The Mid-Century Modernist Single-Glazed Curtain Wall Is an Endangered SpeciesAN 05_04.09.2014). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

Pamela Jerome’s thoughtful comment on mid-century modernist curtain walls raises a number of important issues that deserve further study.

Having successfully redeveloped two major twentieth century commercial buildings, I believe that those buildings are probably the least understood in all of preservation theory. They were built by unsentimental men in pursuit of trade, commerce, and wealth. There was never a moment’s hesitation to alter them time and again as tastes changed, neighborhoods evolved, and tenants came and went. Those commercial cultural issues are just as important as the aesthetic issues inevitably associated with any building, and they are very hard to reconcile.

Continue reading after the jump.

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Letter to the Editor> Addressing themselves to the Skyline

East, Letter to the Editor
Tuesday, June 10, 2014
.
High above Manhattan. (FLICKR / CARUBA)

High above Manhattan. (FLICKR / CARUBA)

[ Editor's Note: The following are reader-submitted responses in reference to William Menking’s editorial “Will de Blasio Make Progress on Design?” (AN 05_04.09.2014). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

In your editorial “Will de Blasio Make Progress on Design?”, you seem to suggest that there is an inherent conflict between the development priorities of the new administration and the accepted tenets of good urban design. We disagree.

COntinue reading after the jump.

Letter to the Editor> Four-Wheeled Urban Whipping Boy

(GABRIEL WARTOFSKY)

(GABRIEL WARTOFSKY)

[Editor's Note: The following are reader-submitted responses in reference to Chip Lord’s book review of The Car in 2035: Mobility Planning in the Near Future (“Car Trouble” AN 11_12.18.2013_West). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please emaileditor@archpaper.com. ]

Boy, we get the shit end of every stick for being here in SoCal. Prof. Lord is right. The origami made car is the best thing here if we have to accept the reality of having cars around in 2035. The $7,000 price tag is probably the only real laugh in the book. Well done Dr. Lord.

Hudson Marquez
Ant Farm

Tax tax tax… and eliminate the individual. That’s the future. Not appealing.

Eva Tho
San Diego, CA

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Letter to the Editor> Right On!

san-precarious-archpaper

[Editor's Note: The following are reader-submitted response to the article “A Manifesto from the Architecture Lobby” (Protest AN 01_01.22.2014_MW). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com. ]

I read the article, “A Manifesto from the Architecture Lobby” and found every single word applicable to my own situation and my own firm. While we architects enjoy the perceived honor of our profession, it undermines the vocation’s viability as an occupation versus a good hobby.

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Letter to the Editor> Let There Be Light

The site could become part of the Grand Center arts and culture district. (Courtesy Gluckman Mayner)

The site could become part of the Grand Center arts and culture district. (Courtesy Gluckman Mayner)

[Editor's Note: The following are reader-submitted comments in response to the article “Born Again” (AN 02_02.19.2014_MW). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com. ]

This reminds me quite a bit of the never-built proposal, Bombed Churches as War Memorials (1945), published in London after WWII, which presented various designs for bombed-out churches to be preserved in ruined form with the addition of garden plantings and a few amenities.

Continue reading after the jump.

Filed Under: , ,

Letter to the Editor> Together Again

LAWRENCE W. SPECK AND OTHERS GET DOWN TO THE COLLABORATIVE BUSINESS OF ARCHITECTURE. (COURTESY PAGESOUTHERLANDPAGE)

LAWRENCE W. SPECK AND OTHERS GET DOWN TO THE COLLABORATIVE BUSINESS OF ARCHITECTURE. (COURTESY PAGESOUTHERLANDPAGE)

[Editor's Note: The following are reader-submitted comments in response to a back-page comment written by Lawrence W. Speck (“TogethernessAN 01_11.06.2013_SW), which called on the architecture profession to regard its creations as collaborative efforts, rather than the products of solo geniuses. Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

I am sorry to say that architects do NOT make buildings! To identify the field of architecture as an Industry leads to the inevitable subordination of architecture not as an intellectual pursuit capable of a transformative role in society to one of simply propping up the Status Quo.

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Letter to the Editor> Health Food and Historic Preservation

The Coignet Building in Gowanus, Brooklyn is believed to be the first concrete building in New York City. (David Gallagher / Flickr)

The Coignet Building in Gowanus, Brooklyn is believed to be the first concrete building in New York City. (David Gallagher / Flickr)

[Editor's Note: The following are reader-submitted responses to a pair of articles about the opening of an urban Whole Foods in Gowanus, Brooklyn, “Suburbs Meet City” (AN 03_03.05.2014), and the pending redevelopment of the Coignet Building on the site, “Set in Stone” (AN 03_03.05.2014). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

Thanks for the article (“Suburbs Meet CityAN 03_03.05.2014). About the note at the end referring to the project’s intent—is it possible that what could be a corporate marketing ploy on the front end positively contributes to a vibrant local culture? If consumers keep demanding this type of sensitive response from national corporations, I hope with time this business strategy evolves and matures from just local products and signs that say “Brooklyn” all the way to careful stewardship of a community, i.e. good use of the Coignet Building, etc. Thanks again.

Chris Hoal
Intern Architect
Gresham Smith & Partners

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