Massimo Vignelli—the world-renowned graphic designer and creative mind behind one of New York City‘s iconic past subway maps—has passed away at the age of 83. Earlier this month, it was reported that Vignelli was leaving the hospital to spend his final days at home with his family. At that time, Vignelli’s son, Luca, asked all those who were inspired by his father to send him a letter. Those letters quickly came pouring in from designers around the world. AN has compiled a few of these letters below and many more can be found on Twitter under #dearMassimo. Vignelli was truly a giant in the field and he will be missed.
The Glasgow School of Art—considered Charles Rennie Mackintosh’s masterwork—has caught fire, and early reports indicate that a large section of the building has been destroyed. Considered a “total work of art,” Mackintosh fused arts and crafts elements with a robust, almost industrial structure, which, in many ways, presaged the development of modernism. Steven Holl Architects recently completed an addition to the building, which AN just reviewed. Holl and design partner Chris McVoy released the following statements.
Eighty-five year old Frank Gehry has been named the laureate of the prestigious Prince of Asturias Award for the Arts for his design for the Guggenheim Bilbao. He beat out thirty-six other candidates to become the sixth architect to win this illustrious honor. Gehry’s titanium design for the Guggenheim opened in 1997 and helped to breath new life into the industrial city. According to the jury, “His buildings are characterized by a virtuoso play of complex shapes, the use of unusual materials, such as titanium, and their technological innovation, which has also had an impact on other arts. An example of this open, playful and organic style of architecture is the Guggenheim Museum in Bilbao, which, in addition to its architectural and aesthetic excellence, has had an enormous economic, social and urban impact on its surroundings as a whole.”
This year, the Europe-based New Cities Foundation is bringing its annual New Cities Summit to the Dallas Arts District, from June 17 to 19. Eight hundred global thought leaders will convene at the Winspear Opera House to listen to speakers, engage in workshops, and take advantage of world-class networking opportunities. The Architect’s Newspaper is one of the summit media partners. AN Southwest editor Aaron Seward recently spoke to Mathieu Lefevre, the Executive Director of the New Cities Foundation, about what the organization has on tap for this year’s summit, whose theme is Re-imagining Cities: Transforming the 21st Century Metropolis.
Aaron Seward: Let’s start by getting some background on the New Cities Summit. What is it? Why did it start? And what does it hope to achieve?
Mathieu Lefevre: The New Cities Summit started when the New Cities Foundation was set up, in 2010. It’s a non-profit whose mission is to make cities better. The event is aimed at shaping the global conversation and adding to the creative thought leadership surrounding how to shape what we are calling the Century of Cities. We held the first summit in 2012 in Paris; then we went to São Paulo, Brazil, in 2013; and this year we’re coming to Texas.
After traveling all over the Western Hemisphere to inspect built work by emerging architects from Canada to Chile, a team of judges awarded the first-ever Mies Crown Hall Americas Prize on Tuesday, bestowing $25,000 and an offer to teach at the Illinois Institute of Technology (IIT) on Mauricio Pezo and Sofia Von Ellrichshausen for their poetic Poli House, perched above the Pacific Ocean on a cliff in Tomé, Chile.
As we’ve noted before, water-surrounded Taiwan has become ground zero for ambitious port projects, from Neil Denari’s Keelung Harbor to Reiser Umemoto’s Kaohsiung Port Terminal. The latest, the Port of Kinmen Passenger Service Center, has just been awarded to Japanese firm Junya Ishigami + Associates, for a series of undulating landform buildings that all but disappear beneath their green roofs. Second and third place went to California firms, Tom Wiscombe Architecture, for a design featuring five crystalline structures hovering over a large box, and Lorcan O’Herlihy Architects (LOHA), for a grid of folded triangular planes weaving through and above a public park. Runners up were Spanish firms EMBT and Josep Mias Gifre.
The board of the Venice Biennale announced today that Phyllis Lambert is the 2014 recipient of the Golden Lion for Lifetime Achievement for the 14th Architecture Biennale, Fundamentals. Best known for championing the selection of Mies van der Rohe to design the Seagram Building for her family and for founding the Canadian Centre for Architecture, Lambert has worked as an architect, author, curator, and advocate for contemporary architecture and historic preservation.
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Dynamic steel and PVDF structures shelter campers in style.
In South Korea, glamping—or “glamorous camping”—is all the rage. The practice combines conventional camping’s affinity for the outdoors with hotel amenities, including comfortable bedding and fine food. Seoul firm ArchiWorkshop’s prefabricated, semi-permanent glamping structures are a design-minded twist on the traditional platform tent. “We [set out to] create a glamping [tent] that gives people a chance to experience nature very close, while also providing a uniquely designed architectural experience,” said partner Hee Jun Sim. “There are many glamping sites in Korea, but they’re actually not so high-end. We were able to bring up the level of glamping in Korea.” Read More
Bernard Tschumi’s first project in Italy appears to be on hold—if it is not dead altogether. The regional Superintendence for Architecture and Landscape Heritage has blocked plans for the architect’s cultural center, called “ANIMA”, which was scheduled to open in Grottammare in 2017. The announcement about the plan’s fate was made the same day a retrospective on Tschumi’s work opened at the Pompidou Center in Paris—a retrospective that includes ANIMA, which stands for arts, nature, music, action.