Peter Lang called this morning with the sad news that Superstudio member Alessandro Magris has died in Florence, Italy. Born in 1941, Magris joined the group in 1970 after graduating from the University of Florence, and was responsible for the general organization of the Superstudio office. He continued a practice long after the demise of Superstudio, specializing in the restoration of historical monuments and residential and commercial renovations. He is the brother of Roberto Magris, also a member of Superstudio, who died in 2003.
The past ten years have seen an impressive amount of economic growth and infrastructural development in India, and the nation is becoming more and more a well established market for American architectural talent. This trend doesn’t seem to be changing as we embark on a new decade. One sign of that is the September 2009 opening of an office in Mumbai by structural engineering firm Leslie E. Robertson Associates (LERA). Founded in 1923 in New York City, LERA has contributed its services to many of the city’s iconic structures (such as the World Trade Center) and has designed buildings all around the world, but this will be its first foreign office. A release by the firm cited a “growing workload” and the need to “facilitate client relations” as key reasons for the opening. LERA will join a number of other American architecture firms that have recently opened branches in the subcontinent, including HOK and Perkins Eastman. See some of the projects LERA has worked on after the jump.
Just when things were looking bleak for print, here comes new bi-monthly European publication Panorama, which has already been billed by one blogger as Europe’s answer to the Architect’s Newspaper. The printed (yes, PRINTED!) glossy broadsheet is published by the makers of Future Arquitecturas, a magazine on international competitions. A one year subscription will cost £15.00 in Europe and £17.00 in the rest of the world. We found its Facebook page here. No response yet from the pub, but it appears Panorama began last year, and is published in both English and Spanish. According to the RIBA bookshop, the January issue included an interview with Spanish architect Carlos Ferrater as well as stories on the new Dallas Theater Center, on plans for the new home of the National Archives of France, and Andalusia’s tallest building, The Towers of Hercules. We’re so proud of our little printed sibling.
With all the notice being paid to the new U.S. embassy this week, an even bigger (physically if not psychically) project just next door was overshadowed as it won a key approval yesterday. Rafael Viñoly’s massive Battersea development, which will turn the iconic Battersea Power Station and 40 surrounding acres (once on the cover of a Pink Floyd album) into a huge mixed-use community, won approval from the Commission for Architecture and the Built Environment. According to our colleagues at BD, the CABE found the 5.5 billion pound project to be “intelligent and well-resolved.” Read More
Architecture writer Robert Booth reports in The Guardian that the only two British jurors on the selection committee for the new U.S. Embassy in London pronounced that the Kieran Timberlake design was “not good enough to represent one of the great nations in London.” Whether in meetings or in a “Minority Report” remains unclear, the two Lords on the jury, architect Richard Rogers and developer/art collector Peter Palumbo, allegedly found the design boring and that they “fought to the death” to swing votes in favor of the Thomas Mayne scheme that they considered “touched by genius.” Read More
The famed Italian architecture and design magazine Domus announced new leadership today, with the reinstatement of former editor-in-chief Alessandro Mendini for an eleven-issue term beginning in April. Joseph Grima, until recently the director of the Storefront for Art and Architecture in New York, has been brought on to bolster the magazine’s web and international presence and will take over as editor-in-chief following Mendini’s term.
The somewhat unusual arrangement will give Grima time to rethink the magazine’s content across media platforms, while the print edition continues under the steady hand of Mendini, who has previously edited Domus, Modo, and Casabella magazines. Deputy editor Stephan Casciani has also being retained. According to a statement from the magazine, Domus has an international circulation of approximately 51,000 copies. Read More
Is Italy returning to medieval-era warfare between city-states Milan and Venice? AN’s own Julie V. Iovine reports from Milan that Milanese and Lombardy officials are more than a bit miffed that Venice is proposing to start its own design fair in 2011, seeking to steal the spotlight from the nation’s long-established epicenter of design. Read More
There’s never been a Pecha Kucha in Port-au-Prince before. But on February 20, some 280 cities across the globe that have hosted the 20-seconds-per-20-slides architecture presentation cum party will join together to try and raise $1 million for Architecture for Humanity’s relief efforts in Haiti. As the Pecha Kucha people put it on their site, it only took a matter of seconds for hundreds of thousands of lives to be forever changed. Hopefully, 200,000 design-savy, humanitarian-minded types will get together for a few more seconds in a week-and-a-half and start to put things back in order. Read More
Engineering News Record brings us the news that the U.S. Embassy in Port-au-Prince is one of the few major buildings to survive the January 12th earthquake with only minor damage. According to the report, the facility remained functional during and after the earthquake: the electricity stayed on, communications systems continued to function, and water and air kept operating. As a result the building has become an important center for relief efforts. The reason that the 134,000-square-foot structure escaped the general devastation seems to be that it was built recently in accordance with the International Building Code and the State Department’s Overseas Building Operations requirements. The building was constructed between 2005 and 2008 as a design-build project by New York City-based Fluor Corp, was bolstered by reinforced concrete shear walls, and had mechanical and electrical systems built to withstand seismic events.
First there was Ezra Stoller, then Julius Shulman. Now comes Iwan Baan, who is furiously “remaking the genre” of architectural photography, as Charles Renfro put it to Fred Bernstein in Sunday’s Times. Baan, while only 34, has an exploding, explosive list of clients. As Bernstein explains, “Mr. Baan’s work, while still showing architecture in flattering lights and from carefully chosen angles, does away with the old feeling of chilly perfection. In its place he offers untidiness, of the kind that comes from real people moving though buildings and real cities massing around them.” It is for this reason, among many others, that Baan was selected as one of a dozen photographers in our annual Best Of issue, now online. Not surprisingly, his work turns up throughout, bringing to life everything from the High Line’s lighting to 41 Cooper Square’s facade. Do think of calling on him—as well as the hundreds of other contractors, fabricators, and suppliers in Best Of—next time you need a smart hand or steady eye on one of your projects.
If you happen to be a fan of Kurt Anderson’s wonderful radio show Studio 360, perhaps you tuned in this weekend for the trip to Japan, a fascinating account of a place that seems at once otherworldly and yet so much like our own. If not, dare we suggest you tune in for the whole hour. Or, at the very least, consider the wonderful segment on Japanese design. In it, Anderson interviews architectural master Shigeru Ban and the up-and-coming couple behind Atelier Bow-Wow, as well as a fashion designer and a poet. At issue is that undeniable “Japanese-ness” that undergirds their work and that of their country, how it is shaped by their tiny, overcrowded island and, more recently and perhaps importantly, the economic collapse of the 1990s.