British architect John Pawson was in town recently, conferring with a client about their new apartment in one of Richard Meier’s Perry Street towers and supporting another whose film was premiering at the Museum of Modern Art. He took time out for a coffee to talk about the upcoming show of his work at the London Design Museum opening on September 22, as well as his new home for the museum—announced last month—within the repurposed Commonwealth Institute, aka the Parabola Building, a swoopy 1962 white elephant designed by RMJM in West London. (Also going on the site is a controversial Rem Koolhaas-designed apartment building.) Read More
How to make the Danish Pavilion at the Shanghai Expo truly a national symbol? Add some bike lanes, of course. Bjorke Ingles, head of BIG Bjorke Ingles Group and designer of the pavilion, takes us on a tour, via Archinect. (Be warned, though. Instead of soundtracking this with the Raveonettes or Kashmir, whoever put this together went with arguably the worst song ever, “I Got a Feeling” by the Black Eyed Peas. You may want to mute your sound before hitting play.)
Terrible music aside, why is Scandinavian architecture so much fun?
Americans do like soccer, contrary to what many around the world believe. American architects, though? Hard to say.. But even for the most soccer-agnostic architects, there are four good reasons to watch — or at least glancingly pay attention to — this year’s World Cup in South Africa. Four of the 10 stadia designed or renovated for this year’s quadrennial World Cup really are worth checking out beyond the context of international soccer matches. These stadia will be long-lasting legacies of the World Cup; that’s good news for people who want to check these structures out, but potentially bad news for the cities that have invested hundreds of millions of dollars in what may become massive white elephants. And here they are, AN’s favorite four!! Read More
The U.S. Department of State has announced that Workshopping: An American Model of Architectural Practice will represent the United States at the 2010 Venice Architecture biennale, opening on August 29. The State Department selected the exhibit, organized by the High Museum of Art in Atlanta and co-curated by the museum’s principal curator Michael Rooks with Jonathan D. Solomon, founding editor of the series 306090 Books, in an open competition following the recommendation of the Federal Advisory Committee on International Exhibitions, convened by the National Endowment for the Arts. Read More
And you thought your apartment was small. Gary Chang, a Hong Kong architect, has outdone us all, managing to cram 24 “rooms” into his 344-square-foot box apartment through the clever use of movable walls, murphy beds, and other various architectural tricks. As he explains in the Reuters video above, it’s the perfect bachelor pad. “I realized that at one moment, I’m performing only one task, so the ideal thing for me is, I don’t have to move, I’m quite lazy, but the place changes for me,” Chang explains. It’s a far cry from his upbringing in the space, however, when he shared it with his parents, three sisters, and a tenant. Should he ever get a girlfriend, he’ll surely find a way to manage.
Dennis Crompton and Michael Webb plugged into the London launch of the Archigram website on Monday from New York City via a Skype connection to Westminster University. The two Archigrammers were meant to be present at the launch, but the Eyjafjallajökull volcano grounded their planes and kept them from joining Peter Cook and David Greene, who was scheduled to be at the event. So Crompton walked the assembled Londoners through the website from his Skype-enabled computer screen in Lower Manhattan. Read More
It’s hard to remember that the phenomenally influential Archigram only worked together as a group for two years: 1962–1964. But all six members (four are still living) carried on extremely active practices on their own, sometimes in combinations with other members, and they produced an amazing body of work. The University of Westminster has embarked on an archival project to assemble this creative output in digital format and make it available online. Though this monumental task is far from complete, the university has amassed almost 10,000 images, and will go live with the website on Monday at 7 p.m. London time at a special event. I have been planning on flying over for the occasion, and, should Iceland’s volcanic eruption permit, will be in Westminster to report on it next week.
We recently reported on the defacement of John Hejduk’s Kreuzberg Tower and Wings in Berlin, the architect’s poetic 1988 project built as part of the IBA program. After an international outpouring of angst over the developer’s “renovation” of the building—in just two weeks, more than 3,000 people signed an online petition, with testimonials penned by architects including Peter Eisenman, Steven Holl, Thom Mayne, and others—the building’s managers, BerlinHaus GmbH, have now said they will meet with the design community to take public opinion into consideration, and perhaps rethink their plans. Read More
In the latest issue of the paper, Lebbeus Woods pays tribute to his friend and colleague Raimund Abraham, who died last month. Here, we gather together a survey of the visionary architect’s work, both built and—perhaps more importantly—unbuilt, for as Woods recounts of Abraham, “Building, he believed, necessarily violates nature’s wholeness, and must be done with a full awareness of consequences.” Click the image above of Abraham’s best known building, the Austrian Cultural Forum in New York, to begin the slideshow. (Special thanks to Stefan Heßling for generously sharing his images of Abraham’s musikstudio in Germany.)
You can also watch Abraham’s last lecture, delivered at SCI-Arc the night of March 3. He died in a car accident on his way home.
A new book argues that Jesus was not the son of a humble carpenter after all, but instead, of a well-respected architect. “The Jesus Discovery,” written by Dr. Adam Bradford and published by Christian UK publishing company Templehouse, revisits the New Testament in its original Greek and concludes that Joseph’s profession has suffered from a mistranslation for the past two millennia.