On Saturday, Icelanders celebrated the opening of the Harpa Concert Hall in Reykjavik. Designed by Henning Larsen, the building features a colorful, prismatic facade, developed in consultation with the artist Olafur Eliasson. The architects and the artist drew inspiration from basalt stone formations found along the Icelandic coast. The building has both a rugged power, and yet the colorful facade, which changes throughout the day according to light conditions, is inviting. Read More
With a background in engineering, artist Ricardo Cid uses visualization to understand and reimagine everything from periodic elements to playing the sax. Here he flies through a presentation for the AN staff, leaving us more than a little fascinated, if not, at moments, a little perplexed.
Frank Gehry is looking to sell his archive, Richard Meier opens his Queens storage room for models to visitors by appointment, and now Renzo Piano is giving back, too. On June 10, his eponymous foundation launched a new awards competition to encourage young Italian architects, a rare breed these days.
To that end, the competition was open to designers under 40 with an office in Italy presenting a constructed work. The jury, composed mostly of architectural magazine editors, whittled 69 entries down to three winners who demonstrated “innovative and poetic space research.” The purse for the prize was 10,000 euros each.
The top honor, handed out in June, went to Iotti+Pavarani architects based in northern Italy. Piano was particularly impressed with their recently completed Domus Technica building, a training and innovation center for a manufacturing company in Brescello, Italy. Honorable mentions were bestowed upon ARCó and carlorattiassociati.
Looking to brighten up the party at the 2012 Milan Furniture Fair and beyond, Heineken plans to sponsor a pop up club contest. The idea was hatched at the fair two years ago when global design and concept manager Mark van Iterson visited the Salone. The company was on the lookout for an ephemeral marketing idea that would make a nice splash–a beer equivalent of a concept car or couture, a top tier notion with a nice trickle down effect. But when the Icelandic volcanic ash kept him earthbound longer than he expected, he decided leave the exhibits and hit the party circuit instead. It was at one of the fair’s many venues he had his Isaac Newton moment. “I found it a bit dull, and we were waiting 40 minutes to get a drink, and we thought “we can do this so much better–that’s our business.”
If you haven’t heard by now, Pyeongchang, the mountainous South Korean town located in Gangwon Province, 112 miles outside of Seoul, has won the bid to host the 2018 Winter Olympics. Helping secure the win was the $1.4 billion dollar, 1,240-acre Alpensia Resort, which was completed in 2009. It will become home to the Olympic Village, several competitions and the opening and closing ceremonies. Nicknamed “Alps in Asia”, the alpine-style village was designed as an all-season, year-round destination with the help of Cuningham Group Architecture, whose LA office oversaw the design and master planning.
Of Sand and Stone. On September 8th, Milan-based architect Mario Cucinella will break ground on his One Airport Square project in Accra, Ghana’s capital city. The 230,000 square foot structure of irregular cantilevered floor plates embraced by a web of diagonal concrete supports meant to evoke traditional African patterns. Plans call for a dynamic pedestrian plaza with shops and cafes topped with commercial space. Solar panels are integrated among cantilevered terraces with indigenous fauna to protect the building from the scorching sun.
The famed stage designer Robert Wilson is trying his hand at park design with a new commission in Helsinki dedicated to the memory of the designer Tapio Wirkkala, according to The Art Newspaper. The rectangular park–a garden, really–will be divided into nine rooms, each symbolizing different domestic spaces. One outdoor room, for example, will feature a small fireplace surrounded by stone seating. Read More
“Clockwork City” is the fantastical vision of animator Roy Prol calling for a city of rotating rings that change the notion of getting around in large city. As the video (after the jump) notes, the 3,000 meter diameter “Clockwork City” won’t need cars or even transit since work and home are a mere minutes away, anywhere in the city. The city itself is in effect one large form of public transportation. To get to work, the video notes, “Just wait at home until you see your workplace closer.”
Four concentric rings each 280 meters wide housing offices, residential, industrial, and agricultural/energy zones are traversed by smaller cogs joining them together. Boldly proclaiming “endless movement” complete with the prospect of an ever-changing skyline, it’s unclear how such a “Clockwork City” could be built or sustained. What are your thoughts? (Via Digital Urban.)