This week in Venice, the New York–based Van Alen Institute convened a group of leaders at 13 top architecture firms to brainstorm ideas that will guide the non-profit institution with an increased international perspective. The group will meet twice a year “to identify and investigate issues facing cities internationally, and to guide the impact of the Institute’s public programming, research, and design competitions,” according to a press release from Van Alen. The goal is to find topics that the institute can explore more deeply in its ongoing efforts such as Elsewhere: Escape and the Urban Landscape exploring our relationship with urban life.
The 2014 Venice Architecture Biennale is a bit like walking into a giant research project. If the exhibition The Elements of Architecture is not necessary thrilling to the spirit it is at least full of ideas on the basics of construction. It is possible to walk through a dozen times and come away with new information and concepts. Here is a quick look at several of the ideas in this intellectual project masquerading as an exhibition.
It’s day two at the 2014 Venice Architecture Biennale and AN had a chance to run through Monditalia in the Venetian arsenal while workers and young architects were feverishly finishing their installations. Here is a selection of iPhone image of projects we saw on our whirlwind tour.
When Rem Koolhaas gave the 14th Venice Architecture Biennale the theme Fundamentals, he promised to create a research-based exhibition that would consider both the universal and place-specific aspects of the discipline. Serving as a counterweight to the multidisciplinary but single-country-focus of Monditalia, which fills the Arsenale at the Venice Biennale, the Central Pavilion in the Giardini is hosting The Elements of Architecture, which looks at the basic components of building around the world: the floor, walls, windows, stairs, elevators, etc. Based on a book of the same name, the exhibition juxtaposes the mundane and the cutting edge, building science with artistic interpretations, historical facts with speculative futures.
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Ribbons of laser-cut metal lamellas envelop a glass curtain wall.
J. MAYER H. Architects designed the sculptural anodized aluminum facade of JOH3, a Berlin apartment building located near both the Friedrichstrasße and Museum Island, as a contemporary echo of its historic neighbors. “The project is located in an old part of Berlin, where there are lots of facades with stucco detail,” said project architect Hans Schneider. “We tried to do something as rich with a new design, something like Jugendstil [the German Art Deco movement] but in a modern translation.”
AN just had a quick Arsenale walkthrough of Radical Pedagogies: ACTION-REACTION-INTERACTION by creator and Princeton professor Beatriz Colomina. The Arsenale has been given over in this biennale to Monditalia, a single-theme exhibition with exhibits, events, and theatrical productions engaging Italian architecture with politics, economics, religion, technology, and industry. In this installation the other festivals of la Biennale di Venezia—film, dance, theatre, and music—will be mobilized through the architecture event to contribute to a comprehensive portrait of the host country.
AN is already in Venice preparing an edited list of the best of the 2014 Venice Architecture Biennale. The biennale in years past was confined to the spectacular Arsenale and the pavilion-filled giardini (some of the pavilions were designed by Carlo Scarpa), but one of the big changes in the past two biennials is the number of off-site events, pavilions, and installations that now participate in the architecture fair.
Nearly two years after preliminary discussions and planning, the Chinese studio MAD has set their project “Urban Forest” into motion, breaking ground in late April. Led by renowned architect Ma Yansong, MAD architects intends to transform the city of Beijing, China by erecting eco-friendly buildings—called Chaoyang Park Plaza—in the shape of natural landscapes commonly found in Southeast Asia.