Singapore’s largest private property developer, the Far East Organisation, is the latest client of the Amsterdam-based architect UNStudio. The project in question is The Scotts Tower, a high-end residential building with the ambition to achieve “vertical city planning”–a concept perhaps inevitable in evermore crowded Asian cities. According to Ben van Berkel, UNStudio principal, the project is to “create neighborhoods in the sky; a vertical city where each zone has its own distinct identity.”
It must have been a rough day at MVRDV’s Rotterdam offices after their newly unveiled Cloud tower set to be built in Seoul, South Korea went viral in a bad way. MVRDV envisioned two towers shrouded in pixelated mist, but others saw the image of a plane hitting the World Trade Center in New York, half a world away. MVRDV released the following statement on their Facebook page along with an early conceptual drawing showing the inspiration for the tower, in a much more literal cloud:
A real media storm has started and we receive threatening emails and calls of angry people calling us Al Qaeda lovers or worse.
MVRDV regrets deeply any connotations The Cloud projects evokes regarding 9/11, it was not our intention.
The Cloud was designed based on parameters such as sunlight, outside spaces, living quality for inhabitants and the city. It is one of many projects in which MVRDV experiments with a raised city level to reinvent the often solitary typology of the skyscraper. It was not our intention to create an image resembling the attacks nor did we see the resemblance during the design process. We sincerely apologize to anyone whose feelings we have hurt, the design was not meant to provoke this.
Check out all of the renderings over here. What do you think? Is this too reminiscent of the Twin Towers? Do you see a cloud or an explosion frozen in time?
Seoul’s Yongsan International Business District, a new district designed to lift the city’s architectural appeal as an international business destination, is filled with wild promises: the world’s second tallest tower (‘Dream Tower’) to be completed by 2016, the Libeskind-designed, 28-trillion-won ($22.6-billion) ‘Dreamhub’ project, and now MVRDV’s The Cloud.
Lego is giving architecture fans the chance to vote for the next model in its Architecture Series. Among the expected architectural wonders, like the Coliseum and the Eiffel Tower, more modern choices include Foster and Partners’ 30 St. Mary’s Axe (aka The Gherkin), Moshe Safdie’s Habitat 67, and Santiago Calatrava’s Turning Torso. Current structures in the series—which began in the 60’s but was discontinued until recently— include Frank Lloyd Wright’s Fallingwater, SOM’s Burj Khalifa, and Mies van der Rohe’s Farnsworth House.
Finally, one of our classic futurist expectations (something you might see in Futurama) is about to be fulfilled: architecture assembled by a swarm of flying robots. With robots apparently planning a takeover of the construction industry, how long until the iconic yet dangerous “Lunch atop a Skyscraper” (from the 1930s) is a thing of the past?
Los Angeles firm tec Architecture and Dutch interior designer Marcel Wanders are partnering to create Kameha Bay Portals, a luxury resort and spa in Mallorca, Spain set to open early in 2013. Located on the island’s posh south coast, the building will take shape out of a nondescript 1960’s concrete building, but according to tec Architecture the 55,000 square foot project is more a reinvention than a renovation.
By our watch here at The Architect’s Newspaper HQ, it’s 11:11:11 a.m. on 11/11/11. We’re pretty excited that the date and time looks a little like a miniature Manhattan skyline! Continuing on our theme of absurdity (previously, architectural models), check out this delightful video put together by the New York-based Koren Ensemble to commemorate this special day. Some say so many 11’s is certainly a lucky event, so be sure to make a wish when the clock strikes 11:11 the second time around.
German photographer Frank Kunert is out to challenge your sense of perception and expectation with his meticulously crafted and hilariously absurd miniature scenes. His series “Photographs of Small Worlds” presents glimpses into mundane vignettes gone awry, where doors don’t meet balconies, diving boards lead to giant toilets, or an office is eerily underwater. Each model takes weeks—and sometimes months—to build, and Kunert is a perfectionist who won’t stop until every detail is just right. The end result is well worth the wait.