The Biennale Architettura 2010 in Venice will open a month earlier than usual this year, with the media vernissage set for August 26–28. The Architect’s Newspaper will be there blogging daily on Kazuyo Sejima’s curated exhibition People Meet in Architecture, bringing you reports from all the national pavilions, collateral exhibits, and of course the parties. Read More
More than six months after January’s catastrophic earthquake, Haiti’s need for new infrastructure remains an urgent challenge for the many nonprofit groups seeking to rebuild nearly 300,000 structures across the country. Among them is Plan International, a children’s development organization that has worked in Haiti since 1973. Having mobilized in the wake of the earthquake to build transitional schools, among other reconstruction projects, this summer Plan completed a cluster of six classrooms in Jacmel, in the country’s southeastern region, as the first step toward an ambitious goal of building 80 classrooms throughout Haiti by September. Read More
Word spread yesterday that Dresden-born, Deconstructivist-inspiring architect Günter Behnisch had died. His son’s firm, which had taken on much of his work, sent around the following announcement today. There will be a memorial service tomorrow in Stuttgart, Behnisch’s long-time home.
Professor Günter Behnisch passed away in the early morning hours of July 12th at the age of 88. A good three years ago he retreated from professional life. Since then he has lived, weakened by several strokes, in his home in Stuttgart-Sillenbuch, where his family cared for him. Read More
British architect John Pawson was in town recently, conferring with a client about their new apartment in one of Richard Meier’s Perry Street towers and supporting another whose film was premiering at the Museum of Modern Art. He took time out for a coffee to talk about the upcoming show of his work at the London Design Museum opening on September 22, as well as his new home for the museum—announced last month—within the repurposed Commonwealth Institute, aka the Parabola Building, a swoopy 1962 white elephant designed by RMJM in West London. (Also going on the site is a controversial Rem Koolhaas-designed apartment building.) Read More
How to make the Danish Pavilion at the Shanghai Expo truly a national symbol? Add some bike lanes, of course. Bjorke Ingles, head of BIG Bjorke Ingles Group and designer of the pavilion, takes us on a tour, via Archinect. (Be warned, though. Instead of soundtracking this with the Raveonettes or Kashmir, whoever put this together went with arguably the worst song ever, “I Got a Feeling” by the Black Eyed Peas. You may want to mute your sound before hitting play.)
Terrible music aside, why is Scandinavian architecture so much fun?
Americans do like soccer, contrary to what many around the world believe. American architects, though? Hard to say.. But even for the most soccer-agnostic architects, there are four good reasons to watch — or at least glancingly pay attention to — this year’s World Cup in South Africa. Four of the 10 stadia designed or renovated for this year’s quadrennial World Cup really are worth checking out beyond the context of international soccer matches. These stadia will be long-lasting legacies of the World Cup; that’s good news for people who want to check these structures out, but potentially bad news for the cities that have invested hundreds of millions of dollars in what may become massive white elephants. And here they are, AN’s favorite four!! Read More
The U.S. Department of State has announced that Workshopping: An American Model of Architectural Practice will represent the United States at the 2010 Venice Architecture biennale, opening on August 29. The State Department selected the exhibit, organized by the High Museum of Art in Atlanta and co-curated by the museum’s principal curator Michael Rooks with Jonathan D. Solomon, founding editor of the series 306090 Books, in an open competition following the recommendation of the Federal Advisory Committee on International Exhibitions, convened by the National Endowment for the Arts. Read More