In late September, the Swiss furniture company USM unveiled three fall colors for their iconic Haller shelving and storage system. First selected in the 1970s, the reissued orange, brown, and beige colors offer warmer options for the system, which is probably most often seen in black or white. A sunny yellow option was unveiled last year. An installation of the new colors on view at USM’s showroom at 28-30 Greene Street in New York. Read More
The School of Missing Studies and Slought Foundation have recently returned from a “photo safari” to Petrova Gora in Croatia, one of many languishing memorials from the socialist era of the former Yugoslavia. Conceived in 1981 by Vojin Bakić, a Croatian sculptor who won many state-funded commissions, working with the architect Branislav Šerbetić, the project was designed as a 12-story-tall social center, set on the site of a Partisan field hospital used during World War II. Finally completed in 1989 as a monument to Yugoslavia’s resistance fighters, the memorial was used as intended for only a brief period before the Balkan crisis erupted. The wars that ensued scattered refugees around the region, and practically erased the political cause this structure was meant to embody. Read More
According to the group Jewish Voice for Peace, Frank Gehry has signed a letter supporting an Israeli settlement boycott. Gehry is among an international group of artists and performers who have signed a letter supporting a group of Israeli actors and playwrights who have refused to play at the new theatre in Ariel, a large Jewish settlement in the occupied territories. Gehry, who previously withdrew from the commission to design the Museum of Tolerance in Jerusalem, joins pianist and conductor Daniel Barenboim, composer Stephen Sondheim, actors Julianne Moore and Cynthia Nixon, film director Mira Nair, playwright Tony Kushner and many others. Gehry’s office confirmed his support of the boycott.
The 2010 Venice architecture biennale closed on Saturday—at least for media representatives, as journalists were required for the first time to turn in their press passes and enter as public citizens (tickets, $25). I hated giving up that pass as it allowed me access to the exhibitions both at the Arsenale and in the giardini, home of the national pavilions. Though Venice is hardly a major military installation there are canals in the area that are off-limits to civilians; a water taxi driver informed my group that only a special permit would get us into the canal so I produced my press pass and he said “va bene” and he drove us up the canal. The power of the press! Read More
Nothing much to report from yesterday, as it was a day of formal openings when very little was in fact open to the press or public. It was mostly a day of introductory speeches by biennale directors and city and government officials. Frank Gehry presented some models, made a few brief remarks, and then everyone headed for the hallway, where we had our first free prosecco and great little appetizers. Journalists and media types stood around asking about where the best parties were to be had in the coming days (more on this later). Read More
Now that the pavilions have begun arriving at the Grand Canal, that other great architectural exhibition of the summer has faded into memory. No, we’re not talking about the one in Pasadena. Or at P.S.1. Not the Serpentine. This would be the Shanghai World Expo, which did have some pretty great pavilions upon its opening in June. Not among them, sadly, was the U.S. Pavilion, in large part because we refused to front the money for the structure, and so it got farmed out. Now, Marketplace has a report from the pavilion that pretty perfectly encapsulates the problems and perseverance of the little pavilion that couldn’t, even how it has won over many Chinese, what with their love with propaganda and irony.
No, not the Fascists—that was 2008, when the Northern League held its national rally at the entrance gates of the biennale giardini. I mean the architects! They have arrived in droves, and it’s easy to spot them walking along the Grand Canal absorbing the searing heat and humidity of August in Venice. The second day of reading press releases, walking the giardini, and visiting collateral exhibitions reaffirms my sense that there is more art in the 2010 biennale than architecture. This is, of course, not necessarily a bad thing, and many of these installations do consider architectural questions. But it makes one wonder why national pavilions make the decisions they do about the architectural conditions in their country. Read More
The Venice biennale does not open officially to the press until Thursday, August 26, and just about all of the national pavilions in the giardini are madly rushing to finish before that date. All the pavilions that is, except sadly the crumbling Venezuelan pavilion, which will not have an exhibition in it this year. Read More
The Venice Architecture Biennale has traditionally opened later in September. But this year, because of a scheduling conflict, it is opening on August 29 and will remain open until November 21. We will be blogging from the biennale during the press preview and beyond, so watch for our posts of events, press conferences, and parties. If you want a list of official biennale events you can of course check their website, along with the new iPhone app that launched today. But this year there seem to be more collateral events to the official program than ever before. Read More